Love Steaks

Very nice indie movie with two great leads - featuring the German Joaquin Phoenix ;) - and a cool plot. Cinema in your face. A Boy-meets-Girl-Story in the surrounding of a luxury resort at the Baltic Sea. She has problems with alcohol, he is very shy and reluctant. They meet in the hotel and help each other to overcome their respective shortcomings. I liked the characters and especially the editing. It gives the movie a special look and makes it fun to watch. Lots of apparently unscripted dialogue, fresh and authentic acting. Great music too, German Indie mixed with international stuff. Looks like we are getting - slowly but surely - a veritable scene of young German filmmakers, actors and producers who are able to deliver high-quality work. Recommended for lovers of the German Independent film, such as Axel Ranisch, Tom Lass, Nico Sommer...

We are a guest in the lives of two German young people who work with all their naturalness. Immersive, emotional, funny, the film makes you experience the story. The acting is successful, the director jakob lass does a good job. Romantic drama lovers should not miss it. I liked it very much, I recommend it. My grade is 10/8.8. Enjoy watching.

It is a very strange dance these two fine young actors do.. you never know quite where it is going.. and you find it hard to take your eyes off them. The audience for such a film will be very small, it is as far from any mainstream film as one can find. But with many such films they can drift off into unwatchable territory, and although this production time and again flirts with going over the edge, each time it returns to keep us involved. And when it's all over, you're not entirely sure what you have witnessed, but feel as though it was worth your time spent.

This should have been an easy movie to like: coworkers discover romance while fighting their personal demons. And it feels weird and wrong to cry, "Too much realism!" But that was the problem, for me. Sous-chef Lara is a likeable person, when she isn't drinking. When she drinks, I'm reminded why I avoid alcoholics and other addicts like the plague - they're just unbearable to be around... and to watch. The acting was so good I couldn't stand it, on a par with Ben Gazzara in "Tales of Ordinary Madness" (Italy/France, 1981). And it doesn't help that she works with a bunch of only nominally adult jackasses in a kitchen where the noise never ceases.

Masseur Clemens is portrayed annoyingly well, too. When his #HimToo moment occurs, he reacts with neither extreme of "hot diggety" nor "get the hell out until you can behave". Instead, he dithers, uncertain and insecure. And he continues to dither through much of the movie, although who can blame him when the object of his affection is a boozehound? The resulting plot is just a little too real-time, like a novel that hasn't had its first edit.

It's difficult to enjoy a romance movie when you don't feel much affinity or affection for the characters. Building that affinity would require prologue, I think. It's not a bad film, but it could be better.

We can't learn anything about the characters. There are two people who are constantly walking on the beach and fighting. The acting is the best thing in the movie. But I would love to learn more about the characters. Even the constant fighting of the characters in this short film becomes repetitive after a while.