This all-female horror anthology features four dark tales from four fiercely talented women.This all-female horror anthology features four dark tales from four fiercely talented women.This all-female horror anthology features four dark tales from four fiercely talented women.
- Awards
- 1 nomination total
Natalie Brown
- Susan Jacobs
- (segment "The Box")
Jonathan Watton
- Robert Jacobs
- (segment "The Box")
Peter DaCunha
- Danny Jacobs
- (segment "The Box")
Peyton Kennedy
- Jenny Jacobs
- (segment "The Box")
Ron Lea
- Dr. Weller
- (segment "The Box")
Michael Dyson
- The Man
- (segment "The Box")
Melanie Lynskey
- Mary
- (segment "The Birthday Party")
Seth Duhame
- David
- (segment "The Birthday Party")
Sanai Victoria
- Lucy
- (segment "The Birthday Party")
Sheila Vand
- Carla
- (segment "The Birthday Party")
Lindsay Burdge
- Madeleine
- (segment "The Birthday Party")
Valeria Chavez
- Party Goer
- (segment "The Birthday Party")
Jay Chirinos
- Party Goer
- (segment "The Birthday Party")
Laura G. Chirinos
- Party Goer
- (segment "The Birthday Party")
Brooklyn Hatrak
- Party Goer
- (segment "The Birthday Party")
April Hernandez
- Party Goer
- (segment "The Birthday Party")
Clayton Jackson
- Party Goer
- (segment "The Birthday Party")
Ozzy Villazon
- Party Goer
- (segment "The Birthday Party")
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Featured reviews
Female directors fail at making female characters interesting
When the very poster draws heavy focus to the fact that the shorts are directed by women, one assumes that you will finally be able to see film through a female lens. Those in the film industry are frequently excited by the prospect of having the stories and viewpoints of women shown as it opens up stories that previously have been masked. Female characters frequently are left underdeveloped and masked in the backgrounds of features. You can imagine my disappointment to read that tag line on the poster, just to find that 3 of the 4 shorts are as generic and soulless as the dregs of the horror industry.
The first 3 shorts are as uninspired, uninteresting and cliché as imaginable. 3 of the 4 stories feature white, middle-aged stay-at-home mothers, of which are the manifestation of what most people complain about when a female character is given minimal attention and effort from a male director.
The 1st and 3rd short offer absolutely nothing we haven't seen before, and the 2nd short isn't even remotely within the horror genre. The director of the 2nd short has somehow managed to convince herself that adding loud, eerie music to a regular scene creates a horror short.
The 2nd of the 4 shorts is vastly the worst, followed by the 3rd and then the 1st. The 4th short however is an interesting, if not still un-creative piece of horror. Whilst the 4th short feels reminiscent of films like The Babadook, it still manages to differentiate itself enough to warrant at least a 7/10.
Ultimately generic, uninspired and frustrating. The intermission, stop motion segments are the pinnacle of this feature. 3/10
The first 3 shorts are as uninspired, uninteresting and cliché as imaginable. 3 of the 4 stories feature white, middle-aged stay-at-home mothers, of which are the manifestation of what most people complain about when a female character is given minimal attention and effort from a male director.
The 1st and 3rd short offer absolutely nothing we haven't seen before, and the 2nd short isn't even remotely within the horror genre. The director of the 2nd short has somehow managed to convince herself that adding loud, eerie music to a regular scene creates a horror short.
The 2nd of the 4 shorts is vastly the worst, followed by the 3rd and then the 1st. The 4th short however is an interesting, if not still un-creative piece of horror. Whilst the 4th short feels reminiscent of films like The Babadook, it still manages to differentiate itself enough to warrant at least a 7/10.
Ultimately generic, uninspired and frustrating. The intermission, stop motion segments are the pinnacle of this feature. 3/10
Oh dear
Well that was quite a waste of time.
To be honest I wished they had focused on a full length feature of The Box and just forgotten about the other 3 stories. The Box was so mysterious and intriguing, I really didn't want it to end. The other 3 were tedious, and badly acted.
XX: XX = WTF
XX is an independent horror anthology that got a bit more press than the average due to it notably being advertised as one written, directed and being lead entirely by the fairer sex.
I have to admit this did interest me, women do tend to lead most horror movies but written and directed by? My interest was peaked, and I do love horror anthology films.
Telling 4 short tales separated by creepy stop motion animation it was worse than I ever thought it could have been. You see it reminded me heavily of The ABC's of Death (2012) which was an anthology I'd expected huge things from and ended up being one of the worst films I've ever seen. The stories were pointless, disturbing (And not in a good way) and just downright confusing, and that's basically what we have here. The tales aren't exactly what you'd expect, they aren't traditional horror or even alternative horror for that matter. They are weird art house films for the most part which are neither interesting nor scary. One of them simply isn't horror at all and the first story was just, well the whole thing is just terrible.
