Skinless

I have to admit, caught this on a free AD-based streaming service & had expectations on the floor when I saw it was filmed on video and the sound was "echoey" like some cheap camcorder production...I gave it a chance & have to admit, I enjoyed it! I'll name name some cons that will turn off many off the bat, its obviously done on the cheap ($2,000?! Wow), the main actor is serviceable at best, and it borrows way too much off of The Fly '86, other then that, its a short little horror with plenty of gore & nudity (full bush shot) and some decent horror drama!

For the amount of money Dustin put into making this movie, I have seen nothing comparable! It was easily the best low/no budget movie I have ever seen! I'm honestly not trying to hype this movie for Dustin, I'm trying to tell people that this is seriously worth your time. If you are into low budget horror at all, you will LOVE this film. If you aren't, this film may just be what gets you started on it. If you like blood, nudity, gore, nudity, blood, or nudity, then you will definitely not be disappointed. The acting is stellar for local actors as well. Erin R. Ryan and Brandon Salkil put forth more effort than a lot of people I've seen in huge Hollywood films. I'm not saying they should win an Academy Award, but they put forth a lot of effort.

Please do yourself a favor and at least rent this movie. If not, buy it digitally or physically. I've seen it 4x since its release not even 2 weeks ago and it is still awesome! :)

For an estimated budget of only 2,000 dollars, it has some pretty good practical effects. There are many scenes that are downright nasty and visually impressive, but there are a few scenes that look like they used walmart masks for gore effects. The acting is very spotty as you would expect with a low budget movie with many scenes being incredibly awkward, but there are a few great moments - especially some of Erin R. Ryans scenes as she shines in some moments throughout this movie. I think my biggest complaint for this movie and many movies in this low budget category is the camera work, with some scenes and design choices making the movie ugly to look at and very unprofessional at times - especially with some frames cutting back and forth near the end. Despite many flaws, the overall story is pretty good and it never made me lose my interest during the 1 hour 20 minute run time, and it also had some funny moments. This movie has many flaws, but these flaws don't necessarily ruin the movie as a whole. If you enjoy body horror movies like the fly and you accept the flaws associated with low budget horror movies, you will really enjoy this movie.

The Ballad of Skinless Pete (aka Skinless Pete) by Dustin Wayde Mills is ridiculously, jaw droppingly good..better than you'd expect any indie feature with a low budget to be. With lens flare that would make JJ Abrams weep with jealousy and solid performances from all the cast, this is stylish stuff, with every penny of the production on display.

If The Fly and The Incredible Melting Man had a son, Skinless Pete may well be him. Darkly humorous, graphic and moving in equal measure, this movie had me gripped from start to glorious finish. The effects work is some of the best I've seen in an indie production and there's genuine suspense contained in the frames.

Mills' regular actor, Brandon Salkil, is on top form here as the principal character. He's a wonderfully talented screen presence, a physical actor who delivers horror and comedy in equal measure.

Erin R. Ryan is excellent, too, as Dr. Alice Cross, and Allison (Easter Casket) Fitzgerald delivers a strong performance as Olivia. Ryan's always screen gold and her performance in the next Mills directed movie, Kill That Bitch, is unmissable.

Topped off with one of the catchiest and fun theme songs I've heard in a long while, this is the Nekromantik for the twenty-tens! The Ballad of Skinless Pete will find a place in any horror lover's heart. Simply brilliant.

Three films down of indie/underground filmmaker Dustin Mills and I like what I've seen so far. Of those viewings ("Easter Casket" & "Bath Salt Zombies") he manages to stretch out his budget limitations and deliver on mind-bending concepts with full-on bluster. What etched in my mind from the first two films were the signature acid-laced visuals (of puppets to animation) and overt craziness, whereas Skinless felt more like straightforward, gross-out horror exploitation. It can be offbeat, but the bold approach is far more sober with claustrophobic dread and gooey gore brought upon by its monsterous transformation. And it's impressive looking discount gore; nauseating skin melting gruel, yet it didn't just centre on its frequently well-placed shocks, or gratuitous nudity. Instead there's tragedy at its core where the plot is low-key, dialogues remain dry and character pathos hits the forefront of science gone wrong.

Stricken with cancer (unbeknown to his assistant) Dr. Pete Peele is having trouble getting funding for his project of an unconventional skin cancer cure due to a lack of results over too long of a period. He fears with the constant delays he might not be around long enough to see his groundbreaking work through to the end. So against his assistant's best wishes he injects the experimental serum into himself. After becoming a guinea pig of his own work we watch the deteriorating mental state brought upon by the hideous physical changes (which is hidden under a rubber mask and layers of clothing).

Those who call it "The Fly" meets "The Incredible Melting Man" are right on the money. From limbs melting off, bubbling practical effects to the imitate structure centred on (mainly) two characters' back and forth interactions in the one location of a couple rooms, attic and basement. I was also getting a "Phantom of the Opera" vibe where the feelings for the woman (his assistant) he holds captive isn't shared and this plays to the bigger picture on how the story pans out. In spite of its inspirations, Mills manages to put his own subversive spin on the material and get you feeling uncomfortable in many ways.

The amateurish cast (of only four) are made up of Mills' regulars - Brandon Salkil brought to the unhinged part the right amount of eccentrics, especially under heavy makeup and Erin R. Ryan's down-to-earth performance is the glue that holds it together. They both do excellent in establishing emotional weight between the characters and this is brought across by the film's gradual build-up of the title character's descent into madness and obsessive paranoia.

Let's hope I can keep this track record of coming away satisfied by Mills' microbudgeted output.