We Are Still Here

I really wanted to get into this film for Halloween. I thought it would be a new classic horror film I missed but I was mostly wrong. There are some great effects, scares and atmosphere in We Are Still Here. Also these ghosts don't mess around, they kill and do it in brutal ways. I felt like I was watching a ghost slasher film at times.

That's the positive stuff. Here's the negative:

1. I disliked the cast, especially the main couple. 2. Some of the acting just isn't good. 3. The ending is all over the place. 4. The house wasn't scary or very unique.

I recommend this as a rental. I wouldn't watch it again though.

In the cold, wintry fields of New England, a lonely old house wakes up every thirty years - and demands a sacrifice.

Let's face it: Barbara Crampton delivers one of her stronger performances, whereas the male lead delivers his lines in a very stunted way. He shall not even be named here. But good on Crampton! Far too many "horror icons" feel the need to phone in their performances, thinking their name on the poster is all that matters. And while it is true that Crampton's name does sell, she adds a great deal of value to her name here, in what may be her best work since the Stuart Gordon years.

We also have a fun role for Larry Fessenden, who really deserves to have a little fun. Has any other creative genius launched more great independent filmmakers in the last decade? I would guess not.

The plot is solid enough. The movie is entertaining enough also meaning that if you want something new to watch in the horror genre- this movie is just entertaining enough, The lore could have been improved upon, and with some more back story, perhaps even some flashbacks with some creative storytelling and this film could have been a gem.

The movie at just 84 minutes doesn't provide enough time to the viewer to understand what this evil is that has descended on this family. We are told a few bits a pieces about he first owner who ran a funeral parlour out of this home. Something about the owner Dagmar hiding or selling the bodies and that the house was built on some ancient evil. Other than all that we are left to guess at what the heck the rest of the back story is and what it has to do with the old boiler downstairs.

If only they took another 15 minutes of screen time to flesh out the sordid past and we could have left this movie more satisfied with a true understanding of the houses evil past, where and why and how.

What we are left with is a gore fest with jump scares that are really nothing new. It's just a good old fashioned horror with a 2 star rating.

Greetings from Lithuania.

"We Are Still Here" (2015) is a pretty effective horror film. It has some great atmosphere, good chills, scary sounds and images and very solid acting. The problems with this movie begins at the end - they somehow didn't live up to the great hype they achieved in the first part of this movie, and ending is just blood bath. Nevertheless, almost everything works were so good that i can safely recommend this movie to all horror lovers.

Overall, "We Are Still Here" isn't original, but it's effective genre picture. It has great chilling "hounted house" setting, intriguing cinematography, good acting, nice pacing (although movie is kinda short), and some genuinely good scares. All in all i can recommend to see this horror flick. The ending is a bit off, nevertheless the whole ride is pretty good.

Although haunted house flicks are ten a penny these days, the genre can occasionally throw out a decent attempt and WE ARE STILL HERE is one such film. It's a deliberately old-fashioned piece - apparently inspired by the works of Lucio Fulci - which sees a grieving couple move into a chilly old home only to discover that both the house and the townsfolk are hiding some dark secrets.

This is traditional, low key stuff for the most part, although it builds to a powerhouse climax which is jaw-dropping stuff. The ghost material is rather creepy and the only thing I didn't care for much were the séance sequences, which are too familiar to work very well these days (although they do allow for the presence of cult actors Larry Fessenden and Lisa Marie).

An all-grown-up Barbara Crampton (of RE-ANIMATOR infamy) is a good choice for the role of the protagonist, and the production as a whole has a minimalist feel which really works. The chilly New York landscape is brought to life like never before, and if by the end it is all very predictable, you can't deny that it packs a punch nonetheless.