The third story was passable, the rest range from bad to absolutely dire. The films all female gimmick isn't worth watching this for, it's truly poor stuff.
The Good:
Story separators are interesting
Melanie Lynskey
The Bad:
3/4 stories are just awful
1/4 isn't even horror
I have to admit this did interest me, women do tend to lead most horror movies but written and directed by? My interest was peaked, and I do love horror anthology films.
Telling 4 short tales separated by creepy stop motion animation it was worse than I ever thought it could have been. You see it reminded me heavily of The ABC's of Death (2012) which was an anthology I'd expected huge things from and ended up being one of the worst films I've ever seen. The stories were pointless, disturbing (And not in a good way) and just downright confusing, and that's basically what we have here. The tales aren't exactly what you'd expect, they aren't traditional horror or even alternative horror for that matter. They are weird art house films for the most part which are neither interesting nor scary. One of them simply isn't horror at all and the first story was just, well the whole thing is just terrible.
The third story was passable, the rest range from bad to absolutely dire. The films all female gimmick isn't worth watching this for, it's truly poor stuff.
The Good:
Story separators are interesting
Melanie Lynskey
The Bad:
3/4 stories are just awful
1/4 isn't even horror
Creepy Dolls
The dolls and walking boxes inbetween the stories were much more unsettling than any of the four bland stories. I would rate the doll segments as a 6 and the stories as a 2 so overall a 4.
A short review of "XX" (2017)
I'm sorry to report that this year's "XX" doesn't quite live up to the great horror anthology that its trailer promises. This quarter of female-directed horror shorts is actually quite average, when considered together, and I'd give it a 6 out of 10.
Only the first segment is truly memorable — "The Box," adapted from a short story by Jack Ketchum. The directing and scoring is superb. (Seriously, the music is quite good.) The acting is also good throughout this segment, most especially by "The Strain's" Natalie Brown. She's a good actress and she's starting to grow on me. (And her memorable last lines here, which I assume come from the text of Ketchum's story, are weird and haunting.) This quarter of "XX" gets under your skin.
Despite "The Box" being capably developed and unnerving, however, there were no conventional scares at all. It hardly felt like a horror short; it was more like a particularly macabre and ambiguous parable. Nor is the story's mystery solved — it's left open-ended.
The second segment is largely a waste of time, despite being stylishly shot and scored. (Hint: it's got the same story device as "Weekend at Bernie's.")
The remaining two tales are more standard horror stories. I'd suggest they are somewhat fair at best.
I think I would recommend this only to the most well rounded horror fans who are in the mood for something different. And, even then, it might only be for the peculiar elements of "The Box."
Only the first segment is truly memorable — "The Box," adapted from a short story by Jack Ketchum. The directing and scoring is superb. (Seriously, the music is quite good.) The acting is also good throughout this segment, most especially by "The Strain's" Natalie Brown. She's a good actress and she's starting to grow on me. (And her memorable last lines here, which I assume come from the text of Ketchum's story, are weird and haunting.) This quarter of "XX" gets under your skin.
Despite "The Box" being capably developed and unnerving, however, there were no conventional scares at all. It hardly felt like a horror short; it was more like a particularly macabre and ambiguous parable. Nor is the story's mystery solved — it's left open-ended.
The second segment is largely a waste of time, despite being stylishly shot and scored. (Hint: it's got the same story device as "Weekend at Bernie's.")
The remaining two tales are more standard horror stories. I'd suggest they are somewhat fair at best.
I think I would recommend this only to the most well rounded horror fans who are in the mood for something different. And, even then, it might only be for the peculiar elements of "The Box."
Did you know
- TriviaThe segment "The Box" is the only one of the four segments that is not actually an original story by the women but is instead an adaptation of the Jack Ketchum story.
- GoofsIn The Box all three characters die of starvation in a hospital after refusing to eat for long periods of time, but even when they've gone comatose the hospital never inserts a feeding tube, which would surely have reversed their condition.
- Quotes
Susan Jacobs (segment "The Box"): You love spaghetti.
Susan Jacobs (segment "The Box"): It... It's been three days.
- ConnectionsFeatured in Starfilm (2017)
- How long is XX?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Korku Tüneli
- Filming locations
- Los Angeles, California, USA(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $30,911
- Opening weekend US & Canada
- $6,222
- Feb 19, 2017
- Gross worldwide
- $55,668
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 2.39:1
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