In the cold, wintery fields of New England, a lonely old house wakes up every thirty years - and demands a sacrifice.In the cold, wintery fields of New England, a lonely old house wakes up every thirty years - and demands a sacrifice.In the cold, wintery fields of New England, a lonely old house wakes up every thirty years - and demands a sacrifice.
- Awards
- 1 win & 21 nominations total
Michael Patrick Nicholson
- Harry Lewis
- (as Michael Patrick)
Guy Gane
- Lassander Dagmar
- (as Guy Gane III)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Good, with a little more effort it would be great
Honestly the biggest problem here is the run time. Make this movie a half hour or so longer and build up the lore, the background and increase the suspense/tension of the film and we would have an 8 outta 10 maybe even an 9.
The theme is a pretty cliche modern horror theme. A haunted house right? But they did it a little differently and a little better than most as well as a little bit of throwback to the 70's era of horror. BUT it is still under developed because this story has potential and its not hard to see how this could of been outstanding rather than above average. They needed to build up the backstory of the house and make the movie longer to spread out the pacing and provide some more insight on the evil of the house so the film could have had more suspense.
Overall a good watch I recommend it and I am proud to have it in my collection of horror films because it is still really solid. It just could of been better.
Right there in the middle
Overall the film disappointed me, but its one of those indie horror films that does certain things so well it kinda sticks with you. I enjoyed it but didn't blow me away like I wanted it to. I liken it that movie
"I Am a Ghost (2012)" -If you liked this go watch that.
On the pro side of things they did an amazing job emulating the atmosphere of a 70's era horror film. I really could not seem to pick out any modern day features. On the whole that seems hard to do, but the benefit is you don't have to get wrapped up in ex machina like cellphones not working for no particular reason etc. When the house creaks and utilities fail it all fits together nicely. Lots of creepiness and edginess. The OST was great.
On the Cons side of things the acting was just wooden over the top and cringe worthy. The problem is Im certain this was on purpose. A couple of actors I recall are experienced and I wasn't buying their delivery. It was very purposely scripted to be like 70s horror. It doesn't work and you end up just trudging your way through exasperatingly bad dialog to keep enjoying the rest of it. I liked that they kept the plot inferred through conversation but suddenly for no good reason they monologue a big chunk of the story midway through. It was dumb and unnecessary. Ruined the suspense for me. Lastly the "monsters" were shown too much and the gore lightened the tension so much all the creepiness was sucked out of it in the last act.
Its a solid b+ for concept and design. It sits at a 5.8 and that sounds about right to me. If they'd worked the script a little better and or tighten up the special effects this could have been a solid 7.
"I Am a Ghost (2012)" -If you liked this go watch that.
On the pro side of things they did an amazing job emulating the atmosphere of a 70's era horror film. I really could not seem to pick out any modern day features. On the whole that seems hard to do, but the benefit is you don't have to get wrapped up in ex machina like cellphones not working for no particular reason etc. When the house creaks and utilities fail it all fits together nicely. Lots of creepiness and edginess. The OST was great.
On the Cons side of things the acting was just wooden over the top and cringe worthy. The problem is Im certain this was on purpose. A couple of actors I recall are experienced and I wasn't buying their delivery. It was very purposely scripted to be like 70s horror. It doesn't work and you end up just trudging your way through exasperatingly bad dialog to keep enjoying the rest of it. I liked that they kept the plot inferred through conversation but suddenly for no good reason they monologue a big chunk of the story midway through. It was dumb and unnecessary. Ruined the suspense for me. Lastly the "monsters" were shown too much and the gore lightened the tension so much all the creepiness was sucked out of it in the last act.
Its a solid b+ for concept and design. It sits at a 5.8 and that sounds about right to me. If they'd worked the script a little better and or tighten up the special effects this could have been a solid 7.
We Are Still Here...but why are you?
To be honest, this movie baffled me. Is it absolutely terrible? No. Did it have potential? Yes. But somehow all of it amounted to only this bizarre mess of a film. Let me put something out there first: "We Are Still Here" clocks in at one hour and 17 minutes. At the end I expected there to be 20 more minutes of movie left. The whole thing felt rushed, and the ending was...abrupt, to say the least.
The story follows a couple who move into a new house hoping to move past the death of their son. This is a time-tested plot. However, "We Are Still Here" proceeds to give us almost no information about the son and no time to feel the weight of his parent's grief. It merely establishes that his mother can "feel his presence" in the house before embarking on a series of cheap scares. There are several very sudden character deaths that in a better movie would seem bold. Here they just seem lazy. There is precisely one very creepy moment that would have been perfect if it hadn't immediately transitioned to a series of jump scares (that it was also intercut with Lisa Marie's "acting" didn't help).
