Age of Kill

A black ops sniper is blackmailed by a psychotic international terrorist into killing 6 unrelated people in 6 hours... but there is more to the victims than meets the eye. With the excellent acting skills of the wonderful Donna Air, Martin Kemp, Phil Davis, Dani Dyer, I'm being sarcastic of course ...OH MY GOD did they look at the script prior to shooting or was this just an adhoc production ...we need a movie police force to stop people like this EVER EVER making anything that resembles a moving picture ever again ,..................-5 out of 10 Complete and utter garbage Complete and utter garbage Complete and utter garbage AND once again Complete and utter garbage

Poor casting and worse acting make this a cringe fest . I guess if you have the hots for Mr Kemp you may watch to the end.

This awful thing is a dirty blot on the list of British movies. There was no credible plot line, and the cast looked as if they were in a rush to go back to the boozer. Phil Davis is usually superb, but in this he was just an angry little man from start to finish. The locations were awful, and stank of low budget trash. Who had the twisted genius to cast Patrick Bergin as a Scottish Earl? His accent was appalling, and the silver topped cane was a ludicrous idea. The School bus filled with the racist mob was probably the funniest part of this disastrous epic, and reminded me of Miss Fritton of St Trinian's fame.

I would like to brand this as forgettable, but I'm sure it's going to haunt me for years!

I own a goodly amount of low-budget, Lahnden-set actioners by producer Jonathan Southcott, and usually they are reliably bullet-shredded, if somewhat uninspired thug-soaked thrillers, with, perhaps, the sole exception being diamond geezer Danny Dyer's grisly chav-killer 'Vendetta'! The pacey, slick-looking 'Age of Kill' finds our gun grey, gun-happy glamourpuss hero Blake (Martin Kemp), a magnificently moody, dead-eyed government spook, renowned for his unusually keen marksmanship, and Martini cool demeanour in the diabolical midst of a maniacal terror plot, with his beloved daughter kidnapped by a prototypical terrorist psycho, resplendent in black bally, and a natty red boiler suit! The resourceful Blake must now undertake his deadliest mission thus far, heroically rescue his gobby progeny, protect some skinny brass (April Pearson), all the while keeping his immaculately coiffed barnet in perfect nick, which the cinematically studly Kemp does with enviable panache!

At its best, Neil Jones's 'Age of Kill' is pure, unfiltered Seagal tosh, and it even has its own spiffing, terse-sounding Seagal-esque moniker! While the tired text is frequently prosaic, the dynamically dashing, gimlet-eyed Martin Kemp appears wholly energized, making for a lean, handsome, sharp-shooting tough guy, while Patrick Bergin just seems happy to be working, the charisma-bypass Dani Dyer is, thankfully, barely in it, and Bruce 'Warlock' Payne is the least convincing prime minister since Boris Johnson! I dug it, and, to his credit, stolid actor Nick Moran delivers the film's most credible performance as the sleazy, smoothly sinister far-right rabble-rouser Roy Dixon. If, like me, you enjoyed J. K Amalou's equally formulaic Gary & Martin Kemp-starring gangster flick 'Assassin' you will know exactly what to expect here. (It might have been considerably more entertaining overall if they got someone from Sigue Sigue Sputnik to play the voicebox-gibbering villain, jus' sayin'!)

This might actually be the first bad British movie I've ever seen. The plot concerns the following : A military sniper played by an actor exactly 10 years too old for the part has his daughter kidnapped by Mysterious Man who will kill her if he doesn't kill 6 people he chooses in 6 hours. Got it? Besides the glaring fact that there are ninety ways for him to get out of it with his supposed "expertese" and all, he does his bidding. Prepare for the most amateur and laughable fight scenes while he does. At one point he dispatches a victim and Mysterious Figure tells him good : "Now where are you?" In other words, he's NOT being watched. So....just fake it and move on. When he's chased by a helicopter, I say again, a HELICOPTER, he takes 4 shots at it with a handgun. It simply vanishes. It ends with a surprise that anyone could see coming followed by a "lesson learned" moral from an American who loves the Twilight Zone. This is a movie that desperately needed Jason Statham and a rewrite.