A rogue soldier turned outlaw is thrust into a fight with a dirty sheriff and the cartel he works for to protect his niece and sister.A rogue soldier turned outlaw is thrust into a fight with a dirty sheriff and the cartel he works for to protect his niece and sister.A rogue soldier turned outlaw is thrust into a fight with a dirty sheriff and the cartel he works for to protect his niece and sister.
Nicholas J. Verdi
- Ramos
- (as Nicholas Verdi)
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Featured reviews
...And it kind of works out. The acting, wooden. The writing, juvenile. The directing, well, he stuck to a detailed storyboard so it's not too terrible. But what is actually watch worthy is the action sequences. Fantastic fight scenes, creative shoot outs. Complex single shot stunt takes that wow. I was impressed from the beginning (except for one accidental camera angle where a bad guy clearly waits to jump into the fight-my peeve). This is not a thinking persons film at all. In fact I suggest you crack a twelve pack with your bros and sit back to cheer for some brutal MMA action. P.S. There really should have been some gratuitous nudity. It's just that kind of flick.
Something you might not expect of reading, with a low budget movie like this, but I really liked the stunt and camera work, which go hand in hand in this one. I won't waste too much time on "story". In this case this has nothing to do with spoiling it, because the story itself is not really exciting or anything extraordinary. But you wouldn't expect that anyway.
Still very low and some of the acting to say the least does not help the movie either. But the stunt scenes are really well thought of, as are the camera angles and moves. I especially love the longer takes or the in your face (or hand) approach it takes. Again, this is small/low budget, so it's not like there is other things that are amazing (like locations, set design, even some of the "blood" effects seem more than cheap), but it can still work - and I think it does in some ways
Still very low and some of the acting to say the least does not help the movie either. But the stunt scenes are really well thought of, as are the camera angles and moves. I especially love the longer takes or the in your face (or hand) approach it takes. Again, this is small/low budget, so it's not like there is other things that are amazing (like locations, set design, even some of the "blood" effects seem more than cheap), but it can still work - and I think it does in some ways
In between filming scenes of the upcoming UNDISPUTED IV, it seems as though director Isaac Florentine and karate torchbearer Scott Adkins decided to crank out an additional movie while they had the time. Shot on a low budget in only a couple of locations with a limited cast, CLOSE RANGE may be the most compact action film of 2015, but it's a pretty good one at that. While not the best work of either the director or the star, this is high quality time-wasting material that supplies all the thrills that action junkies and Adkins fans could want. Potentially the best DTV action title of the year.
The story: Following a rescue mission, a mercenary (Adkins) and his family are besieged on a rural homestead by the minions of a dangerous drug lord (Tony Perez).
For the most part, the film looks like something that Florentine would have filmed 15 years ago, before he achieved major cult fame. He's virtually exploiting himself here, from the pseudo-western vibe and corny dialogue to the condensed nature of the script. Running at a slim 85 minutes, CLOSE RANGE sticks pretty close to its adrenaline agenda and doesn't bother with things like character development, focusing instead on physical tension. It's the type of movie that drama snobs will hate, though it's also a step down from the level of storytelling that Florentine's become adept at. It's disappointing that the film's premise boils down to a white guy almost exclusively killing evil Latinos, and overall, I conclude that this one leaves less of an impression than almost any other picture the star and director have made together.
Unless, of course, we're talking about the action scenes, for which the auteurs remain in top form. These scenes are an even balance of fights and shootouts, and both are exhilarating. The best of the gunfights take place within a home, at close quarters, with the shooters blazing at each other across furniture and through walls. The fights, though, are in a league of their own. Adkins has so many stellar matches under his belt that how these ones rank among the rest is a matter of opinion, but know that onwards from the very first fight – wherein Scott lays waste to seven thugs within a single extended camera shot – top effort has been made. These fights are potential star-makers, as Adkins finds some choice opponents in relatively unknown performers like Jimmy Chhiu, Craig Henningsen, and especially fight choreographer Jeremy Marinas. Occasional slow motion marginally taints some of the brawls, though their overall quality is strong enough to withstand this fault.
In a movie wherein the characters are stock, the setups are old hat, and the lines are recycled, what can still make it worth watching? In this one's case, the answer is gusto and talent. I emphasize how much this seems like something the filmmakers threw together as a side project, but the fact that it's Isaac Florentine doing the throwing means a lot. CLOSE RANGE is a short, fun trip to Actionville that I encourage all fans to take.
The story: Following a rescue mission, a mercenary (Adkins) and his family are besieged on a rural homestead by the minions of a dangerous drug lord (Tony Perez).
