Perfect Cowboy

I'm 60 years old, and I've lived in the south all my life, calling Nashville, TN, my home since 1980. Growing up gay, there never existed a movie like this. The mood and circumstance captured in this film is a lot like what I experienced for a lot of my life.

Kudos to Mr. Roht for thinking way outside the box and presenting us with something that transcends your usual indie. This film is gritty when it needs to be, tender when it can be, and entertaining via a singer-songwriter vibe. There's some strong dialogue in parts accompanied by some even stronger performances--even musically! It feels like most of the actors already knew each other and had possibly worked together already or perhaps attended theatrical workshops together.

This is a family drama about two parents and their adult son. It just so happens the parents are two men who have been in a relationship for over 20 years. As the story unfolds, we learn more about their family and individual dynamic, and there's enough conflict explored to keep it from being boring.

All that being said, while the music and musical performances are quite good, some of the "harder" tunes got on my nerves a little bit--and it didn't help that the lead had poor diction--I had a bit of a time accepting it as "country". But having been in Nashville for 45 years and counting, it dawned on me that the music is more of what you would hear west of the Mississippi. We called it country/western when I was much younger.

I want to rate this an 8, but I deducted one star because it moves slowly and feels longer than its own running time. Overall, I would highly recommend this movie for those who like family drama indies.

I know that's a backhanded compliment, but it's true. A gay-themed movie in a rural setting with a country western soundtrack would normally have me running in the opposite direction. Not so with this movie.

I found the story to be fresh and original, with just an occasional plot misstep. There's a little bit of bible-thumping, but it's almost necessary to remind us of the setting, because these characters and their story are pretty modern.

The direction, performers, and camera work are all fine and the dialog sounds natural. And, given that it's a low-budget gay movie--and that I don't particularly care for the country western genre--my expectations for the music were pretty low. I was surprised to find I liked it. And it's well integrated with the story.

This isn't a great film, but it's good. Or, maybe, good enough. That is, if it were about a straight couple, I'm not sure that many would find it special. But because it's a gay couple, it's of interest to me. As far as I know it's not quite like any other gay movie, and it's done pretty well.

So I say give it a chance. And if you feel more in sync with rural life than urban, you might really like it.

This a poignant story of a family that starts out in trouble and finds its real values. It's a bit hard to figure out just what's going on in the beginning but that because of a paradigm shift. Take the premise and replace Mom and Dad with Dad and Dad. As this viewer began to accept that it began to fall into place. The religious theme was not overwhelming, but the move from a vengeful God to a loving one made for a perfect resolution, or the hope of one.

Wasn't expecting much when I first selected this movie. But by the end of the movie, I was amazed at how good it was. It's a lower budget flick, but it's complex. Lots of various settings. Ensemble cast did a respectable job. Script was well written and realistic. And I loved how the director wove in a lot of singing among the 3 lead characters. The ending Thanksgiving scene where all 3 lead males sang at the table was a wonderful way to end the movie. My only criticism was when the singing son threw several irrational tantrums and then came back to his senses rather quickly. Was a bit contrived, but overall the movie was well done and the message is about valuing one's "family" whatever that may look like.