The fate of Jon Snow is revealed. Daenerys is brought before Khal Moro. Tyrion gets used to living in Meereen. Ramsay sends his dogs after Theon and Sansa. Ellaria and the Sand Snakes make t... Read allThe fate of Jon Snow is revealed. Daenerys is brought before Khal Moro. Tyrion gets used to living in Meereen. Ramsay sends his dogs after Theon and Sansa. Ellaria and the Sand Snakes make their move. Cersei mourns for Myrcella.The fate of Jon Snow is revealed. Daenerys is brought before Khal Moro. Tyrion gets used to living in Meereen. Ramsay sends his dogs after Theon and Sansa. Ellaria and the Sand Snakes make their move. Cersei mourns for Myrcella.
Carice van Houten
- Melisandre
- (as Carice Van Houten)
Featured reviews
This seasons start begins the story well with new and unexpected events. I feel a tad underwhelmed with some of it, however I feel there is so much more to come. As usual, I am left dangling with the future of characters and revelations brought by the end of the episode, with hope for more to come. First episode of the season, and I'm intrigued by what I'm seeing. Now that we've left the realm of the books, (I will admit I've yet to finish the 4th book of late), and now the story may or may not be true to what Martin wants the story to go. It still carried the weight of what has already been brought to the screen and I would like to think they will continue to do the series justice. Season 5 was rather weak in certain places so Season 6 should hopefully rise to the occasion.
If you look back on previous seasons, Melisandre has been given an exclusive preview of various plot developments but like any classic 'tinfoil theory' on a message board, has misinterpreted them. Despite this, the ending of this destined to be classic episode is a window into Melisandre's true powers and tells us that while human vice has threatened her clarity of perception, she does have a divine purpose as her centuries old survival proves.
Perhaps those who doubted that Melisandre's blood magic ritual in Season 3 could have set the Red and Purple Wedding events in motion will now reconsider the vital role of this character in clearing the chessboard for the true war to commence. With all of these engrossing plot lines in motion, it seems to me that characters like Melisandre and Bran Stark have always served as the essential players in a much deeper story, so whilst the Littlefingers and Varyses manipulate the game of thrones, Melisandre envisions the song of ice and fire in which the great game will eventually be consumed.
Through actions both hideous (the sacrifice of Shireen) and heroic (her validation of Jon Snow), Melisandre has moved through the series as a serene constant: highly organised and efficient and inured by an enormous responsibility. With her elegant gravitas, Carice van Houten has manifested the mystical potency of this saga as few others could and if the ending of this stunning episodes proves anything, it is that she has excelled in making the mythical heart of the story come alive for us all.
Perhaps those who doubted that Melisandre's blood magic ritual in Season 3 could have set the Red and Purple Wedding events in motion will now reconsider the vital role of this character in clearing the chessboard for the true war to commence. With all of these engrossing plot lines in motion, it seems to me that characters like Melisandre and Bran Stark have always served as the essential players in a much deeper story, so whilst the Littlefingers and Varyses manipulate the game of thrones, Melisandre envisions the song of ice and fire in which the great game will eventually be consumed.
Through actions both hideous (the sacrifice of Shireen) and heroic (her validation of Jon Snow), Melisandre has moved through the series as a serene constant: highly organised and efficient and inured by an enormous responsibility. With her elegant gravitas, Carice van Houten has manifested the mystical potency of this saga as few others could and if the ending of this stunning episodes proves anything, it is that she has excelled in making the mythical heart of the story come alive for us all.
While the plot did not progress much in this episode, mostly setting up what is to come, the episode was still eventfull with a couple og memorable moments!
The episode picks up right where we left off in the shocking finale of season five! From there we get emotional moments as well as some thrilling scenes!
I really enjoyed Cerseis scene when she reacts to Myrcellas death! Its her showing vulnerability and actual emotions as she reflects on herself!
Brienne also got great treatment, and the same goes for Danearys who even in chains shows no sign of fear!
Though i always love how the "Sand Snake" comes to qn abrupt end cause nobody liked them in season five!
The last scene gave me "The Shining" vibes.
Overall it leaves you excited for more!
The episode picks up right where we left off in the shocking finale of season five! From there we get emotional moments as well as some thrilling scenes!
I really enjoyed Cerseis scene when she reacts to Myrcellas death! Its her showing vulnerability and actual emotions as she reflects on herself!
