The Arroyo

Trash produced by bigots. No redeeming qualities as a movie. Only propaganda by and for stupid people. The entire crew and cast, the writer especially (who is also the director naturally, since no self-respecting director would ever agree to make a movie out of hateful unsympathetic junk writing such as this and not be immune from obvious accusations of complicity that would haunt his career forever), but the actors as well, they must all hate themselves to stoop so low to agree to take part in this crime of cinema. I can understand a valid propaganda film that professes its biased viewpoint upfront, tells you like it is, no pulled punches, but this movie masquerades as a serious drama, as if this is a valid Hollywood or Indie film about real people, made in the tradition of filmmaking, either as a documentary or a drama that cares about its characters, instead of what this really is: a sledgehammer wielded by a deranged maniac smashing your skull in with his words and pictures of oh-so-much wisdomly hate, lies, and drivel.

A rancher, tired of the damages caused to his ranch every night by the illegal immigrants crossing the border, runs afoul of the cartel and coyotes. Frustrated with his government's lack of response or willingness to deal with the issue directly, he takes things into his own hands, and attempts to disrupt the nightly immigrations.

This is a movie that will get high marks from the right-wingers and gun rights activists, and will get comparisons to "No Country For Old Men". It is not as suspenseful as "No Country...", but it is, perhaps, closer to reality and less fictitious than "No Country...". Kenny Maines and Danny Armendariz both do great jobs of being believable characters.

Whatever your political views, it's a pretty good show and worth watching, especially if you live in the western US, where you might be closer to the issue of illegal immigration.

If you take the best single episode of Breaking Bad (Ozymandias) and then tell the story of No Country for Old Men in a slightly different way to get there, that's The Arroyo. Someone once said there were no new ideas, and this movie proves it. Still, for a moment of entertainment to leave you probably wondering what our government is waiting for, watch this one.

It's not top notch acting, and as a Daily Wire production it's going to have a message, but it gets the job done. It's a slow start that introduces the characters and the problem. You've seen this kind of thing before. Thank goodness this is a rather short runtime for a feature-length film at only about 80 minutes. The ending is worth plodding through the set-up.

The Arroyo is better than most of the low budget (independent?) stuff being made today. Quite a few mistakes but compared to some of the 'basura' I have endured on Neflix and Amazon, it is a gem. Ok, some problems: the political meeting that the men attended was for a Maricopa congressman. Phoenix, the capital of AZ is in Maricopa county, but they do not have any dirt on the border. In fact, Phoenix is 150 miles north of the border. Tucson, where I am from is still 50 miles from the border. The long stretch of AZ/Mex border pretty much has only three towns of any size; Yuma, Nogales, and Douglas. Also, this land is very hot and barren and does not work out well for cattle or ranching with the exception of "porky spas" and the High Chapperal.

I've waundered astray, so back to the film. The characters were a bit redundant and the lines given them a bit cliche, but overall performed adequately. Not much depth given to the wife and the son was a little too "old west" for a modern rendering. The cartels down here in the Southwest are invasive, however not suicidal as portrayed in the flick.

Once again, a decent movie for the buck.

I would not go into this movie expecting the typical Hollywood blockbuster nor the typical low budget, local talent flop. It is a STRONG in between with some VERY decent acting at times, decent cinematography, and most of the time very good visual effects. Sound won't win any awards but considering the budget is not so distracting that you can't pay attention to the acting.

I liked the plot and continuity as it stepped outside the classical, stereotypical Hollywood good guys win all the time. There were some surprises that I did not expect which kept me watching. There are some scenes that should have been edited out, but don't let them bother you. They are few and far between. I would like to see a sequel following the characters and expanding the storyline to play out a scenario which embraces the political issues and brings all three sides (there are three, not two) together.