IMDb RATING
5.5/10
1.5K
YOUR RATING
Janie's just trying to get well.Janie's just trying to get well.Janie's just trying to get well.
- Awards
- 2 wins total
Riley Litman
- Connor
- (uncredited)
Mary Nieves
- Woman in the Park
- (uncredited)
Daisy O'Dell
- Dream Mother
- (uncredited)
Don Oscar Smith
- Gary
- (uncredited)
- …
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- Writer
- All cast & crew
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Featured reviews
Intensely quiet, powerful, and disturbing allegory for trauma and mental illness victims.
This movie was actually pretty incredible. It calls your attention using very little, leaving you to decide what's reality and what isn't. It's a successful movie - well and cryptically written, gorgeous and intimate cinematography, and a strange and daring story that is pretty hard to watch at times.
I definitely enjoyed what this movie brought, how it gives us enough to estimate who this protagonist is - I'm not going to give anything away, but really what this movie ends up being is an inside to someone's personal hell. It's sad, dark, and even terrifying. Really. It's terrifying, it's expressive, it's raw. Doesn't hold off - and nothing, to me in the least, feels contrived. It all happens for a reason, whether it's really happening or not. It has some really powerful images that stick with you after viewing, things that make you think and wonder.
I really recommend this film for indie lovers and for those who want to see something really dark and really psychological. The acting is great, and overall it's a beautiful and personal film about what this girl is going through and why. I ended up loving this film. See it for yourself. It's DEFINITELY not for everyone, with graphic nudity, violence, so on so forth, but it's all worth while. Great film that no one's heard of. Super intense, but has me thinking for a while after watching it - and planning another rewatch soon.
I definitely enjoyed what this movie brought, how it gives us enough to estimate who this protagonist is - I'm not going to give anything away, but really what this movie ends up being is an inside to someone's personal hell. It's sad, dark, and even terrifying. Really. It's terrifying, it's expressive, it's raw. Doesn't hold off - and nothing, to me in the least, feels contrived. It all happens for a reason, whether it's really happening or not. It has some really powerful images that stick with you after viewing, things that make you think and wonder.
I really recommend this film for indie lovers and for those who want to see something really dark and really psychological. The acting is great, and overall it's a beautiful and personal film about what this girl is going through and why. I ended up loving this film. See it for yourself. It's DEFINITELY not for everyone, with graphic nudity, violence, so on so forth, but it's all worth while. Great film that no one's heard of. Super intense, but has me thinking for a while after watching it - and planning another rewatch soon.
As another reviewer suggests, there is no room for middle ground here
For me at least, this film is a masterpiece of extreme character study and psych intrigue extracted from a very minimal budget, but parlayed into a brilliantly visual and emotional experience.
It would be redundant to replicate the detailed description that has been more than aptly articulated by previous reviewers, so I'll simply limit my commentary to a general sense of quality of experience, and in that context, this production deserves high marks.
Yes, some of the editing can seem to be a bit jagged, like a puzzle who's pieces snap into place at quasi random moments, but still leave enough holes to require a fair amount of contemplation for the viewer to complete the intended picture.
But that's part of the beauty of this production, in that it absolutely pulls you in, requiring an attention to detail without becoming a tedious exercise for comprehension.
Sarah Hagan matches her character as Janie perfectly. If anything, she makes the experience uniquely hers, as it would be difficult to imagine anyone else being able to capture the essence of Janie with such depth and precision.
The content itself is disturbing, make no doubt about that.
This film is certainly not for everyone. But for those who can appreciate this genre of story and character study, it's a superb expression of the artform.
It would be redundant to replicate the detailed description that has been more than aptly articulated by previous reviewers, so I'll simply limit my commentary to a general sense of quality of experience, and in that context, this production deserves high marks.
Yes, some of the editing can seem to be a bit jagged, like a puzzle who's pieces snap into place at quasi random moments, but still leave enough holes to require a fair amount of contemplation for the viewer to complete the intended picture.
But that's part of the beauty of this production, in that it absolutely pulls you in, requiring an attention to detail without becoming a tedious exercise for comprehension.