The later scenes involve almost cartoonish amounts of gore. If the movie was an intentional horror-comedy this would have been fine. The first 3/4 of the movie seemed to be going for straight horror, though, so I didn't know what to make of it. I could talk about the bad writing and jarringly terrible lighting as well, but what would be the point? It ultimately felt like a short film stretched beyond its limit. The concept would have worked great in a tight 15-20 minutes, where movies can get away with the spareness and ambiguity that "We Are Still Here" features. As it is, though, it feels like a movie that ran out of budget and ideas long before it was truly finished.
The story follows a couple who move into a new house hoping to move past the death of their son. This is a time-tested plot. However, "We Are Still Here" proceeds to give us almost no information about the son and no time to feel the weight of his parent's grief. It merely establishes that his mother can "feel his presence" in the house before embarking on a series of cheap scares. There are several very sudden character deaths that in a better movie would seem bold. Here they just seem lazy. There is precisely one very creepy moment that would have been perfect if it hadn't immediately transitioned to a series of jump scares (that it was also intercut with Lisa Marie's "acting" didn't help).
The later scenes involve almost cartoonish amounts of gore. If the movie was an intentional horror-comedy this would have been fine. The first 3/4 of the movie seemed to be going for straight horror, though, so I didn't know what to make of it. I could talk about the bad writing and jarringly terrible lighting as well, but what would be the point? It ultimately felt like a short film stretched beyond its limit. The concept would have worked great in a tight 15-20 minutes, where movies can get away with the spareness and ambiguity that "We Are Still Here" features. As it is, though, it feels like a movie that ran out of budget and ideas long before it was truly finished.
Strong Directorial Debut
In the cold, wintry fields of New England, a lonely old house wakes up every thirty years - and demands a sacrifice.
Let's face it: Barbara Crampton delivers one of her stronger performances, whereas the male lead delivers his lines in a very stunted way. He shall not even be named here. But good on Crampton! Far too many "horror icons" feel the need to phone in their performances, thinking their name on the poster is all that matters. And while it is true that Crampton's name does sell, she adds a great deal of value to her name here, in what may be her best work since the Stuart Gordon years.
We also have a fun role for Larry Fessenden, who really deserves to have a little fun. Has any other creative genius launched more great independent filmmakers in the last decade? I would guess not.
Let's face it: Barbara Crampton delivers one of her stronger performances, whereas the male lead delivers his lines in a very stunted way. He shall not even be named here. But good on Crampton! Far too many "horror icons" feel the need to phone in their performances, thinking their name on the poster is all that matters. And while it is true that Crampton's name does sell, she adds a great deal of value to her name here, in what may be her best work since the Stuart Gordon years.
We also have a fun role for Larry Fessenden, who really deserves to have a little fun. Has any other creative genius launched more great independent filmmakers in the last decade? I would guess not.
Nice horror movie
Greetings from Lithuania.
"We Are Still Here" (2015) is a pretty effective horror film. It has some great atmosphere, good chills, scary sounds and images and very solid acting. The problems with this movie begins at the end - they somehow didn't live up to the great hype they achieved in the first part of this movie, and ending is just blood bath. Nevertheless, almost everything works were so good that i can safely recommend this movie to all horror lovers.
Overall, "We Are Still Here" isn't original, but it's effective genre picture. It has great chilling "hounted house" setting, intriguing cinematography, good acting, nice pacing (although movie is kinda short), and some genuinely good scares. All in all i can recommend to see this horror flick. The ending is a bit off, nevertheless the whole ride is pretty good.
"We Are Still Here" (2015) is a pretty effective horror film. It has some great atmosphere, good chills, scary sounds and images and very solid acting. The problems with this movie begins at the end - they somehow didn't live up to the great hype they achieved in the first part of this movie, and ending is just blood bath. Nevertheless, almost everything works were so good that i can safely recommend this movie to all horror lovers.
Overall, "We Are Still Here" isn't original, but it's effective genre picture. It has great chilling "hounted house" setting, intriguing cinematography, good acting, nice pacing (although movie is kinda short), and some genuinely good scares. All in all i can recommend to see this horror flick. The ending is a bit off, nevertheless the whole ride is pretty good.
Did you know
- TriviaDuring his speech about the Dagmar family, Dave (Monte Markham) notes that the home's first owner sold corpses to the "University over in Essex County" - a reference to author H.P. Lovecraft's fictional Miskatonic University, which was located there.
- GoofsAlthough the film is set in the 1970s, in the scene where Harry and Daniella are driving to the Sacchetti's home, a 2000s model pickup truck can be seen in the background.
- Quotes
Jacob Lewis: [possessed by the spirit of Lassander Dagmar] You're gonna listen to that old bastard? We were good people! This town murdered my family - sacrificed them to the gods they dug up when they built this place! Oh, nobody knew what was under this house until it was too late!
- ConnectionsReferenced in Horrible Reviews: We Are Still Here (2015) - Video Review (2016)
- SoundtracksTeenage Sun
Written by Wally Boudway
Performed by Wooden Indian
- How long is We Are Still Here?Powered by Alexa
Details
- Runtime
- 1h 24m(84 min)
- Color
- Aspect ratio
- 2.35 : 1
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