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American Horror Story
S3.E7
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IMDbPro

The Dead

  • Episode aired Nov 20, 2013
  • TV-MA
  • 48m
IMDb RATING
7.8/10
4.6K
YOUR RATING
Emma Roberts in American Horror Story (2011)
DramaHorrorSci-FiThriller

Fiona finds new purpose in a dangerous love affair. A night out with LaLaurie leads Queenie to question her place in the Coven. Cordelia makes a fateful decision about her mother. Queenie ha... Read allFiona finds new purpose in a dangerous love affair. A night out with LaLaurie leads Queenie to question her place in the Coven. Cordelia makes a fateful decision about her mother. Queenie has doubts about the Coven.Fiona finds new purpose in a dangerous love affair. A night out with LaLaurie leads Queenie to question her place in the Coven. Cordelia makes a fateful decision about her mother. Queenie has doubts about the Coven.

  • Director
    • Bradley Buecker
  • Writers
    • Ryan Murphy
    • Brad Falchuk
    • John J. Gray
  • Stars
    • Sarah Paulson
    • Taissa Farmiga
    • Frances Conroy
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    4.6K
    YOUR RATING
    • Director
      • Bradley Buecker
    • Writers
      • Ryan Murphy
      • Brad Falchuk
      • John J. Gray
    • Stars
      • Sarah Paulson
      • Taissa Farmiga
      • Frances Conroy
    • 7User reviews
    • 14Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos16

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    Top cast21

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    Sarah Paulson
    Sarah Paulson
    • Cordelia Foxx
    Taissa Farmiga
    Taissa Farmiga
    • Zoe Benson
    Frances Conroy
    Frances Conroy
    • Myrtle Snow
    • (credit only)
    Evan Peters
    Evan Peters
    • Kyle Spencer
    Lily Rabe
    Lily Rabe
    • Misty Day
    • (credit only)
    Emma Roberts
    Emma Roberts
    • Madison Montgomery
    Denis O'Hare
    Denis O'Hare
    • Spalding
    Kathy Bates
    Kathy Bates
    • Madame Delphine LaLaurie
    Jessica Lange
    Jessica Lange
    • Fiona Goode
    Angela Bassett
    Angela Bassett
    • Marie Laveau
    Danny Huston
    Danny Huston
    • The Axeman
    Gabourey Sidibe
    Gabourey Sidibe
    • Queenie
    Josh Hamilton
    Josh Hamilton
    • Hank Foxx
    Riley Voelkel
    Riley Voelkel
    • Fiona Goode (Young)
    Gavin Stenhouse
    Gavin Stenhouse
    • Billy
    P.J. Boudousqué
    P.J. Boudousqué
    • Jimmy
    Tenaj L. Jackson
    • Sally
    • (as Tenaj Jackson)
    Scott Michael Jefferson
    • Louis LaLaurie
    • (as Scott Jefferson)
    • Director
      • Bradley Buecker
    • Writers
      • Ryan Murphy
      • Brad Falchuk
      • John J. Gray
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews7

    7.84.5K
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    Featured reviews

    7claudio_carvalho

    Killings and Betrayals

    Fiona has one night stand with The Axeman, and then she learns that he followed all her life since she was a child. Cordelia meets Madison and learns that Fiona killed her through her new power, and she plans to kill her mother. Zoe kills Spalding after learning that he protected Fiona. Madison and Kyle have sex and then a threesome with Zoe. Hank is prepared to kill the witches. After provoking the death of Myrtle Snow forging that her hand was burned with acid, Queenie betrays Madame Delphine LaLaurie delivering her to Marie Laveau.

    "The Dead" is another reasonable episode of "American Horror Story", with several killings and betrayals. Cordelia finding that Fiona killed Madison is probably the best moment of the show. The awful and confused Queenie now betrays Delphine. The Academy seems to bring the worst of each character but Nan. My vote is seven.

    Title (Brazil): "The Dead"
    8jackDee-56565

    mostly good episode

    I enjoyedmost of the episode, the weak point is the whole romance with the axeman like what the hell, when AHS mixes real people with made up stories that never happened to them its really weak writing like the whole Nazi Anne frank sub plot in asylum, unfortunately AHS has used this in most seasons its a habit Ryan Murphy and co should abandon
    7fernandoschiavi

    This episode stands out for its dark exploration of resurrection's consequences and the escalating conflicts between the witches and the voodoo practitioners

    The seventh episode of the third season of American Horror Story: Coven, titled "The Dead," directed by Bradley Buecker and created by Ryan Murphy and Brad Falchuk, presents a gripping blend of supernatural intrigue, emotional complexity, and cultural tension. As the season progresses, this episode stands out for its dark exploration of resurrection's consequences and the escalating conflicts between the witches and the voodoo practitioners of New Orleans. "The Dead" not only intensifies the season's gothic atmosphere but also deepens character development and social commentary, delivering a dense and richly layered narrative.

