Neverlake

A teenage girl who was born in Italy, but raised in America (none of which explains her crisp British accent) returns to Tuscany where her father, once a medical doctor, is now engaged in an archaeological project at an enchanted lake once worshiped by the ancient Etruscans. There she befriends a group of weird disabled children kept in a country asylum. Eventually a terrible family secret is revealed.

This is in some ways a ghost story like "The Devil's Backbone" or "The Orphanage", but it also hearkens back to the classic European "medical horror" films of the early 1960's like "Eyes without a Face" and "The Mill of the Stone Women". Like a lot of classic Euro-horror films this British-Italian co-production doesn't make a lot of logical sense but rather follows a kind of dream logic. The rational plot is often overwhelmed by powerful and striking visual images and kind of surreal mood reminiscent of Euro genre films of yore. This will no doubt annoy many of the terminal Americans out there unaccustomed to this kind of filmmaking (really though, Hollywood films aren't any more "realistic", people are just more used to their brand of unreality).

The movie does have its flaws. The Etruscan mysticism and the medical horror don't really gel together very well, and all the characters remain rather opaque. Its strengths though lie in its atmosphere, its arresting visuals (especially the underwater scenes in the lake) and its use of the beautiful Tuscany countryside and some haunting poetry from British Romantic poet Percy Blysse Shelley. Daisy Keeping who plays the protagonist is a strikingly beautiful young Brit actress who really complements the natural scenery and turns in a very decent performance (her unexplained British accent notwithstanding). This isn't a perfect movie, but I'd still definitely recommend it.

I'm a little different from many horror fans in that I appreciate a good story line within the genre without necessarily needing to be scared by it. Such is the case with Neverlake.

Jenny comes to her father's Tuscany home from New York as a teenager, not having seen him since she went away to school. The house is near a lake with a rich history of Etruscan legends, which Jenny's father is researching.

Soon she becomes bored because Dad tends to be elusive, his housekeeper is rather brittle and Jenny doesn't like her. One day she takes a walk and meets a blind girl who takes her to visit the orphanage where she lives. She tells Jenny, "It's fine, just don't let the grownups see you. They're bad." Jenny continues to visit, and one night she learns the full history of the lake and its power.

Meanwhile, the relationship between Jenny and her father becomes stranger and stranger. One night, she faints, only to wake up in a hospital bed with her father explaining that she'd been sick with an infection and had needed surgery. A heavily drugged Jenny goes back to sleep to wake up back in her own bed.

The story slows down a bit, and some viewers may become bored, but I found the film so atmospheric that it kept me engaged. Piece by piece, Jenny begins to learn of the powers of the lake and her father's involvement in the strange orphanage. The children send Jenny on a mission that brings the story to its very satisfying conclusion.

I will say that it was the first time I felt like crying at the end of a horror film. And that wouldn't have happened without an interesting story, good actors and a rich atmosphere in which to tell this unusual tale. You won't find monsters or ghosts in this film, but you won't need them because the horror comes not from the dead, but the living. I recommend this film highly for those cold, dark nights when you want to settle in with a good story with both atmosphere and foreboding.

Sometimes, someone has a pretty nice idea that depending on right, smart and carefully planned execution has the potential to become a great film. Neverlake is, in my opinion, an example of how a wanting execution spoils this kind of a nice idea. After watching it I couldn't help but feeling bad for whomever was responsible for the general plot, as it felt to me like showing such a story the right way could have been great, while showing it in this way simply didn't do it justice.

As the trailers and plot summaries have already told you, Neverlake tells the story of a teenage girl going to visit her father in Italy. There, she is confronted by both his half colleague half lover (showing a bluntly exaggerated interest in her physical health) and a party of children of different ages each suffering from some sort of physical ailment of deformity. In addition, the storyline is saturated with hints alluding to something supernatural haunting the nearby lake. Enough to make one curious and follow the plot closely, but also enough to frustrate a viewer, because okay, we get it, stop wasting screen time with another unnecessary hint, that's not how you set up a plot twist.

And then? Comes the plot twist, which is nefarious and grim, but has extremely little to do with the aforementioned redundant hints. Following the initial shock I couldn't help but wonder why the heck I was shown all these hints only to lead to such a twist. Either the hints or the twist should not have been used, it almost feels like the creators couldn't come up with enough relevant scenes.

After all this criticism anyone reading could think that I didn't enjoy Neverlake, but I actually did. The fine acting and intriguing characters along with a story that could have been better but isn't all bad were seemingly enough to create a rewarding Horror experience. I'm merely saying one should lower their expectations in advance if they wish to enjoy this film, and not wait for anything spectacular or overly impressive. An average story in an average film.

There are pretty straightforward pros and cons to this movie, and to me it seems to really be stretching things to call it "horrible" or "great storytelling.

The story itself - overall - wasn't that bad and, in fact, I enjoyed the ending. It was darker than I'd thought it would be, and definitely not entirely predictable. Ironically, that's also part of the problem. There wasn't really enough story development in the first 70 minutes of the film to lead you to predict much of anything, and by that time you're almost a little apathetic. Very little seems to be holding together what is presented during this stretch, and much of it isn't really that necessary.

A lot of the bad reviews I've read include phrases like "I couldn't make it half-way through" and "I turned it off with 20 minutes left." Because the story is so back-loaded into the conclusion of the movie, their reviews (to me) are rendered almost completely irrelevant. But because of the glacial pace I definitely understand where they're coming from.

Before I get the usual condescending "Most people (who aren't as smart as I am) who expect explosions and non-stop action/killing/slashing just won't 'get' this type of artistic storytelling (and are not worthy to cast eyes on the film like I am)," I beg to differ. I don't need nonstop action, especially in a horror/psychological thriller movie. But in lieu of action there needs to be story/character development to keep you engaged. And in this film that all came at the end, with only fairly disjointed bits and pieces for the first 70 minutes.

I give this a better-than-average rating because it IS better than most of the low-budget garbage out there. It is, indeed, watchable. But your life will not change. You'll think, "Hmmm. Didn't quite see THAT ending coming," then get back to your housework.

Neverlake: This could have been a very good horror film but s left down by pacing, especially in the middle act.

A girl arrives in Tuscany, travelling from her US boarding school to visit her father who has carried out Archaeological work at an Etruscan site in a lake for the past 20 years. She meets some strange children who tell her that the spirits of the Etruscan's are disturbed because their statues have been removed.

This is a ghost story but also contains a real life saga which is far more terrifying .

Worth watching.