This all-female horror anthology features four dark tales from four fiercely talented women.This all-female horror anthology features four dark tales from four fiercely talented women.This all-female horror anthology features four dark tales from four fiercely talented women.
- Awards
- 1 nomination total
Featured reviews
I don't know where to begin with my thoughts on this anthology. I would more or less refer to them as proof of concept ideas that filmmakers give to production companies.
The first concept 'The Box' started creatively enough with the mystery of a boy seeing "something" in a box and then it went no where. This wasn't horror, it wasn't scary, and it came across like it was alluding to a message that I couldn't decipher. It does remain true to the Jack Ketchum short story of the same name, but it failed to capture the narrative style the book delivers. If they retold the story from the mother's POV I would add another star to my review, but she's a background character until the very end. Disappointing.
'The Birthday Party' would be better listed as a dark-comedy. I didn't like it at all. Don't know what else to say about it, but it was a waste of time. I wanted to find hidden meanings behind what was happening and I kept expecting something to relate with. It delivers nothing. This isn't even something to share over a campfire.
'Don't Fall' was a straight forward horror genre without any real content. It seemed to be making fun of such stories rather than trying to be plot or character driven. It was as derivative as most"monster chasing a girl" movies can be and just as lifeless. Terrible acting, no pacing and not even a claustrophobic element with the small camper. It's like the director didn't want the job or didn't bother trying.
'Her Only Living Son' was actually the closest to being watchable. It was this short that helped keep it above 1 star for me. The plot was ... conventional ... is a kind word. The acting was sub-par, but I did like Kyle Allen as Andy. I thought this could have been broader and more illusive about the surprise mystery. It's a clichéd tale (probably should say a throwback) from 1970's flicks based on devil-worship. I never liked those things. It's just people acting creepy or weird and I'm certain today's audiences are fully desensitized by their nightly news to give 2 cents about this garbage.
All in all; I wish I had paid attention to the warnings of other reviewers. Because the focus was on women directors, I didn't want any negative influence from misogyny or patriarchal leanings. I watched with all the hope in the world and it was very disappointing.
The first concept 'The Box' started creatively enough with the mystery of a boy seeing "something" in a box and then it went no where. This wasn't horror, it wasn't scary, and it came across like it was alluding to a message that I couldn't decipher. It does remain true to the Jack Ketchum short story of the same name, but it failed to capture the narrative style the book delivers. If they retold the story from the mother's POV I would add another star to my review, but she's a background character until the very end. Disappointing.
'The Birthday Party' would be better listed as a dark-comedy. I didn't like it at all. Don't know what else to say about it, but it was a waste of time. I wanted to find hidden meanings behind what was happening and I kept expecting something to relate with. It delivers nothing. This isn't even something to share over a campfire.
'Don't Fall' was a straight forward horror genre without any real content. It seemed to be making fun of such stories rather than trying to be plot or character driven. It was as derivative as most"monster chasing a girl" movies can be and just as lifeless. Terrible acting, no pacing and not even a claustrophobic element with the small camper. It's like the director didn't want the job or didn't bother trying.
'Her Only Living Son' was actually the closest to being watchable. It was this short that helped keep it above 1 star for me. The plot was ... conventional ... is a kind word. The acting was sub-par, but I did like Kyle Allen as Andy. I thought this could have been broader and more illusive about the surprise mystery. It's a clichéd tale (probably should say a throwback) from 1970's flicks based on devil-worship. I never liked those things. It's just people acting creepy or weird and I'm certain today's audiences are fully desensitized by their nightly news to give 2 cents about this garbage.
All in all; I wish I had paid attention to the warnings of other reviewers. Because the focus was on women directors, I didn't want any negative influence from misogyny or patriarchal leanings. I watched with all the hope in the world and it was very disappointing.
Well that was quite a waste of time.
To be honest I wished they had focused on a full length feature of The Box and just forgotten about the other 3 stories. The Box was so mysterious and intriguing, I really didn't want it to end. The other 3 were tedious, and badly acted.
I'm sorry to report that this year's "XX" doesn't quite live up to the great horror anthology that its trailer promises. This quarter of female-directed horror shorts is actually quite average, when considered together, and I'd give it a 6 out of 10.
Only the first segment is truly memorable — "The Box," adapted from a short story by Jack Ketchum. The directing and scoring is superb. (Seriously, the music is quite good.) The acting is also good throughout this segment, most especially by "The Strain's" Natalie Brown. She's a good actress and she's starting to grow on me. (And her memorable last lines here, which I assume come from the text of Ketchum's story, are weird and haunting.) This quarter of "XX" gets under your skin.
Despite "The Box" being capably developed and unnerving, however, there were no conventional scares at all. It hardly felt like a horror short; it was more like a particularly macabre and ambiguous parable. Nor is the story's mystery solved — it's left open-ended.
The second segment is largely a waste of time, despite being stylishly shot and scored. (Hint: it's got the same story device as "Weekend at Bernie's.")