    The episode opens with Madison Montgomery coping with her unnatural resurrection, revealing her emotional detachment and insatiable hunger, which adds a fresh angle on the zombie trope. Madison's interactions with Zoe Benson and Kyle Spencer create a volatile and charged dynamic, culminating in a surprising and intimate threesome that illuminates their fractured family connections and power imbalances. This exploration of resurrection's psychological toll anchors the supernatural horror in human emotion and vulnerability.

    Simultaneously, Queenie's storyline offers a poignant exploration of racial identity and belonging. Her uneasy relationship with the imprisoned and malevolent Madame Delphine LaLaurie, intertwined with a visit to Marie Laveau's voodoo community, highlights entrenched racial divisions and cultural legacies. These interactions bring historical trauma into sharp relief, integrating social critique with the show's supernatural framework. Queenie's internal conflict and agency make her a compelling focal point for the broader themes of the season.

    The tension between Fiona Goode and the mysterious Axeman escalates, blending seduction with impending danger. Their chemistry, marked by both passion and death's shadow, adds emotional depth and suspense. Fiona's struggle with power, mortality, and identity is rendered with raw intensity by Jessica Lange, whose performance continues to be a series highlight.

    Meanwhile, Cordelia Foxx grapples with blindness, marital betrayal, and emerging mystical powers. Her visions, including a foreboding glimpse of Madison's impending death, weave prophetic threads that heighten narrative tension. The episode balances these prophetic elements with grounded interpersonal drama, particularly in Cordelia's strained relationship with her husband Hank and her efforts to protect the coven.

    Director Bradley Buecker employs a rich visual and tonal palette to enhance the narrative's mood. The cinematography richly contrasts the shadowy, oppressive interiors of Miss Robichaux's Academy with the vibrant, mystical settings of New Orleans. Buecker's paced editing alternates between tense supernatural moments and intimate character dynamics, maintaining an engaging rhythm. Standout visual sequences include the eerie attic confrontation between Zoe and the sinister Spalding and the atmospheric depiction of Fiona and the Axeman's charged encounters.

    The script integrates horror traditions with complex character arcs and incisive social commentary. Themes of death, resurrection, cultural identity, and power permeate the dialogue and narrative structure. Sharp, witty exchanges between main characters add layers of meaning, underscoring the personal and political stakes faced by the coven.

    Acting performances are uniformly strong. Jessica Lange continues to impress with multifaceted portrayals of Fiona's complexities. Emma Roberts' Madison draws attention with her emotional detachment and volatility. Taissa Farmiga's Zoe balances fear and determination, while Gabourey Sidibe's Queenie represents cultural strength and conflict. Angela Bassett's Marie Laveau brings gravitas, even in limited screen time.

    Key scenes include Madison's disturbing hunger episodes, the tense attic scene with Zoe, Queenie's emotional and fraught community visits, Fiona and the Axeman's seductive interactions, and Cordelia's visions of death. These moments encapsulate the episode's blend of supernatural horror and emotional drama, driving its thematic and narrative impact.

    The episode was met with praise for its atmospheric direction, character complexity, and thematic richness, though some viewers noted the challenges posed by intertwining multiple storylines. The narrative depth and visual style, however, maintain the series' distinct identity and appeal.

    "The Dead" situates itself within Gothic horror traditions, Southern Gothic style, and contemporary social discourse, weaving historical trauma and cultural identity through its supernatural narrative. It resonates with American television's growing interest in blending genre with cultural critique.

    Thematically, the episode meditates on the consequences of resurrection, the fractures of identity and community, and the persistent haunting of history. The witches and voodoo practitioners embody intersecting struggles for power, belonging, and survival within a contested cultural landscape.

    "The Dead" is a richly layered and emotionally potent episode that advances American Horror Story: Coven's narrative and thematic ambitions. Through evocative direction, captivating performances, and thoughtful scripting, it deepens the season's exploration of death, power, and identity, reinforcing the series' reputation for genre storytelling infused with meaningful social commentary.

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
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    James Earl Jones and David Prowse in Star Wars: Episode V - The Empire Strikes Back (1980)
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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Originally there was a sex scene between Madison (Emma Roberts) and Spalding (Denis O'Hare) after she confronted him about keeping her as a doll. The scene was filmed but eventually cut.
    • Goofs
      When little Fiona throws milk at the other girl she completely misses her, but as the the camera changes, her dress is soaking in milk.
    • Quotes

      Madison Montgomery: I am a millennial. Generation Y. Born between the birth of AIDS and 9/11, give or take. They call us the Global Generation. We are known for our entitlement and narcissism. Some say it's because we're the first generation where a kid gets a trophy just for showing up. Others think it's because social media allows us to post every time we fart or have a sandwich for all the world to see. But it seems that our one defining trait is a numbness to the world, an indifference to suffering.

    • Connections
      References Bewitched (1964)
    • Soundtracks
      Rosanna
      (uncredited)

      Written by David Paich

      Performed by Toto

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    Details

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    • Release date
      • November 20, 2013 (United States)
    • Country of origin
      • United States
    • Official site
      • Official Facebook
    • Language
      • English
    • Filming locations
      • New Orleans, Louisiana, USA
    • Production companies
      • Brad Falchuk Teley-Vision
      • Ryan Murphy Productions
      • 20th Century Fox Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 48m
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.78 : 1

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