IMDb RATING
5.5/10
1.5K
YOUR RATING
Janie's just trying to get well.Janie's just trying to get well.Janie's just trying to get well.
- Awards
- 2 wins total
Riley Litman
- Connor
- (uncredited)
Mary Nieves
- Woman in the Park
- (uncredited)
Daisy O'Dell
- Dream Mother
- (uncredited)
Don Oscar Smith
- Gary
- (uncredited)
- …
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- Writer
- All cast & crew
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Featured reviews
Accomplished and accessible Art House
This film cracks the puzzle of making a dreamy, surreal and non-chronological narrative engaging. In this regard it uses similar devices as Mulholland Drive and Repulsion - yet it is far from a simple clone. Most importantly it has convincing portrayals of the three significant protagonists (great acting by all 3) and a winning combination of setting and soundtrack. At a deeper level, it successfully conveys the twisted but coherent logic employed by the lead as she struggles to attain a sense of security. The audience is encouraged not to be sympathetic but cognisant of the thinking which leads Janie down her narrative path.
As another reviewer suggests, there is no room for middle ground here
For me at least, this film is a masterpiece of extreme character study and psych intrigue extracted from a very minimal budget, but parlayed into a brilliantly visual and emotional experience.
It would be redundant to replicate the detailed description that has been more than aptly articulated by previous reviewers, so I'll simply limit my commentary to a general sense of quality of experience, and in that context, this production deserves high marks.
Yes, some of the editing can seem to be a bit jagged, like a puzzle who's pieces snap into place at quasi random moments, but still leave enough holes to require a fair amount of contemplation for the viewer to complete the intended picture.
But that's part of the beauty of this production, in that it absolutely pulls you in, requiring an attention to detail without becoming a tedious exercise for comprehension.
Sarah Hagan matches her character as Janie perfectly. If anything, she makes the experience uniquely hers, as it would be difficult to imagine anyone else being able to capture the essence of Janie with such depth and precision.
The content itself is disturbing, make no doubt about that.
This film is certainly not for everyone. But for those who can appreciate this genre of story and character study, it's a superb expression of the artform.
It would be redundant to replicate the detailed description that has been more than aptly articulated by previous reviewers, so I'll simply limit my commentary to a general sense of quality of experience, and in that context, this production deserves high marks.
Yes, some of the editing can seem to be a bit jagged, like a puzzle who's pieces snap into place at quasi random moments, but still leave enough holes to require a fair amount of contemplation for the viewer to complete the intended picture.
But that's part of the beauty of this production, in that it absolutely pulls you in, requiring an attention to detail without becoming a tedious exercise for comprehension.
Sarah Hagan matches her character as Janie perfectly. If anything, she makes the experience uniquely hers, as it would be difficult to imagine anyone else being able to capture the essence of Janie with such depth and precision.
The content itself is disturbing, make no doubt about that.
This film is certainly not for everyone. But for those who can appreciate this genre of story and character study, it's a superb expression of the artform.
The opposite of Dogtooth
Sun Choke is an unusual but solid film. It's not especially original but especially with the strong performances of the two leads it's different enough in presentation that it's not a boring watch.
So why am I writing a review? To express my bewilderment that there are multiple comparisons in other reviews to the Greek film Dogtooth. I had to stretch my brain to near breaking to realize, "Oh yes, there is one tiny aspect of similarity, but even that utterly marginal plot point falls under another few seconds of scrutiny." Anyone comparing these two films: A, hasn't seen Dogtooth; B, hasn't seen Sun Choke; C, saw both but was too busy shopping on Amazon Prime to notice what was happening during either film.
