Dial a Prayer

Brittany Snow does a great job. She is not one of those nearly perfect Christians you would expect in a movie like this. In fact, there is doubt as to whether she is a Christian at all, for most of the movie. And there's nothing goody-goody about her, if you're concerned about that. Certainly not the sweet girl I remember from another role where she danced on "American Bandstand". She's just enough of a bad girl to attract those who would stay away from a sweet Hallmark type film.

William H. Macy is always good. This isn't one of his best roles, but he does a better job when Bill is serious.

Glenne Headly also does a good job as a woman who may possibly be disturbed. On the other hand, her character seems perfectly fine and a loving mother in other scenes.

The one other standout actor would be Kate Flannery as Cora's best work friend, who has some challenges of her own. Even she has to be cleaned up for TV!

People who would be scared away by perky goody-goody Christians might still not like the other workers. Although one of the worst offenders gets mad once and says, "What're YOU looking at?'

One expectation one might have in a movie like this is Christian music. What most Christian radio stations play. and what might be standard in a movie like this, I can't stand. But this movie has numerous Christian songs that are actually good! Fans of today's music will find this music hopelessly outdated. I wish the group had been identified on "Over My Head" because they were really talented. There's only one song (at least of the Christian songs, and I'm not even sure that's what that is) that has that type of quality, and I find that one annoying. There are other pop and rock songs I don't care for but Cora has most of those on in her car, and another is playing in the flashback that appears to precede Cora's offense. Also, the workers are dancing in one scene to something I don't like, but I couldn't tell whether it was Christian.

There are a couple of nice scenes with snow out in the country.

By the end, there appears to be a message of redemption that would make this a Christian movie teaching Christian values. Before that, even cleaned up for TV, it's not exactly family-friendly.

I do wonder why a bad boy drives a Camry. Isn't that about the most boring car you can drive?

It's still worth seeing if you can deal with the way the message is delivered.

I liked this little film. A good and decent little film. The story, the script, the directing , the acting and the cinematography. A well packaged little project. I liked the idea that just when you thought that William Macey's character was evil, you end up realizing that he is not. Also, I liked the idea that believing and disbelieving in anything could change in any minute when your perception changes .

The story is not told exactly linearly, we see snippets of flashbacks that eventually all add up to what happened in the backstory of Cora.

Brittany Snow is 26-yr-old Cora and the first scenes has her showing up for an assignment with the local Detroit "Dial A Prayer" hotline. Everyone else there is happy and enthusiastic but it is clear she would rather be just about anywhere else. But she had gotten into some pretty serious trouble and her high powered lawyer dad managed to get her to do restitution by working the prayer hotlines.

William H. Macy is always good and here he is good as Bill, the leader of the prayer office. The story arc is Cora figuring out that her life up to that point, and the friends she hung out with, might not be the best trajectory and she has to figure out a better path.

The movie works because Brittany Snow is so good and authentic in the role of Cora. I found it on Youtube streaming free movies (with a few ads thrown in). I found it worthwhile viewing.

In the last year or so, quite a few films have debuted which have been targeted to a more conservative Christian audience, such as "Son of God" as well as "God is Not Dead". I assumed that "Dial a Prayer" is pretty much another one of these films, though despite its plot, it isn't exactly something that will appeal to many of the same folks who would have seen these other movies.

The film is about a surly young lady, Cora (Brittany Snow). She's got attitude, that's for sure...and you know that she's been sentenced to do community service for some sort of crime, though for much of the film you have no idea what she's done. As for her community service, she works for a Dial-a-Prayer service--an odd choice for community service considering her attitude about life as well as what crimes she committed. Oddly, however, despite being an angry, lost soul, through the course of the film, she comes to develop a sense of purpose and begins to shed some of her anger and hopelessness.

"Dial a Prayer" has a lot going for it. Snow's performance is exceptional, as she played troubled and angry quite well--so well that it was difficult liking her character for much of the film. This is a major plus. Additionally, it sure didn't hurt that the nice minister who ran the center was played by William H. Macy--a guy who just make everything look so easy and natural. I also like the notion that ACTING good, after a while, makes you good-- something fundamental to many philosophies and branches of psychology. The film also really was nice because it was very unique and there isn't anything else like it that I've seen in a very long time.

But, the film also has a huge problem which will easily impact its marketability. For the traditional Christian audience, while most of the story will make them quite happy, the cursing and sex in the film just don't fit in with their values and it's hard to imagine them not being offended. As for others, there are also a lot of folks who have no interest in a film about spirituality--and they'd never see such a movie in the first place. As a result, while it's a very good film, I just don't know if it has much of an audience, though it is worth seeing.

Anyone who reads my reviews knows that I always beg for more character development and back stories. I loved this movie, but I needed to know a bit more about the supporting characters.

William Macy plays a wonderfully animated boss of a Dial-A-Prayer business. But we never hear how he got into the field or why. Also, no one ever identifies what church the girl's family, the call center, and the town identify with. Is it Catholic? Interestingly, there is practically no mention of Jesus, except when the funny boss says that he parted the Red Sea.

Therefore, I think a non-Christian could feel comfortable watching this without feeling bombarded by J.C.

The film is not really about religion. It is about second chances and turning one's life around. There is good usage of the Fall and Winter Midwest landscape. One could see it as either bleak, or starkly beautiful, depending on attitude. There are some clever references to that. The final scene shows a couple quietly beholding the glory of a blank snowy setting.

Do prayers make a difference? Our protagonist keeps asking this question. Of course they do, but the film focuses only on the aspect of making people feel better. It doesn't mention any metaphysical effect on the world at large, or the idea of praying for world peace and messianic redemption. People are only praying for themselves and their family to deal with domestic and health issues.

Casting is so essential to a character-driven film. This one aced the test. I don't know who Brittany Snow is, but her no-makeup sadness came through the screen with genuine sincerity. Macy phoned it in, no pun intended, but in his case, he phones it in beautifully. Glen Headly, the mom, fit the profile to perfection. No one here is great looking or flashy. They are ordinary people in a working class Midwestern town trying to make it through life the best way they can.

What I loved the most was the way they structured dialogue scenes. The characters would say just the right amount of words to each other, without overdoing it or milking the scenes for manipulative effect.

I could have done without the few dream sequences and the schmaltzy music toward the end, but the photography was first rate.