Charles Dickens meets Arthur C. Clarke--A lowly factory worker is delivered from a world of misery and discovers his destiny via an ancient object on the other side of the stars.Charles Dickens meets Arthur C. Clarke--A lowly factory worker is delivered from a world of misery and discovers his destiny via an ancient object on the other side of the stars.Charles Dickens meets Arthur C. Clarke--A lowly factory worker is delivered from a world of misery and discovers his destiny via an ancient object on the other side of the stars.
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I loved it for its approach to creating a world in some future time.
Whereas others scorn the pace of the film, I find the meditative quality soothing.
I appreciate the attempt at providing an opportunity for thinking and hoping for something bigger and better for humanity.
Whereas others scorn the pace of the film, I find the meditative quality soothing.
I appreciate the attempt at providing an opportunity for thinking and hoping for something bigger and better for humanity.
If you appreciate subtlety and dry humor, and can overlook some seemingly-wooden acting, this might be worth it. I say ''seemingly'' wooden acting because in some ways, given the context of the culture and futuristic era in which this is to have occurred, a sort of bland, passionless mannerism would actually make a great deal of sense. The world is a hopeless, dull place, filled with nothing but drudgery and monotony, and no hope of things ever changing for these people. So that, while it may not appeal to a lot of movie-watcher's tastes, is actually a rather logical thing to include, assuming it was deliberate. Even if it wasn't, it worked for me.
It's very slow-paced, not an action film at all, and events are presented in a very non-linear way (scenes pop up out of nowhere, and they don't make much sense until later on in the film - that worked well for me, to maintain interest). Something similar in feel to Ryan Reynold's ''The Nines'', though lower-budget.
The visuals were somewhat reminiscent of 1990s CGI, but nice just the same, and the concept was very intriguing. Pay attention to the guide's outfits, and how the props change from scene to scene while on ''the ship'' - it's all very subtle, and this type of visual subtlety works its way throughout the entire movie.
There is full-frontal male nudity in a few scenes, but it's not gratuitous, vulgar or overtly-sexual at all. I suppose the story -could- have been made without it, but it did help add a bit of realism to certain things.
All-in-all, I think it takes a fairly rare temperament to enjoy this sort of film. If you're not sure after about 15 minutes, just watch until you've seen a few minutes of their interaction with the occupant of the 'ship', as that frames the tone for the rest of the movie. By then, you should know if you want to see the rest of it or not.
For my own part, I think I probably enjoyed this more than most people would. But if it sounds like it -might- appeal to you, I definitely recommend checking it out. :-)
It's very slow-paced, not an action film at all, and events are presented in a very non-linear way (scenes pop up out of nowhere, and they don't make much sense until later on in the film - that worked well for me, to maintain interest). Something similar in feel to Ryan Reynold's ''The Nines'', though lower-budget.
The visuals were somewhat reminiscent of 1990s CGI, but nice just the same, and the concept was very intriguing. Pay attention to the guide's outfits, and how the props change from scene to scene while on ''the ship'' - it's all very subtle, and this type of visual subtlety works its way throughout the entire movie.
There is full-frontal male nudity in a few scenes, but it's not gratuitous, vulgar or overtly-sexual at all. I suppose the story -could- have been made without it, but it did help add a bit of realism to certain things.
All-in-all, I think it takes a fairly rare temperament to enjoy this sort of film. If you're not sure after about 15 minutes, just watch until you've seen a few minutes of their interaction with the occupant of the 'ship', as that frames the tone for the rest of the movie. By then, you should know if you want to see the rest of it or not.
For my own part, I think I probably enjoyed this more than most people would. But if it sounds like it -might- appeal to you, I definitely recommend checking it out. :-)
SENN (Zach Eulberg) is a seemingly common worker on a ruined, industrialized planet. He soon discovers that his destiny lies far beyond his current existence.
SENN is a strange, somewhat trippy sci-fi tale. It's a journey into the unknown for SENN and the viewer. He finds out that, in spite of appearances, he's got a purpose that could unlock secrets of ultimate importance.
Though the story is engaging, it does suffer from the film's meandering, somewhat dreamy approach. In spite of this, the movie is original enough to recommend to any sci-fi / fantasy fan...
SENN is a strange, somewhat trippy sci-fi tale. It's a journey into the unknown for SENN and the viewer. He finds out that, in spite of appearances, he's got a purpose that could unlock secrets of ultimate importance.
Though the story is engaging, it does suffer from the film's meandering, somewhat dreamy approach. In spite of this, the movie is original enough to recommend to any sci-fi / fantasy fan...
"Senn" is a visually and intellectually immersive experience that explores not only what it means to be human, but how it feels to be human. The amazing attention to detail makes even those parts of the film which take place on a wasted, rusted out world, simply beautiful. Themes of environmentalism, corporate greed, and human rights are obvious and everywhere before our eyes in the first part of the movie, but "Senn" manages to avoid seeming preachy, nonetheless. These are all presented mainly as factors enclosing the characters in a space that is essentially beyond hope.
The storytelling is especially deft as the film begins to pick up steam, embarking on a journey aboard an alien spacecraft, where the sentient beings who built it have, with care and conscientious regard for their guests, created a pleasantly sylvan Earth environment. Here the dreams and visions that the character Senn has been having are partially explained, and begin to seem full of possibility rather than merely compelling. The relationships between characters, also, are now given room to expand, although from an already tightly woven and believably complex base.
Without giving away any more of the plot, it is easy to say that "Senn" was thought provoking and appealing on a level of intellectual self-exploration and self-examination. However, the film's true success is that, although as far from being an emotional tear jerker as it is possible to be, it quite insightfully asks, "How do you feel?" Senn is not a magical chosen one, but an everyday human who receives and develops an extraordinary destiny purely by coincidence. Any of us could do the same, perhaps. So, how does it feel to be human? And then, only then, what does that mean?
The storytelling is especially deft as the film begins to pick up steam, embarking on a journey aboard an alien spacecraft, where the sentient beings who built it have, with care and conscientious regard for their guests, created a pleasantly sylvan Earth environment. Here the dreams and visions that the character Senn has been having are partially explained, and begin to seem full of possibility rather than merely compelling. The relationships between characters, also, are now given room to expand, although from an already tightly woven and believably complex base.
Without giving away any more of the plot, it is easy to say that "Senn" was thought provoking and appealing on a level of intellectual self-exploration and self-examination. However, the film's true success is that, although as far from being an emotional tear jerker as it is possible to be, it quite insightfully asks, "How do you feel?" Senn is not a magical chosen one, but an everyday human who receives and develops an extraordinary destiny purely by coincidence. Any of us could do the same, perhaps. So, how does it feel to be human? And then, only then, what does that mean?
A must watch for all budding filmmakers- this is a nano budget feature film which shows that you don't need a big budget multimillion dollar to create art.
Did you know
- GoofsWhen Resh discusses the video with Senn and then sees the sparkling "surveillance device", the towel around Resh's neck repeatedly changes location between cuts (around the neck, in his hands, and back), and his hair changes from wet and spiky, to dry and smooth, back to spiky.
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- 1h 24m(84 min)
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