A Fox, a Rabbit, and a Cabbage

That's realy all I can say, I mean great Episode and all, Bit to me Lester Just became one of the Most unsympathetic Characters ever.

And well, it did wonderfully.

We are given an intro to what might have brought our characters to Vegas and then it starts, in an elevator, what Fargo, as a film or TV show, is famous for. This specific scene will cause your jaw to drop and it will hit the ground at the climax. That is the kind of narration this ninth episode has.

The investigation has had a breakthrough and Malvo is again mad at something. Lester's character development is amazing and now he is more than the person he was in episode 1. I simply loved the 50 minutes of suspense. Still, there is one discrepancy about the Vegas elevator scene (having no surveillance cameras) which seems fabricated. Given that the incident occurs in 2007, it was hard to digest.

BOTTOM LINE: FARGO is turning out to be more gorier and even more fabulous as 2014's best crime-drama series.

The penultimate episode of Fargo's first season, titled "A Fox, a Rabbit, and a Cabbage," directed by Matt Shakman and written by Noah Hawley, is a masterful blend of escalating tension, dark humor, and moral reckoning that sets the stage for the series' climactic finale. The episode's title references a classic river-crossing riddle involving a fox, a rabbit, and a cabbage, which metaphorically parallels the precarious balancing act the characters must perform to survive the deadly game unfolding around them. This thematic underpinning of impossible choices and the consequences of each decision permeates the episode, enriching its narrative complexity and philosophical depth.

The episode opens in Kansas City, Missouri, where Lorne Malvo (Billy Bob Thornton), now living under the alias "Mick Michaelson," works as a dentist. This new identity, however, is fragile and soon compromised when Lester Nygaard (Martin Freeman) unexpectedly encounters him. The tension between the two men crackles with a dangerous mix of past grievances and shifting power dynamics. Lester's transformation from meek insurance salesman to a man brimming with dark confidence is on full display, yet his bravado conceals the deep psychological scars inflicted by Malvo's manipulations. The elevator scene, where Malvo murders three men while Lester watches, is a standout moment-its chilling calmness and sudden violence exemplify the show's ability to juxtapose the banal and the brutal. Thornton's performance here is mesmerizing, embodying a figure of inscrutable menace who revels in chaos.

Back in Bemidji, Deputy Molly Solverson (Allison Tolman) finds her theories about Lester's involvement gaining traction, thanks in part to FBI agents Pepper (Keegan-Michael Key) and Budge (Jordan Peele). Their subplot adds a procedural dimension to the narrative, grounding the escalating violence in a determined pursuit of justice. Molly's doggedness continues to make her the moral compass of the series, and her interactions with Gus Grimly (Colin Hanks), now a mailman and her husband, provide moments of warmth and humanity amid the darkness. The episode deftly balances these quieter, character-driven scenes with the mounting suspense of Lester and Malvo's dangerous dance.

The episode's pacing is deliberate, allowing tension to simmer and characters' motivations to unfold with nuance. Director Matt Shakman employs a restrained visual style, using the stark Midwestern winter landscapes and muted color palette to evoke a sense of isolation and foreboding. The editing maintains a steady rhythm, weaving together multiple storylines without losing narrative clarity. The musical score by Jeff Russo subtly underscores the episode's tonal shifts, enhancing moments of suspense and introspection.

Narratively, "A Fox, a Rabbit, and a Cabbage" explores themes of identity, consequence, and the illusion of control. Lester's increasingly reckless behavior and Malvo's unpredictable menace embody the paradox of choice and fate, where each decision leads characters deeper into moral ambiguity and danger. The episode's title metaphorically reflects the characters' struggles to navigate impossible dilemmas, much like the riddle's man trying to transport incompatible items without loss. This philosophical layer adds richness to the story, inviting viewers to ponder the nature of survival and sacrifice.

The episode was lauded for its strong performances, particularly from Thornton and Freeman, whose portrayals anchor the psychological complexity of the narrative. The elevator massacre scene was widely praised for its inventive direction and chilling impact. Some critics noted the episode's slower pace compared to earlier installments but agreed that this restraint heightened the emotional and thematic resonance. The integration of humor and horror continues to distinguish Fargo from conventional crime dramas, offering a unique viewing experience.

"A Fox, a Rabbit, and a Cabbage" is a compelling and intricately crafted episode that advances Fargo's narrative while deepening its exploration of morality, identity, and consequence. Through nuanced performances, confident direction, and a richly layered script, the episode balances suspense with introspection, setting the stage for the season's dramatic resolution.

Lester loves nothing but in his deluded view of his potential and gets himself and those around him in danger or worse. Lorne only cares for the madness and violence. These two fit each other perfect.

Self-preservation is supposed to be a basic instinct. Therefore, Lester going to greet is old "pal" Malvo in the Vegas hotel is one of the stupidest plot development I have ever seen.

Besides being totally coincidental - seriously, what are the chances - nobody, not even a mororic, smug, self-satisfied ass like Lester would put his life in danger by basically hanging a target on his chest and asking Malvo to shoot.

So far I quite liked this series but this episode is just way too idiotic. The one year gap makes little sense and I am really looking forward to see Lester and Malvo wiping each other out.

PS sort of scary to see how many fans the psycho Malvo character got. Yet another master of creepines, whose fake smile is apparently fooling everybody....