Sarah Hagan matches her character as Janie perfectly. If anything, she makes the experience uniquely hers, as it would be difficult to imagine anyone else being able to capture the essence of Janie with such depth and precision.
The content itself is disturbing, make no doubt about that.
This film is certainly not for everyone. But for those who can appreciate this genre of story and character study, it's a superb expression of the artform.
The usual clichés
Gratuitous sex scenes, gratuitous (female as per usual) nudity, close-up gory blood and violence. All those predictable clichés and for what? A story about a mental patient with a weird Auntie. No real twists or plot and plenty of things that don't add up or make sense and are never explained.
"everything we do it to get you better...."
The sets are almost all white, from the walls to the furniture, and even the pale faces. Irma (Barbara Compton) is the caretaker/nurse, in charge of Janie (Sarah Hagen) who, while an adult, is almost child like and treated as such. She is made to respond to children's problem solving games. Irma is very strict, and keeps warning her if she misbehaves, her father will be very upset. But, of course, she never even talks to her father. But Irma is a master of putting a guilt trip on Janie. There is little as to why Janie is that way, and part way through the movie she may have been terribly assaulted at one time (in a flashback). While she acts like a child, she is given the chance to go out and drive alone, as long as she follows the rules. She starts to stalk a young woman, Savannah. Of course, she violates the rules, and she is punished. Even to the point of having a dog (shock) collar on. We find out later this with Irma has been going on for a very, very long time, since birth. It takes a very dark turn and takes time to build up to the real horror, and some may feel it is not worth the wait. Some compare it to Dogtooth, but there, more family members are confined to their home area, by a father who is also very manipulative. This is really confined to the inside of the home, with minimal exceptions, which don't register as opportunities with Janie, since she has been well trained to obey Irma. Strong performances.
Susanby: Visually stunning art house chiller
I had to "steal" this summary line from that one other review on IMDb (at this time), because it hits the nail on the head. Actually the review is very thorough overall, but this tag alone should be an indication if the movie itself is something you want to watch. Even without that tag line I went to watch it, not knowing anything except the title of the movie itself of course.
And while it's slow moving/brewing, which might not be most people cup of tea, I have to say that it fits the movie and the story. There is incidental nudity and there is weirdness abound too. Characters behavior may not be easily explained under "normal" circumstances, but the movie is not describing normal at all. This gets clear pretty early on. Does it still sound like something you want to watch? It's not easy let me tell you that. Especially when our main character gets "schooled".
There are a couple of themes here, rebellion, growing up, exploring and more and all packed in a psycho horror setting that will either feel "delightful" or nauseating, depending on your viewing habits. It's just a movie, so you'll either like the art created or loathe it
And while it's slow moving/brewing, which might not be most people cup of tea, I have to say that it fits the movie and the story. There is incidental nudity and there is weirdness abound too. Characters behavior may not be easily explained under "normal" circumstances, but the movie is not describing normal at all. This gets clear pretty early on. Does it still sound like something you want to watch? It's not easy let me tell you that. Especially when our main character gets "schooled".
There are a couple of themes here, rebellion, growing up, exploring and more and all packed in a psycho horror setting that will either feel "delightful" or nauseating, depending on your viewing habits. It's just a movie, so you'll either like the art created or loathe it
Did you know
- TriviaSara Malakul Lane said she did a lot of stuff pretty much for real during filming. "I had a lot of cuts on my wrists from one scene and I genuinely was gagging for another scene because you are really in it and I think it's important just to go all out. The audience will really get the experience if you are really feeling it. There was no safety or anything, we just kind of went for it. After the third or fourth take it becomes really tiring on the body and you think, 'Oh shit, what did I get myself into?'" But Lane said the most uncomfortable scene was the sex one with William Nicol. "Usually when you're doing these sex scenes or rape scenes, there's 6 or 7 crew members in the room. With this scene because they were filming it through the window, it was just me and the other actor in the room doing a sex scene essentially. That was uncomfortable."
- How long is Sun Choke?Powered by Alexa
Details
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 2.40:1
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