For the most part, the film looks like something that Florentine would have filmed 15 years ago, before he achieved major cult fame. He's virtually exploiting himself here, from the pseudo-western vibe and corny dialogue to the condensed nature of the script. Running at a slim 85 minutes, CLOSE RANGE sticks pretty close to its adrenaline agenda and doesn't bother with things like character development, focusing instead on physical tension. It's the type of movie that drama snobs will hate, though it's also a step down from the level of storytelling that Florentine's become adept at. It's disappointing that the film's premise boils down to a white guy almost exclusively killing evil Latinos, and overall, I conclude that this one leaves less of an impression than almost any other picture the star and director have made together.
Unless, of course, we're talking about the action scenes, for which the auteurs remain in top form. These scenes are an even balance of fights and shootouts, and both are exhilarating. The best of the gunfights take place within a home, at close quarters, with the shooters blazing at each other across furniture and through walls. The fights, though, are in a league of their own. Adkins has so many stellar matches under his belt that how these ones rank among the rest is a matter of opinion, but know that onwards from the very first fight – wherein Scott lays waste to seven thugs within a single extended camera shot – top effort has been made. These fights are potential star-makers, as Adkins finds some choice opponents in relatively unknown performers like Jimmy Chhiu, Craig Henningsen, and especially fight choreographer Jeremy Marinas. Occasional slow motion marginally taints some of the brawls, though their overall quality is strong enough to withstand this fault.
In a movie wherein the characters are stock, the setups are old hat, and the lines are recycled, what can still make it worth watching? In this one's case, the answer is gusto and talent. I emphasize how much this seems like something the filmmakers threw together as a side project, but the fact that it's Isaac Florentine doing the throwing means a lot. CLOSE RANGE is a short, fun trip to Actionville that I encourage all fans to take.
Let me be clear about this once again so there is no misunderstanding.
Adkins has potential. He can deliver. His work as Boyka in the Undisputed franchise was stellar and Undisputed 3 in particular is actually one of the best MMA films of all time.
In my various and sundry reviews for the IMDb, I pointed out that Adkin's film roles subsequent to Boyka were reflecting a downward career path.
For this observation I received the usual monkey-hammering of the NOT USEFUL key.
But this film says it all. Even the opening credits, done in the retro feel of the 1960s Italian Westerns (and you have to be of a certain age to know that!) tells you IN ADVANCE this is a B-movie, DTV production, done to generate cash flow and little else.
Adkins really deserves better.
The good news? There is another UNDISPUTED in the works, with the same production team.
We can only hope...
Adkins has potential. He can deliver. His work as Boyka in the Undisputed franchise was stellar and Undisputed 3 in particular is actually one of the best MMA films of all time.
In my various and sundry reviews for the IMDb, I pointed out that Adkin's film roles subsequent to Boyka were reflecting a downward career path.
For this observation I received the usual monkey-hammering of the NOT USEFUL key.
But this film says it all. Even the opening credits, done in the retro feel of the 1960s Italian Westerns (and you have to be of a certain age to know that!) tells you IN ADVANCE this is a B-movie, DTV production, done to generate cash flow and little else.
Adkins really deserves better.
The good news? There is another UNDISPUTED in the works, with the same production team.
We can only hope...
let me start with saying that Scott Adkins has the potential to continue the line of great fighters in the world of Hollywood like van Dame, Steven Segal etc.To be honest he is the only reason i watched this movie int he first place (wasn't worth it at all).
Going into the movie, which the least to say as a beginning is that it had the worst dialogue, actors and story i have seen in a long,long time.It is such a shame to see an actor with good potential in such a bad picture where the least i can say is that it isn't worth neither the money , nor the time to see it. To be just, the fighting scenes where incredibly well executed and performed. But that doesn't compensate the completely horrible acting,dialogue, story. Just go watch undisputed 3 if you in the mood for a better fighting movie.
Going into the movie, which the least to say as a beginning is that it had the worst dialogue, actors and story i have seen in a long,long time.It is such a shame to see an actor with good potential in such a bad picture where the least i can say is that it isn't worth neither the money , nor the time to see it. To be just, the fighting scenes where incredibly well executed and performed. But that doesn't compensate the completely horrible acting,dialogue, story. Just go watch undisputed 3 if you in the mood for a better fighting movie.
Did you know
- TriviaThe Czech Mixed Martial Artist Filip Dusilka played a small role of bodyguard in Lobo's penthouse.
- GoofsAt 38 minutes, the two abandoned vehicles are in much different positions than they were when they stopped and everyone got out.
- SoundtracksParty Redux
Performed by Nathaniel Dawkins
Music by Nathaniel Dawkins, Tom Erba, Stephen Edwards
- How long is Close Range?Powered by Alexa
Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross worldwide
- $248,978
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.78 : 1
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