IMDb RATING
7.4/10
2.6K
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Broken, desperate men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor risks everything to help them.Broken, desperate men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor risks everything to help them.Broken, desperate men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor risks everything to help them.
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There's little intriguing about The Overnighters' premise. It's director Jesse Moss' execution that makes it much more compelling than it ought to be. Conflict is around every turn, both external and internal, and the documentary is constantly batting back and forth the balance in its moral dilemma. Both sides to its argument are equally strong - the good in helping those in need and the anxiety about the trouble some may bring, and few have already. Either way, it doesn't sit comfortably. Moss has a brilliant energy to the film and although it feels slightly orchestrated, in the way that he captures confrontations at the right time and ferocity without missing any key examples, he has a great taste for cinematic conflict. They really work, and they must feed into some kind of reality at least. What makes it such a rich film is that amongst the chaos, it centres around a character study of Jay Reinke. He's selfless, but narcissistic. While many may find him repelling, he's the dark heart of the film. It's a fascinating piece that's deeply flawed and human, never holding back the ugly side or shoving it in your face. One of the best documentaries of the year.
8/10
8/10
Forget for a moment that this is a documentary and see this wonderful movie. There are amazing and unforgettable characters, heart wrenching situations, plot twists and a surprise ending... Everything you could hope for in a movie, made only more poignant knowing that these aren't actors but real people. Desperation, hope, salvation and damnation are all interwoven and you won't know which will come out on top until the end. I can't remember the last time I saw a documentary that was so engaging. The film centers on Pastor Reinke, who helps the often destitute folks who find their way to his town looking for work, with a place to stay for the night and a bite to eat. We also discover his own demons and limitations. I hope people will ultimately see him in a positive light as I do, for we all fall short of perfection, but director Jesse Moss doesn't push it one way or the other. The film is timely as it forces us to confront many current issues, including the effects of the new energy boom, the lingering effects of job displacement after the great recession, xenophobia, and the ongoing need to help others. See it, you won't be disappointed. It was among my favorites at the Three Rivers Film Festival.
I'm not a religious person by any means, but half-way through seeing this, the movie almost starts to rope you in. Pastor Jay Reinke of Concordia Lutheran Church in Williston, ND seems to be practicing what he preaches. He does so by helping those arriving in town for work due to the state's oil boom with accommodations in the church or church parking lot- and sometimes even in his home. Some of those arriving in town have felonies in their past, and Reinke even lets them live in his house with his children nearby, so I kept expecting something to happen. But what does end up happening (not to give anything away) was quite a shock- and ultimately made the film for me. Whether you're religious or not, I really think you can get something out of this, even if just a lesson on being non-judgmental, and helping your fellow man...
FYI: If you wish to review a better review than mine, I highly recommend the LA Times review. Also, as noted by many critics, this is a great film for fans of the Grapes of Wrath, but it is way more than this.
It's the humanizing act of the filmmaker, such as the small talk between the overnighters and especially the scene in the credits. It's the fact that he transforms these faceless people whom the town fears to people that the audience enjoys is what is so astounding. When people disagree with Pastor Reinke's plans, you feel for the overnighters and him. As a respected pastor, it is hard to imagine how quickly the townsfolk are turning against him.
He tries to make you feel for them as much as the Pastor, even if you are not one who thinks "love thy neighbor" or anything related.
My single complaint is that for a very brief time, the movie moves a bit too slow. But then right afterward, there is a breakneck pace that sets up for the films conclusion, one that you might not like but has to be shown.
Outstanding documentary. 9.4
It's the humanizing act of the filmmaker, such as the small talk between the overnighters and especially the scene in the credits. It's the fact that he transforms these faceless people whom the town fears to people that the audience enjoys is what is so astounding. When people disagree with Pastor Reinke's plans, you feel for the overnighters and him. As a respected pastor, it is hard to imagine how quickly the townsfolk are turning against him.
He tries to make you feel for them as much as the Pastor, even if you are not one who thinks "love thy neighbor" or anything related.
My single complaint is that for a very brief time, the movie moves a bit too slow. But then right afterward, there is a breakneck pace that sets up for the films conclusion, one that you might not like but has to be shown.
Outstanding documentary. 9.4
Pastor Reinke is an amazing man. I was impressed with his courage to stand firm in helping people. He is a man of great compassion, love and forgiveness. I was deeply saddened by his choices at the end of the movie and I would hope and pray that those traits he shared with others he would give to himself, especially forgiveness. If God forgives then he must forgive himsrlf. He is not greater than God.
Did you know
- ConnectionsReferenced in Film Junk Podcast: Episode 495: Exodus: Gods and Kings (2014)
- SoundtracksLonely Are The Free
Written & Performed by Steve Earle
Courtesy of New West Records
By arrangement with Rhino Independent/ADA licensing
a division of Warner Music Group Film & TV Licensing
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- Дах над головою
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Box office
- Gross US & Canada
- $110,763
- Opening weekend US & Canada
- $4,324
- Oct 12, 2014
- Gross worldwide
- $110,763
- Runtime
- 1h 42m(102 min)
- Color
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