The Taking of Deborah Logan

The Taking of Deborah Logan is another possession movie. In that regard you can expect to see the same possession type actions that you'd see in any other possession movie. The Taking of Deborah Logan is done in found-footage or documentary style. Again, you can expect the viewing experience to be the same as any other found-footage/documentary style film. Yet, I still found it entertaining.

Deborah Logan (Jill Larson) is an elderly woman that is suffering from the onset of Alzheimer's disease. In order to help keep the house and pay for medical care her daughter agrees to have a team film her. Everything that happens after that is textbook possession stuff but somehow it was different with an old lady. I think the child possession was too overplayed so they went in a slightly different direction.

There was a mystery element to it: who, why, how to stop it? Of course there were your jump scares, but there was an overriding creepiness to it that was directly linked to Deborah Logan's age. When someone so old, fragile and withering starts clawing at herself or disrobing it just looks so much more eerie. No one wants to see an old lady naked and no one wants to see an old lady peeling her skin off. Aah! I just got the heeby jeebies just thinking about it.

Considering this movie wasn't very unique it was done well enough and it just separated itself enough to stand on its own.

Dont watch this movie if you're an in-patient in hospital, creepy stuff. the only negative i really have is the annoying screaming in certain scenes, it just makes it less authentic in my opinion

You deal here with the new kind of cinema as you can find nearly everywhere around the world. And, believe it or not, it works. It makes creeps out of you, don't watch it alone at night...The usual horror story which will always work. But besides, you deal here with astounding Oscar winning worth performances. And this astounding little feature also focuses on the terrible aspects of the Alzheimer disease, especially the pictures shown in the first part of the movie. It is fiction, yes, but not only. It is very scary but also not destined to all audiences. a sort of mix up between THE EXORCIST - old influences, very vintage - and the new wave with the likes of BLAIRWITCH PROJECT or REC or PARANORMAL ACTIVITY...

Don't miss it

I like the way the movie started. I liked the premise and the "horror" movie take on something as real as someone slowly suffering from Alzheimer's.

But they lost me once all the supernatural stuff started.

And I could have tolerated the supernatural stuff if that's the way they wanted to go with this, but I couldn't because of that stupid shaky cam and that girl doing the documentary (I forgot her name, May?) screaming all the time.

Sucks because I started watching this with very high expectations (since I heard it was a pretty good movie) but it didn't deliver. And that sucks, because based on the first 20-30 minutes, it had potential.

The Taking of Deborah Morgan, as you must have gathered by now, is a faux-documentary that begins as a sort of record of deterioration. I can think of no better word than "deterioration", since Deborah Morgan falls apart both mentally and physically over the course of the film. You'll find yourself unnerved and saddened by Deborah's confused states and struggles as she loses her memories to what appears to be Alzheimer's Disease. Of course, things take a sinister turn as the crew cataloging the disease's progression begin to see and hear unexplainable phenomena.

The first half of the film is genuinely terrifying, and had me in suspense.It is the film's second half, which I will not divulge here, that was a bit of a letdown. I really wanted to give the film a higher score, but I couldn't come up with more than a 6. All I will say is this: A horror film with a unique premise and a lot of promise gradually works its way back into the clichés of jump-scare Hollywood.

However, I would be remiss if I did not commend the film for its portrayal of three major female characters (who really carry the film)--a Ph. D. student, a troubled daughter, and Deborah herself-- each one fairly layered and driven by palpable human motivations. The whole "freaked-out, over-sexed bimbo" schtick gets old.