Jamaica Inn

A very good adaptation, and it's good to see a British period film that doesn't romanticize the characters and setting (well, not TOO much!). "Smugglers" have been so often romanticized in books and films, that it was good to see a film that showed just how crude, violent and evil they probably were.

Orphaned young woman Mary has to move in with her aunt and uncle after the death of her parents, she arrives at Jamaica Inn, Bodmin Moor, and quickly discovers dark goings on at Jamaica Inn.

In many respects this is a pretty decent adaptation, I've only just completed the book, and wanted to watch this, before the film. It's a fairly faithful adaptation, the tone (bleak) of the book is very much captured, and Jamaica Inn itself feels right.

It starts off pretty well, the second episode is good, the third and final episode is fantastic, the best of the lot.

The visuals are striking, it looks wonderful, scenes on The Moor, on the coast and inside Jamaica Inn, the costumes are spot on.

Very good acting for the main part, Jessica Brown Findlay, Matthew McNulty, Joanne Whalley and Ben Daniels were all spot on.

I absolutely adore Sean Harris, I'd go so far as to say he's a favourite of mine, but there are times where every word he says, is almost inaudible, is it my hearing, or was he mumbling? I want to say he was amazing here, and you can't deny he had a powerful presence as Joss, I just needed the subtitles on.

The lighting, sadly is also an issue, most of the interior shots are hard to make out, it's a pity a few extra light bulbs weren't plugged in.

Better than I remembered it being.

8/10.

OK so first things first the sound is a bit dodgy, but persevere because the screen crackles with tension. The writing is good and the filming style doesn't disappoint. It's suitably dark, and no one, not even out our heroine Mary Yellen, looks pretty in that vapid way that some costume dramas enjoy. She's a bit grubby, but still attractive, so she seems more realistic, because she isn't portrayed like Anne of Green Shipwrecks. The locations are treated like another character in the story. The acting is exciting, with huge amounts of magnetism. Each character has an interesting back story that is sometimes hinted at, sometimes explained. The thing I noticed first is that everyone is dirty, their hands, their hair, their clothes, and of they would be. Smuggling is a dirty business, this production lets you see just how dangerous and desperate it is.

I read the novel many years ago, and loved it. This adaptation struck the right mood, it seemed to me, dark and subtly sinister. I didn't have problems understanding the dialogue, for the most part--yes, Joss Merlyn is a mumbler, but I remember that as being in character.

I did think some of the "night" scenes on the beach could have used better light filters--they look like it's mid morning on an overcast day! At times it did seem a little heavy-handed,and as a fan of BBC drama, I wouldn't put this in my upper tier favorites. But I did enjoy it, found the performances to be generally good (Jessica B-F made a very good Mary Yellen, who is not a simplistic heroine)and the sweeping moorland scenery was a plus as well.

It is so very easy to see what has gone wrong with this production. The magnificence of Daphne Du Maurier's work has been taken too lightly, and in some obscure way, it seems to have been deemed old fashioned, and in need of retelling.

The direction is without equal in all the realms below average, and scarcely superior to some of the worst ever set loose on the television or film industry. No attempt has been made to create characters even close to those penned by Daphne Du Maurier, and all seem to have been painted variously good, strong, weak, or evil, with a yard broom, and played to the hilt on that basis.

Daphne Du Maurier was able to write strong female characters without making them creatures that never existed and probably never will, she understood the evil that people do and the reasons behind it, something which seems to have escaped the sensibilities and sensitivities of the people involved in producing, directing, and even acting, in this travesty of Jamaica Inn.