The Arroyo

This isn't a slick, big studio production but the pace is good, the characters are likable, and the acting is more than passable.

The story, is a good one, and will resonate with a lot of Americans. Law enforcement, and federal agencies sitting on their hands where illegal drug, and human importation are concerned.

Good guys take the law into their own hands, and the bad guys raise the stakes.

It's an exciting, if not a little predictable ride to the climax.

I enjoyed it. In this day and age of big budget films that too often disappoint.... this was a nice little low budget gem that kept me entertained right to the end.

A rancher, tired of the damages caused to his ranch every night by the illegal immigrants crossing the border, runs afoul of the cartel and coyotes. Frustrated with his government's lack of response or willingness to deal with the issue directly, he takes things into his own hands, and attempts to disrupt the nightly immigrations.

This is a movie that will get high marks from the right-wingers and gun rights activists, and will get comparisons to "No Country For Old Men". It is not as suspenseful as "No Country...", but it is, perhaps, closer to reality and less fictitious than "No Country...". Kenny Maines and Danny Armendariz both do great jobs of being believable characters.

Whatever your political views, it's a pretty good show and worth watching, especially if you live in the western US, where you might be closer to the issue of illegal immigration.

I really wanted to love this movie but I'm gonna have to give it a 5. It does shed light on the current and very real concerns Americans living on the border have been facing for years now. I know it's a low budget film so I don't mind the lack of a soundtrack or other high budget special effects, but the acting was so unrealistic and cliche it kind of took away from the seriousness of the story it's telling. I found that to be very distracting and a little disappointing. Shut In and Run Hide Fight were so much better, the acting much more believable. And don't get me started on Lady Ballers, I couldn't stop laughing at the absurdity. This one wasn't a win, but don't give up Jeremy and team! I'm still looking forward to your next production.

OK, so this is a B movie. It lacks the textural depth of a first-rate Hollywood production, but it's watchable, which is more than I can say for a lot of B movies. Whether you like this movie or not will depend largely on which side of the political divide you stand on. It's unlikely that any lefties will choose to watch this movie, but if they do, it will probably only be to give it a negative review. In fact, it's somewhat refreshing to see more conservative values featured for a change. Hollywood would never do it.

As in most B movies, some actors perform better than others. For the most part, the acting is tolerable. The bad guy is bad and in the mold of the 'No Country for Old Men' villain. Some scenes are actually quite nicely directed.

I don't live on the border so I have little idea how true this story could be, but my guess it has some truth in it. For those seriously interested in this topic, I highly recommend the Oscar nominated documentary, Cartel Land, which is a real eye-opener. But The Arroyo will do as an introduction to the topic.

Trash produced by bigots. No redeeming qualities as a movie. Only propaganda by and for stupid people. The entire crew and cast, the writer especially (who is also the director naturally, since no self-respecting director would ever agree to make a movie out of hateful unsympathetic junk writing such as this and not be immune from obvious accusations of complicity that would haunt his career forever), but the actors as well, they must all hate themselves to stoop so low to agree to take part in this crime of cinema. I can understand a valid propaganda film that professes its biased viewpoint upfront, tells you like it is, no pulled punches, but this movie masquerades as a serious drama, as if this is a valid Hollywood or Indie film about real people, made in the tradition of filmmaking, either as a documentary or a drama that cares about its characters, instead of what this really is: a sledgehammer wielded by a deranged maniac smashing your skull in with his words and pictures of oh-so-much wisdomly hate, lies, and drivel.