For what it's worth, I'm one of the sad minority who thought Dogtooth was not a masterpiece. Interesting premises, boring results. Maybe I'm just not intellectual enough. Of the two films, Sun Choke is the more fleshed-out and for most viewers will likely be the more enjoyable. Watch Dogtooth if you want a bunch of random ideas that are never really built into any kind of thesis, which I'm sure is more enjoyable if you're not interested in the writer's or director's opinions on their own themes. It's an utter Rorschach test of a film. While far from typical, Sun Choke is much more traditional in terms of plot (of which Dogtooth has almost none) and character development (of which Dogtooth is completely devoid)
So why am I writing a review? To express my bewilderment that there are multiple comparisons in other reviews to the Greek film Dogtooth. I had to stretch my brain to near breaking to realize, "Oh yes, there is one tiny aspect of similarity, but even that utterly marginal plot point falls under another few seconds of scrutiny." Anyone comparing these two films: A, hasn't seen Dogtooth; B, hasn't seen Sun Choke; C, saw both but was too busy shopping on Amazon Prime to notice what was happening during either film.
For what it's worth, I'm one of the sad minority who thought Dogtooth was not a masterpiece. Interesting premises, boring results. Maybe I'm just not intellectual enough. Of the two films, Sun Choke is the more fleshed-out and for most viewers will likely be the more enjoyable. Watch Dogtooth if you want a bunch of random ideas that are never really built into any kind of thesis, which I'm sure is more enjoyable if you're not interested in the writer's or director's opinions on their own themes. It's an utter Rorschach test of a film. While far from typical, Sun Choke is much more traditional in terms of plot (of which Dogtooth has almost none) and character development (of which Dogtooth is completely devoid)
"everything we do it to get you better...."
The sets are almost all white, from the walls to the furniture, and even the pale faces. Irma (Barbara Compton) is the caretaker/nurse, in charge of Janie (Sarah Hagen) who, while an adult, is almost child like and treated as such. She is made to respond to children's problem solving games. Irma is very strict, and keeps warning her if she misbehaves, her father will be very upset. But, of course, she never even talks to her father. But Irma is a master of putting a guilt trip on Janie. There is little as to why Janie is that way, and part way through the movie she may have been terribly assaulted at one time (in a flashback). While she acts like a child, she is given the chance to go out and drive alone, as long as she follows the rules. She starts to stalk a young woman, Savannah. Of course, she violates the rules, and she is punished. Even to the point of having a dog (shock) collar on. We find out later this with Irma has been going on for a very, very long time, since birth. It takes a very dark turn and takes time to build up to the real horror, and some may feel it is not worth the wait. Some compare it to Dogtooth, but there, more family members are confined to their home area, by a father who is also very manipulative. This is really confined to the inside of the home, with minimal exceptions, which don't register as opportunities with Janie, since she has been well trained to obey Irma. Strong performances.
Great Trippy Character study
Sun Choke needs some time it is a slow burn . This film works as a character study of in large part because of how committed actress Sarah Hagan is to playing 'Janie's' derangement. It is never really made clear why 'Janie' is a troubled soul suffering from chronic mental disorder with abnormal violent social behavior. 'Sun Choke' has excellent acting from all characters. The film all things add up to the creation of one evocative, trippy film that is sure to run chills down your spine. 'Sun Choke' offers a unique experience that'll leave you surprised and intrigued. Make note of the 105:39 minute mark. The film really gets its (freak) on
Did you know
- TriviaSara Malakul Lane said she did a lot of stuff pretty much for real during filming. "I had a lot of cuts on my wrists from one scene and I genuinely was gagging for another scene because you are really in it and I think it's important just to go all out. The audience will really get the experience if you are really feeling it. There was no safety or anything, we just kind of went for it. After the third or fourth take it becomes really tiring on the body and you think, 'Oh shit, what did I get myself into?'" But Lane said the most uncomfortable scene was the sex one with William Nicol. "Usually when you're doing these sex scenes or rape scenes, there's 6 or 7 crew members in the room. With this scene because they were filming it through the window, it was just me and the other actor in the room doing a sex scene essentially. That was uncomfortable."
- How long is Sun Choke?Powered by Alexa
Details
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 2.40:1
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