On Christmas Eve, Mya tells chilling tales of Jack Frost, The Gingerbread Man, and Krampus, revealing their terrifying, brutal sides instead of heartwarming stories.On Christmas Eve, Mya tells chilling tales of Jack Frost, The Gingerbread Man, and Krampus, revealing their terrifying, brutal sides instead of heartwarming stories.On Christmas Eve, Mya tells chilling tales of Jack Frost, The Gingerbread Man, and Krampus, revealing their terrifying, brutal sides instead of heartwarming stories.
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Dull dulll dull dull
Don't waste your time. Seemed like it was going somewhere with the opening shell story. Every story is just one person being chastised by a xmas monster about not loving xmas and then killing them in boring manner. Boring, cheap, covid movie shot in single location with two people at a time. Rinse repeat. Skip this.
Twas the night cinema died
From the moment Twas the Night begins, it becomes apparent that the film is struggling to justify its own existence. The movie immediately collapses under the weight of its unfocused storytelling, offering no sense of direction, purpose, or cohesion. What should have been a charming holiday adventure instead unravels into a baffling sequence of scenes that never connect, never build, and never give the audience a reason to care about anything unfolding on screen.
The screenplay is the most glaring issue, lacking structure, clarity, and any meaningful concept of narrative flow. Instead of presenting a story with a clear beginning, middle, and end, the film drifts aimlessly, leaving viewers confused about what the plot is trying to establish-if it even knows that itself. Character development is virtually nonexistent, making it difficult to invest in any of the people we're asked to follow. Without emotional grounding or narrative purpose, the film becomes an exercise in frustration.
The direction only amplifies these weaknesses. The filmmaker seems to be grasping at fragments of ideas, attempting to stitch together a story that was never built to stand on its own. Scenes feel disconnected, tone fluctuates wildly, and nothing ever settles long enough to build momentum. Instead of elevating the material, the direction turns the confusion into chaos, leaving the entire movie feeling like a rough draft accidentally released as a final product.
The cast fares no better, though it's difficult to fault the actors entirely when the script gives them so little to work with. There are no consistent motivations, arcs, or dynamics-only characters who seem to exist because the story requires bodies to fill space. As a result, it's impossible to determine who the audience should be rooting for or why any of the characters matter. The performances feel strained, as if the actors themselves are unsure of their place in the tangled narrative.
Even worse, the film fails to establish a tonal identity. Holiday movies typically lean into warmth, comedy, adventure, or sentimentality, yet Twas the Night somehow manages to deliver none of these. Instead, it becomes a confusing mishmash of half-formed ideas and underdeveloped themes, never committing to any direction long enough to resonate. The result is a lifeless, disjointed experience that never finds its footing.
In the end, Twas the Night earns its place among the most disappointing holiday films ever made. With its muddled storytelling, lack of character engagement, chaotic direction, and aimless execution, the movie never rises above its own shortcomings. It's a film that had potential to be at least enjoyable seasonal fare, but instead lands squarely on the list of truly terrible movies-one that most viewers will want to forget as quickly as possible.
The screenplay is the most glaring issue, lacking structure, clarity, and any meaningful concept of narrative flow. Instead of presenting a story with a clear beginning, middle, and end, the film drifts aimlessly, leaving viewers confused about what the plot is trying to establish-if it even knows that itself. Character development is virtually nonexistent, making it difficult to invest in any of the people we're asked to follow. Without emotional grounding or narrative purpose, the film becomes an exercise in frustration.
The direction only amplifies these weaknesses. The filmmaker seems to be grasping at fragments of ideas, attempting to stitch together a story that was never built to stand on its own. Scenes feel disconnected, tone fluctuates wildly, and nothing ever settles long enough to build momentum. Instead of elevating the material, the direction turns the confusion into chaos, leaving the entire movie feeling like a rough draft accidentally released as a final product.
The cast fares no better, though it's difficult to fault the actors entirely when the script gives them so little to work with. There are no consistent motivations, arcs, or dynamics-only characters who seem to exist because the story requires bodies to fill space. As a result, it's impossible to determine who the audience should be rooting for or why any of the characters matter. The performances feel strained, as if the actors themselves are unsure of their place in the tangled narrative.
Even worse, the film fails to establish a tonal identity. Holiday movies typically lean into warmth, comedy, adventure, or sentimentality, yet Twas the Night somehow manages to deliver none of these. Instead, it becomes a confusing mishmash of half-formed ideas and underdeveloped themes, never committing to any direction long enough to resonate. The result is a lifeless, disjointed experience that never finds its footing.
In the end, Twas the Night earns its place among the most disappointing holiday films ever made. With its muddled storytelling, lack of character engagement, chaotic direction, and aimless execution, the movie never rises above its own shortcomings. It's a film that had potential to be at least enjoyable seasonal fare, but instead lands squarely on the list of truly terrible movies-one that most viewers will want to forget as quickly as possible.
A disappointing entry in the holiday horror genre
I recently watched 'Twas the Night (2023) on Tubi. The film is a holiday horror anthology featuring the darker side of Christmas-Krampus, Jack Frost, the Gingerbread Man, and various serial killers who thrive during the season.
This picture is written and directed by Joe Lujan (My Little Nightmare) and stars Taylor Kilgore (The Immortal Wars), Bryant Smith (Woods Witch), and Anthony Avery (The Heiress).
This is another holiday horror movie made on a shoestring budget, with weak acting and painfully rough writing. I will say the elf opening was fun-not good, but fun. The Gingerbread Man segment was annoying, and Krampus felt underdeveloped. I wanted so much more from this... but instead, it delivered a lump of coal for entertainment.
In conclusion, 'Twas the Night is a disappointing entry in the holiday horror genre. I'd score it 2/10 and recommend skipping it.
This picture is written and directed by Joe Lujan (My Little Nightmare) and stars Taylor Kilgore (The Immortal Wars), Bryant Smith (Woods Witch), and Anthony Avery (The Heiress).
This is another holiday horror movie made on a shoestring budget, with weak acting and painfully rough writing. I will say the elf opening was fun-not good, but fun. The Gingerbread Man segment was annoying, and Krampus felt underdeveloped. I wanted so much more from this... but instead, it delivered a lump of coal for entertainment.
In conclusion, 'Twas the Night is a disappointing entry in the holiday horror genre. I'd score it 2/10 and recommend skipping it.
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