Tale of Tales

I had the chance to see this movie. As with most, I didn't have a chance to see any trailers so I had no idea what to expect.

In a word, I would call the movie unique and not just another fairy tale movie like all the others. These have a darker twist to them and a fate and/or consequences for those involved. The movie has definite pluses and minuses.

Definite pluses: the music, the costumes, the beautiful exotic settings, the special effects, and the acting and choice of cast. All were very good.

I'm neutral on the separate plots. Some people say the plots are related and some say they aren't. I guess that's up to the viewer and how he/she interprets them. I'm not a particular fan of the macabre.

Definite minus: the movie as a whole piece of work is kind of a mess. The three stories jump around and there is no smooth time line of events. They are all kind of just thrown together. A visual mess.

Another minus: the ending. It just ends leaving you hanging and wondering what happened to certain people.

This movie is so unique that is can have such exceptional cinematography but yet have such jumbled up plot lines.

I guess the only main theme across all the stories is about obsession and how it can affect you and those around you if it is not kept under control.

This movie is a pure piece of beauty. The direction is amazing, the photography is beyond perfection and the music is inspiring. The locations are unusual and yet are all in Italy. Of course, since the movie is an intersection three fairy tales (not for children, as they're pretty harsh), don't expect the most intriguing plot ever, but its execution has been magistral. I did not give 10 because of the screenplay, which is sometimes a little predictable, and because of the acting, which is extremely heterogeneous across actors: great Salma Hayek, Toby Jones, John Reilly and the Lees brothers, but the others a little less. All in all, I definitely recommend to see this movie.

a film who has the rare gift to create a lot of adversaries. because it is...different. in good sense. and in bad sense. and this is normal. inspired by a classic Rennaisence book, it preserves the virtues of music, landscapes and costumes. and it propose an impressive cast. in same measure, it is not expected fairy tale. because the message is more direct than you expect it. and more...dark. and, maybe, the only significant sin is the absence of links between stories. the good point - its status of support for memories. because each of them seems be a parable about a fundamental error. and about its price. about punishment. and about the natural answer. in same measure, it is a film about a far perspective about small things defining each of us. and this detail does it a real good film.

This is an anthology of adult fairy tales. Rather than one after the other with a tie together the film opts for a more unusual parallel running of the three stories.

If I was to sum this up in one word I would say it is unorthodox. The characters and plots do not conform to the normal templates you would expect, either do the themes. The plots twist and turn like a path into a dark enchanted wood.

This film has excellent production, acting, script. There were more boobs, gore, rape and breast feeding than I was expecting but saying that, this film is not pornographic, disturbing or violent; a pretty safe watch.

The story lines keep you guessing as they have a life of their own. This is very refreshing but causes a satisfaction problem I also did not expect.

Consider this: Imagine you watch a film about a man planning to sail to Hawaii. You follow him as he builds his boat, saves up money, gets his sailors licence and an anchor tattoo. Then fifty minutes in, the boat burns down so he buy a plane ticket instead. If you think that sounds really annoying then you may want to give this a miss.

Very interesting, very different, well acted and produced. It keeps you on your toes the whole way. Don't expect the pay-off to be too great or to head anywhere near you thought it would.

It's a fantastic audio-visual journey that takes you into a world of medieval fantasies full of all the classical elements but with fresh stories and views. If you enjoy the work of Paolo Sorrentino (2013 Oscar for "La grande bellezza") you will love this film for it's masterful craft of building a world within. Only Salma Hayek delivers a disappointing performance: Stiff and uninspired. Pictures, music as well as sound design and costumes (not to mention the practical effects) are all stunning! Italy (with the help of France and the UK) delivers once again a masterpiece on the very tight budget of only 12 million €uros while the rest of European cinema is sleeping.