Dirty Weekend

I think the others that had commented on this movie are expecting something entirely different. This movie is paced so that it keeps you wondering what is happening,

1. Is there something beyond being colleagues for the two of them? 2. Why is he so anal about going into town, with a lot of cash? 3. Why does she want to come along even though her character really doesn't care one way or another. So much for being Butch.

People who can't enjoy the pacing and comedic tone of the movie have issues lol. You're seriously thinking way too much. You may be like the waitress on the potato or the cab driver who thinks it was infer to follow when he was told to wait RIGHT HERE. hahaha

As for the attack on Matthew this person needs a reality check. Matthew plays the father, casual sensible in a quirky way character. Calling him dull may actually be a compliment but then again the person may not get it lol. And yea Matthew has age and if you didn't like his "talking" character here how in the hell did you ever enjoy the rest of his previous movies lol. Oh the contradiction!

Movie is subtlety funny in a very obscure fashion. You really have to get it for the movie to be remotely watchable lol. Matthew is outright funny, especially the bit where he stops at the you know what shop. hahaha

Hey, everyone has different taste in comedy I guess. Enjoy though.

Workmates Les Moore (Matthew Broderick) and Natalie Hamilton (Alice Eve) are flying from L.A. to Dallas when they are forced to land in Albuquerque. He's grumpy and heads into town. She reluctantly joins him.

This is a small indie. The two actors don't have much to play with. They're not even a couple and they don't know much about each other. They are essentially both playing the deadpan straight man. There is nothing truly holding them together. It needs to be much more a quirky adventure. It's as interesting as watching me walk around downtown and I'm not that interesting. The first act is flatly dull with low level quirky turns that go nowhere. She reveals something about her lesbian relationship and he can't let go.of a past sexual experience. Their secrets aren't as interesting as hoped for. It might be groundbreaking twenty years ago. Writer/director Neil LaBute's best work may be that long ago. It's a lot of talk with scarce humor. This is a layover hoping for a destination.

7.1 of 10. What may be best described as Matthew Broderick as the middle-aged version of one of the characters in "Ferris Bueller's Day Off" once again exploring the suppressed desires of a well-behaved, obedient member of America's corporate, Christian society. He also has a plan for this time off, but it doesn't go quite the way he intends.

Instead of exploring high school or middle-aged males relationships, it looks at more of a seeming fantasy situation between Broderick's character and his young, hot, UK/Aussie accented co-worker as their flight gets seemingly interrupted and the connection delayed.

Alice Eve puts in a great supporting performance and Broderick fits his ordinary organization-man role well. What the film lacks is an original soundtrack/score and more originality in views and dealing with issues along with the relatively safe happy ending. Nonetheless, definitely worth a watch, whether on a layover or not.

This is not a great movie, so if you are looking for one, skip it. That being said, it is certainly not a bad film. The acting is good, the subject is interesting and the overall mood is that of a road movie.

You have these two coworkers in some company that is not revealed, as it means nothing to the story, stuck in "Albu-Quirky" until weather gets better in Dallas. One of them is Matthew Broderick, a middle aged man that seems to want to go to the town center for some reason, and the other is Alice Eve, his efficient and professional female counterpart who won't leave him alone. By the time the movie ends, we know more about the two characters and what their inner struggles are and they have bonded as good friends - and not romantically.

Now, the pace is slow, the humor is mostly character based, manifesting as various quirks of the people in the film, the moral is that what happens in Albuquerque stays in Albuquerque and the meat of the film is talking and again talking. I actually went to IMDb to check if it was a Woody Allen movie in which he chose not to star for a change. It is not. It is another Neil LaBute story that he both writes and directs.

While I won't recommend this film, I can't say that you should stay away from it, either. It is an unspectacular road movie, where you get to understand more of human nature.

Has too low a rating of very few people when I write this review, deserves more. Maybe because the story is somewhat un-American, minor references to uncommon sex and all that. Where the mise-en-scene and a humdrum title translates in underacting, perhaps to the disappointment of an expectant but misguided demographic, not expecting acting but enactment.

Alice Eve, plays antagonist business sales colleague Natalie, the somewhat aloof Brit girl 'everyone in the office wants to f^%k but not me' our confused, married and square protagonist proclaims.

Matthew Broderick's acting is really Matthew Broderick's acting, and never falls short. Alice Eve has a slow start, where perhaps the direction is to blame. When the story progresses she transforms from the plastic impersonation of a stereotype Brit professional woman to the warm sometimes-vulnerable girly person in great stride, quite smoothly and with a great performance.

This is a 'New York style' actors movie with really just two actors. Phil Burke did good in his the cameo-like 'Cabbie' appearance. There is no further production value whatsoever.

Alice Eve is a genuine gem in this one.