Go to Hell

Fiona explains to Queenie how the Seven Wonders ceremony is, when the candidate succeeds or dies, and tells her that she will be tested on the next Saturday. Cordelia meets Madison to test her second vision, but her power does not work. Queenie summons Papa Legba to know Marie Laveau whereabouts and he brings her to hell. She learns that Marie is cut into pieces and Delphine is not immortal anymore. Queenie meets Delphine at her former house and after a discussion, she stabs her in the heart, killing Delphine. Fiona poses at the Academy for a painting at the Gallery of Supremes. Then she gives Cordelia the necklace of her mother and she sees the real intentions of her mother is killing all the witches in the coven. She visits the Axeman and tells him the true intentions of her mother to leave him. Cordelia goes to the cemetery with Queenie, and they find Misty Day's grave. They return to the Academy, where Zoe and Kyle have just arrived. Misty Day fights Madison, but out of the blue, the Axeman arrives and tries to kill the witches. Cordelia learns the fate of Fiona before they kill the Axeman. Marie Laveau and Delphine will spend eternity in Hell.

"Go to Hell" is the penultimate episode of "American Horror Story" with a great storyline. Cordelia recovers her second vision and becomes the essential character of this episode, saving Misty Day and poisoning the Axeman against her mother. The concept of hell for Papa Legba's minions is great, bringing the worst moment of their lives. The fate of the evil Fiona is great in the swamps of New Orleans. But the showdown of the witches and the Axeman is the best moment of the show. Who will be the next Supreme is the great question of the last episode. And also, the fate of Spalding and the black baby. My vote is eight.

Title (Brazil): "Go to Hell"

The twelfth episode of the third season of American Horror Story: Coven, titled "Go to Hell," directed by Alfonso Gomez-Rejon and created by Ryan Murphy and Brad Falchuk, serves as the penultimate and emotionally charged episode, bringing many narrative threads toward a climactic pivot. The episode artfully blends supernatural horror, psychological depth, and cultural mythology, while setting the stage for the season's finale with a focus on mortality, power transitions, and the haunting legacies of the past.

The episode centers on Queenie's quest to find Marie Laveau, which leads her into a symbolic journey to hell-a personal hell crafted as a purgatorial chicken shack where souls wait in line, presided over by the enigmatic and sinister Papa Legba (Lance Reddick). This richly imaginative sequence, blending dark humor, existential dread, and Afro-Caribbean spiritualism, provides a standout moment that encapsulates the series' willingness to engage with complex cultural narratives through avant-garde horror imagery. Queenie's negotiation with Legba reveals the secret behind Marie and Madame LaLaurie's immortality and underscores the moral weight behind their fates.

Back at Miss Robichaux's Academy, Cordelia Foxx regains her sight, only to receive a devastating vision of the coven's massacre orchestrated by Fiona Goode. This harrowing glimpse into the future ratchets up the stakes as Cordelia confronts the horrifying reality that Fiona's ambition may lead to the coven's destruction. Jessica Lange delivers a heartrending performance as Fiona's vulnerability shows through amid her ruthless finale, increasing the emotional gravity of the episode.

Simultaneously, Zoe Benson returns with Kyle Spencer, demonstrating newfound powers from their resurrection experience. The show explores the supernatural growth of its resurrected characters, while tension simmers between Zoe and Madison Montgomery, whose malevolent tendencies provide a foil to the hope embodied by others. Misty Day's return from being trapped in a casket in the cemetery, facilitated by Queenie's burgeoning voodoo magic, adds hope and renewed energy to the embattled coven.

In a gripping climax, the vengeful Axeman attempts to unleash horror upon the coven, but the witches band together decisively to kill him again. This act not only serves as visceral horror but also symbolizes the coven's collective resistance against external and internal enemies. Meanwhile, the fates of Madame LaLaurie and Marie Laveau are sealed as they find themselves condemned to eternal torment alongside Papa Legba, a chilling conclusion to their intertwined arcs.

Director Alfonso Gomez-Rejon's direction in "Go to Hell" is visually arresting, balancing haunting mysticism with grounded emotional beats. The cinematography employs a mix of shadowy, oppressive interiors and surreal, otherworldly sequences to elevate the supernatural tension and thematic depth. His pacing manages a fine balance between building suspense and allowing space for character-driven moments to resonate.

The script is thematically rich and carefully constructed, exploring cycles of death and rebirth, the costs of power, and the enduring scars of historical and personal trauma. Dialogue is imbued with subtext and emotional charge, particularly in the exchanges involving Fiona, Cordelia, and Queenie. The episode's storytelling engages with Afro-Caribbean spirituality and Southern Gothic motifs, adding layers of cultural resonance rarely seen within horror anthologies.

Performances throughout are compelling. Jessica Lange's Fiona encapsulates tragic ambition and impending doom with a complex blend of cruelty and tenderness. Gabourey Sidibe's Queenie is a vibrant emotional core, her journey into spiritual realms portrayed with grace and grit. Taissa Farmiga's Cordelia displays newfound strength balanced with profound fear, and Angela Bassett's Marie Laveau commands presence even in limited screen time. Emma Roberts' and Lily Rabe's portrayals add vital texture and contrast to the coven dynamic.

Memorable scenes include Queenie's surreal journey to hell, Cordelia's devastating vision, the escalating tensions between Zoe and Madison, and the climactic battle with the Axeman. The episode's haunting finale, featuring the eternal punishment of LaLaurie and Marie, offers a somber meditation on justice and retribution.

While some viewers found the dense cultural symbolism and narrative complexity challenging, the episode's blend of horror, emotional depth, and social critique garnered praise for its ambition and execution.

Positioned within broader cinematic and cultural contexts, "Go to Hell" reflects Southern Gothic traditions, voodoo spirituality, and contemporary explorations of race, power, and identity through speculative fiction. It contributes meaningfully to the discourse around historical trauma and the supernatural's place in articulating cultural memory.

Thematically, the episode explores mortality, redemption, the painful legacies of injustice, and the fierce bonds of chosen family and community. It underscores the powerful cost of survival in a world rife with betrayal and vengeance.

"Go to Hell" is a richly evocative and narratively dense episode that encapsulates American Horror Story: Coven's strengths in blending horror with cultural critique and emotional complexity. Its visionary direction, standout performances, and thematic ambivalence invite reflection on power, justice, and the spectral shadows cast by history.

This episode could have been the finale and I would have been happy, its mainly about the showdown between the coven and the axeman, it was a great episode and it more or less wraps up most of the main story