Just Jim

Obviously there's not much happening in that little British town. Jim tries escaping the boredom and loneliness by going to the only cinema in town where they keep playing the same old films over and over, and usually he's the only visitor. On top of that boredom he's also bullied by the other kids and, honestly, he hasn't much to offer. When that new cool American guy Dean moves in next door and tries to make friends with Jim this set-up comes across rather constructed for the sake of a plot. But the further developments seem even more unrealistic. Jim tries to come across as a "mysterious" guy but by God neither he or this film has even a hint of mysteriousness. It is one of the general challenges when depicting a boring character in a boring surrounding - the film plainly tends to get boring itself if you are not a master of subtleties or you don't bring in humor & irony. The film unfortunately lacks either of those qualities.

"I am depressed" from protagonist Jim, especially after the introduction of Emile Hirsch's kitschy cool foil, was probably unnecessary and a bit much. Up to that point, the film uses what it has to build this well balanced psychology: the trauma experienced as a victim of bullying and the subsequent introversion (spoiler free Brother Yee called it from the trailer), which in and of itself can be embraced rather than be seen as a responsive crutch to the act of bullying itself. Roberts never loses sight of this though and rides this one out nicely, even if his character is, at times, overshadowed/muddied by Hirsch's gratuitous performance. Overall, if you're a fan of teenage angst, Gen Y self-conscious, self-depreciative dialogue, and a good eye for shots and rendering, then there's plenty to smile – and laugh with in Just Jim.

In a Welsh valley a socially inadequate schoolboy is bullied and has no friends. Then a mysterious American moves in next door and promises to turn him into a cool teenager.

Low budget black comedy set in the Rhymni Valley, this is a writing and directing debut by Craig Roberts who plays the title character. Full use is made of the local scenery but, while the film has its moments, overall it lacks a spark.

This movie is a lot of things.

It's an homage (or a rip-off, you choose) of Punch Drunk Love, Mulholland Drive, and Rebel Without A Cause.

It's a teen coming of age film that takes every genre trope and exaggerates it to bizarre extremities.

It's a comedy and, in certain segments, it's fairly unsettling.

It has an extremely pronounced tonal shift around halfway through that totally caught me off guard.

The camera-work is quite good, and the film looks great. The soundtrack is fantastic and it ranges from jangling ambiance (Punch Drunk Love) to deep drones (Mulholland Drive).

For a movie that copies so much, it all feels very original. Look forward to Craig Robert's next.

If you enjoy black comedy, deliberate pacing, and having to come to your own conclusions on plot ambiguity - think Barton Fink for example - then you're in for a treat. If you need a neatly resolved ending, you'll be frustrated. As the former I loved it. Excellent direction, photography, and score; tight performances - I'm looking forward to his next. Makes a good double-bill with Aki Kaurismäki's "The Match Factory Girl".