The remaining two tales are more standard horror stories. I'd suggest they are somewhat fair at best.
I think I would recommend this only to the most well rounded horror fans who are in the mood for something different. And, even then, it might only be for the peculiar elements of "The Box."
Only the first segment is truly memorable — "The Box," adapted from a short story by Jack Ketchum. The directing and scoring is superb. (Seriously, the music is quite good.) The acting is also good throughout this segment, most especially by "The Strain's" Natalie Brown. She's a good actress and she's starting to grow on me. (And her memorable last lines here, which I assume come from the text of Ketchum's story, are weird and haunting.) This quarter of "XX" gets under your skin.
Despite "The Box" being capably developed and unnerving, however, there were no conventional scares at all. It hardly felt like a horror short; it was more like a particularly macabre and ambiguous parable. Nor is the story's mystery solved — it's left open-ended.
The second segment is largely a waste of time, despite being stylishly shot and scored. (Hint: it's got the same story device as "Weekend at Bernie's.")
The remaining two tales are more standard horror stories. I'd suggest they are somewhat fair at best.
I think I would recommend this only to the most well rounded horror fans who are in the mood for something different. And, even then, it might only be for the peculiar elements of "The Box."
XX is an independent horror anthology that got a bit more press than the average due to it notably being advertised as one written, directed and being lead entirely by the fairer sex.
I have to admit this did interest me, women do tend to lead most horror movies but written and directed by? My interest was peaked, and I do love horror anthology films.
Telling 4 short tales separated by creepy stop motion animation it was worse than I ever thought it could have been. You see it reminded me heavily of The ABC's of Death (2012) which was an anthology I'd expected huge things from and ended up being one of the worst films I've ever seen. The stories were pointless, disturbing (And not in a good way) and just downright confusing, and that's basically what we have here. The tales aren't exactly what you'd expect, they aren't traditional horror or even alternative horror for that matter. They are weird art house films for the most part which are neither interesting nor scary. One of them simply isn't horror at all and the first story was just, well the whole thing is just terrible.
The third story was passable, the rest range from bad to absolutely dire. The films all female gimmick isn't worth watching this for, it's truly poor stuff.
The Good:
Story separators are interesting
Melanie Lynskey
The Bad:
3/4 stories are just awful
1/4 isn't even horror
I have to admit this did interest me, women do tend to lead most horror movies but written and directed by? My interest was peaked, and I do love horror anthology films.
Telling 4 short tales separated by creepy stop motion animation it was worse than I ever thought it could have been. You see it reminded me heavily of The ABC's of Death (2012) which was an anthology I'd expected huge things from and ended up being one of the worst films I've ever seen. The stories were pointless, disturbing (And not in a good way) and just downright confusing, and that's basically what we have here. The tales aren't exactly what you'd expect, they aren't traditional horror or even alternative horror for that matter. They are weird art house films for the most part which are neither interesting nor scary. One of them simply isn't horror at all and the first story was just, well the whole thing is just terrible.
The third story was passable, the rest range from bad to absolutely dire. The films all female gimmick isn't worth watching this for, it's truly poor stuff.
The Good:
Story separators are interesting
Melanie Lynskey
The Bad:
3/4 stories are just awful
1/4 isn't even horror
I really, really wanted to like this. It features Melanie Linskey, after all! I love everything she's in! And I was excited to see an anthology of horror tales told by women. After all, no one knows the horrors of life more than women.
But this was just... not it.
Each segment was meh, in my honest opinion. Just. Meh. I think they all had the potential to be great, but it didn't seem like they had the right direction. Perhaps if they had had better cinematography, a better score. Or if they had been the kind of stories that reward the viewer for paying attention by setting up clues that lead up to some grand reveal...
Instead, it all felt unseasoned. Very disappointed.
But this was just... not it.
Each segment was meh, in my honest opinion. Just. Meh. I think they all had the potential to be great, but it didn't seem like they had the right direction. Perhaps if they had had better cinematography, a better score. Or if they had been the kind of stories that reward the viewer for paying attention by setting up clues that lead up to some grand reveal...
Instead, it all felt unseasoned. Very disappointed.
Did you know
- TriviaThe segment "The Box" is the only one of the four segments that is not actually an original story by the women but is instead an adaptation of the Jack Ketchum story.
- GoofsIn The Box all three characters die of starvation in a hospital after refusing to eat for long periods of time, but even when they've gone comatose the hospital never inserts a feeding tube, which would surely have reversed their condition.
- Quotes
Susan Jacobs (segment "The Box"): You love spaghetti.
Susan Jacobs (segment "The Box"): It... It's been three days.
- ConnectionsFeatured in Starfilm (2017)
- How long is XX?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Korku Tüneli
- Filming locations
- Los Angeles, California, USA(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $30,911
- Opening weekend US & Canada
- $6,222
- Feb 19, 2017
- Gross worldwide
- $55,668
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 2.39:1
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