Gholam

"Gholam" makes Scorsese's "Taxi Driver" feel like all the 'Die Hard' films rolled into one. This minimalist, miserable British picture, the first feature for its director, is about an Iranian cab driver in London trying to forget his revolutionary past. However, unlike Travis Bickle, Gholam wants to avoid trouble but it comes looking for him nevertheless. A 'thriller' in only the most tenuous sense of the word, it is rather a character study given considerable clout by Shahab Hosseini's performance in the title role. Hosseini is virtually never off the screen and his charismatic presence lifts what is basically a cliche-ridden tale. It also might have helped if we could have read the subtitles which are small, white and often printed on white backgrounds. Whatever else "Gholam" is, it's an appalling job of sub-titling.

A thought-provoking look at the Iranian diaspora, shedding light on some interesting cultural issues that are often overlooked and offering a rarely seen glimpse of the gritty, run down side of London.

The film starts slowly but is thoughtfully paced and builds nicely to a surprising conclusion. Shahab Hosseini's excellent performance brings out the nuances of a subtle yet powerful script. Refreshing not to be spoon-fed a narrative.

The director's artistic credentials translate well to the screen with the film visually arresting throughout.

A rare film showing the migrant underside of London. Understated, beautifully shot, and extremely original. Shahab Hosseini is mesmerizing.

Superbly acted by a leading Iranian actor and skilfully directed by Mitra Tabrizian this is a film to be enjoyed on several levels - most obviously as thriller. But more powerfully as a portrayal of a man who retains his integrity through refusing to engage with others. This is a tricky task and the award winning Hosseini plays it to perfection. He uses a minimum of words but his demeanour conveys all.

My appreciation of the film deepens as I think about what kind of man Gholam is. For undoubtedly he is the very centre of the film. It is not that he shows us how to make or refuse choices. Rather, the enigmatic figure of Gholam opens onto questions of choice and freedom.

Both the director and the actor are to be congratulated. Together they have produced a central character like no other.

Just saw the film at the Seattle International Film Festival and it was a huge disappointment,to say the least. It was slow, plodding, depressing, confusing and then it was over. Would not recommend it. The cinematography was excellent and the reality of how the people lived inside their poor homes and apartments was interesting. You really felt the loneliness of their lives.