London Road

It's not really surprising how an experimental film like this got polarized reviews... The idea, like many said, to create a documentary musical about a real-life murder is absurd, but the execution for the film was great. Many negative reviews regarding London Road mainly criticized this film because this is "not something you should sing about" like bloody hell people, WE'RE IN THE 21ST CENTURY! But once you get past that, you should be able to view London Road without clouded judgement. There really are no standout numbers or standout performances, which is what makes it great, considering it's a musical film about community (not the murder itself, really). The music is complex, but once the ensemble sing as one, it sounds beautiful. The lyrics taken from recordings in real life may be a bit annoying, but they sound quite natural with the characters singing them. The direction, production design and cinematography also surpass many films from Hollywood. Of course, it is for the viewers to decide, but you can't judge it until you've watched it.

Yes, if like me, you see this film without knowing anything about its content and presentation, you should find it astonishing. As you can see from the plot summary in IMDb above, the story is a true one, in Ipswich in Britain, where five murders occurred not that many years ago. These events were then taken up by the National Theatre, and now as a film. There are a wide range of characters in the street (London Road) and they all have their own words used to make the dialogue. However, it is the presentation and delivery of the story that makes this film so riveting. My only reservations were the handling of two of the central characters which seemed a little far-fetched, but these are minor quibbles in a film which will be very differently delivered on the screen from what anyone would expect. Some of the imagery in the crowd scenes is especially noteworthy. Definitely recommended for art-house film fans, and the large crowd in Melbourne at the screening I attended seemed to be most impressed by its audacity.

Another reviewer referred to this as "astonishing." I suppose that can be taken several ways.

When I decided to watch this film I missed "musical" in the description and mistakenly assumed it was a murder docu-drama, rather than a crime docu-songfest.

I guess it could be described as innovative. It is allegedly based on a real event, the real words of those in the community, the reactions/implications of & for those in the locale affected by the murders and the subsequent investigations. As we are told repeatedly, people became suspicious of one another.

The question remains, is all of this something to sing about. The medium is the message or at least it influences how one feels about it all. For me it just seemed tedious and rather bizarre.

This is a musical that presents what happened in the London Road community in Ipswich, after five prostitutes were murdered in that community within only ten days.

"London Road" tells the paranoia, shock and disbelief that the residents face, after the discovery of the murders. Then, there's a hunt for the killer, the subsequent trial and then, the community tries to rebuild itself. I didn't know it's a musical, so I was rather surprised to see people singing and moving in choreographed movements!

I particularly like the fact that the community rebuilds itself from the trauma, making themselves more united and resilient than before. There is a positive message out of the grim circumstances, and this film successfully captures this hopeful atmosphere in the rebuilding stage.

I decided to watch this as I knew about the story and thought it would be a drama about it.

I must have totally missed the 'musical' genre, which I have to say is a bit random, covering this terrible occurrence.

To be fair, there isn't much about the murders its mostly about the community and how they were affected by them and as a result they came together to create a better area.

The singing is a bit rubbish to say the least, however, having Olivia Coleman and Tom Hardy in the cast is a positive (sorry Olivia, singing isn't your strong point)