Paris, 1940. 17-year-old Lili joins the Resistance after encountering war before love in occupied France. Through interconnected teenage heroes, their story of defending their country emerge... Read allParis, 1940. 17-year-old Lili joins the Resistance after encountering war before love in occupied France. Through interconnected teenage heroes, their story of defending their country emerges.Paris, 1940. 17-year-old Lili joins the Resistance after encountering war before love in occupied France. Through interconnected teenage heroes, their story of defending their country emerges.
- Awards
- 2 nominations total
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How the French won the war...not.
This series seems directed at a younger, possibly more impressionable,audience. Many characters are quite young and the story is a rather naive rendition of the resistance movement in France. To it's credit it focuses on the treachery of many French officials against it's own people and the bad Nazis are a backdrop. Although based on true events the central character seems a creation to link the stories together and she is it's weakest link. Played mostly deadpan she comes across as Mademoiselle Nancy Drew. "Young things do sabotage" might have been an apter title. Far better to watch "A French Village" for a more in depth and sophisticated look at occupied France.
"France during the German occupation" is one of my hobby!
This is a series with mediocre directing, amateurish actors with no salient personalities, generic plot, no tempo or rhythm, or pace, dull everything, kind of low budget.
Watch "a French Village " instead....which I could not stop watching.
Brilliantly done!
We loved this beautifully acted and filmed series. Everyone was cast perfectly. The cinematography fabulous and the story so very interesting. Would love to see more series this well done!
Compelling script. Atmospheric and tense drama. Excellent TV Series.
There are many notable films and TV series about World War Two, but this French series based around a young woman in Paris, Lilli, from 1940 on, is up there with the best. If you do not understand French and worry about subtitles then there is enough visual effort in this series to make it worth your while, and you really do not notice yourself reading the lower part of the screen after a while.
There are no winners in war, a point echoed by the script which does nothing to romanticise its message. There are moments when it is almost unwatchable and yet you have to watch because the screen compels you to. The acting is remarkable by any standards, the period captured in as close to authenticity as you can be. It is like a good book which you just cannot put down.
Highly recommended.
There are no winners in war, a point echoed by the script which does nothing to romanticise its message. There are moments when it is almost unwatchable and yet you have to watch because the screen compels you to. The acting is remarkable by any standards, the period captured in as close to authenticity as you can be. It is like a good book which you just cannot put down.
Highly recommended.
Great production, awful script.
Given the excellent reviews this series has received, I must be missing something.
Yes, the production values were good, but the script was terrible.
For the first few episodes I kept wondering whether the writers were deliberately making the resistance workers seem incompetent, but eventually I realized that it was the writers themselves that must have lost contact with reality.
Some of the ignorance was simply a lack of research (e.g. even a casual look on Wikipedia would show that rather than exploding, Molotov cocktails work by spreading burning gasoline when the glass container shatters, but the characters simply rolled the bottle under a truck without even attempting to break it. Similarly, hand grenades have a lever that, when released, automatically opens and starts a timed fuse, but the characters were told to count to three *before* releasing the lever).
By far though, the worst writing was the way the characters would continually tell each other what they and others had done and were going to be doing. It seemed like they were trying really hard to ensure that no matter which one of them got caught, that person would know all the secrets of the whole organization. Can you imagine in real life someone telling you something like "Joe Smith is going to meet Herman Perkins, the secret head of the resistance, tomorrow at noon at Granny's Café so they can discuss the border tunnel they're digging in Smallville"? That conversation wouldn't have been out of place in this program. No underground organization could work like that, at least not for long. If someone doesn't need to know something, they shouldn't.
Yes, the production values were good, but the script was terrible.
For the first few episodes I kept wondering whether the writers were deliberately making the resistance workers seem incompetent, but eventually I realized that it was the writers themselves that must have lost contact with reality.
Some of the ignorance was simply a lack of research (e.g. even a casual look on Wikipedia would show that rather than exploding, Molotov cocktails work by spreading burning gasoline when the glass container shatters, but the characters simply rolled the bottle under a truck without even attempting to break it. Similarly, hand grenades have a lever that, when released, automatically opens and starts a timed fuse, but the characters were told to count to three *before* releasing the lever).
By far though, the worst writing was the way the characters would continually tell each other what they and others had done and were going to be doing. It seemed like they were trying really hard to ensure that no matter which one of them got caught, that person would know all the secrets of the whole organization. Can you imagine in real life someone telling you something like "Joe Smith is going to meet Herman Perkins, the secret head of the resistance, tomorrow at noon at Granny's Café so they can discuss the border tunnel they're digging in Smallville"? That conversation wouldn't have been out of place in this program. No underground organization could work like that, at least not for long. If someone doesn't need to know something, they shouldn't.
Did you know
- TriviaWhile the opening credits proclaim that the series is "Based on a true story.", the disclaimer in the end credits state that, "This story is purely a work of fiction. Any resemblance to a real event, a character, a group or a company, whether past or present, would be coincidental and involuntary."
Details
- Release date
- Country of origin
- Language
- Also known as
- Vastupanu
- Filming locations
- Musée de l'Homme, Trocadéro, Paris, France(Musée de l'Homme)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 52m
- Color
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