Brienne also got great treatment, and the same goes for Danearys who even in chains shows no sign of fear!
Though i always love how the "Sand Snake" comes to qn abrupt end cause nobody liked them in season five!
The last scene gave me "The Shining" vibes.
Overall it leaves you excited for more!
Usually Game of Thrones start in first gear and usually pick up speed. But in season 6, they directly started in fourth gear. They started with all guns blazing bang bang. The episode touched upon almost all the sub-plots.
The best moment for was when Cersei broke down in front of Jamie (not in a sadistic manner). In that moment a character as strong as Cersei started believing in prophecies. This showed her humane side. Because like all of us she also start believing in prophecies, Gods and monsters in our darkest times. Couldn't have asked for a better start of the show!!
The best moment for was when Cersei broke down in front of Jamie (not in a sadistic manner). In that moment a character as strong as Cersei started believing in prophecies. This showed her humane side. Because like all of us she also start believing in prophecies, Gods and monsters in our darkest times. Couldn't have asked for a better start of the show!!
Came to 'Game of Thrones' fairly late in the game and due to being so busy the binge-watching was gradual. Have found myself truly loving the show, very quickly becoming one of my favourites. It totally lives up to the hype and not only does it do the brilliant source material justice (a rarity in television) it is on its own merits one of the finest, most addictive and consistently compelling shows in recent years and quality-wise it puts a lot of films in recent years to shame.
Although it is a long way from being the best, or one of the best, season openers for 'Game of Thrones', Season 6 starts off very promisingly. It is easy to see why it has been positively reviewed by critics but also why it is divisive among fans and book fans. It does depart from the source material, especially in its treatment of Doran, even though somebody who always judges adaptations on their own terms not doing anything further with such an interesting character in the source material with more to give was a missed opportunity. There are certainly far better episodes in the season and of 'Game of Thrones' in general, but to me "The Red Woman" was very good, though with a couple of reservations.
"The Red Woman" is at its weakest with the Dorne storyline. It was one of the biggest problems with the previous season and there is not much improvement. It is not particularly interesting and some of it is even cartoonish. Even more disappointing was its cheap treatment of Doran, one that was very rushed and abrupt and he deserved better.
With such a lot going on in terms of story and character interaction, "The Red Woman" definitely would have benefitted from either being longer as an episode or having the events spread out as a two parter or something. Parts did feel hasty and it would perhaps have made the Dorne storyline better.
A huge amount works here however. Character interaction-wise, faring best are Jaime and Cersei and in particular Sansa and Brienne, both intense and poignant. Loved what was done with Daenerys, even though brief, and felt sorry too for Arya. Davos shining more than he has been in a while was a plus as well. Another standout is the shock Melisandre reveal, that was harrowing.
It is an episode that isn't action-heavy and doesn't advance existing storylines, with the main question on everyone's lips from "Mother's Mercy" being answered early on, but it sets up what is to follow well.
'Game of Thrones' has not faltered in the acting stakes and there is not a single bad performance. Standout performances are Lena Headey, Nikolaj Coster-Waldau, Emilia Clarke and Maisie Williams, while Carice Van Houten gives her best acting to date.
Visually, "The Red Woman" looks amazing, as one would expect for 'Game of Thrones'. The scenery is throughout spectacular, the sets are hugely atmospheric and beautiful on the eyes with a real meticulous eye for detail and the costumes suit the characters to a tee. The make-up is beautifully done. As well the cinematography and editing, which are cinematic quality as well.
One cannot talk about "The Red Woman" without mentioning the thematically, orchestrally and atmospherically multi-layered music scoring and the unforgettable main theme. Again, worthy of a high-budget fantasy/action/drama film.
The writing is thought-provoking and there are no embarrassing lines this time (certainly not on the same level as that Sand Snake line in "Mother's Mercy". The storytelling mostly is passionate and sensitive, underwhelming only in Dorne.
Overall, promising and very good. 8/10 Bethany Cox
Although it is a long way from being the best, or one of the best, season openers for 'Game of Thrones', Season 6 starts off very promisingly. It is easy to see why it has been positively reviewed by critics but also why it is divisive among fans and book fans. It does depart from the source material, especially in its treatment of Doran, even though somebody who always judges adaptations on their own terms not doing anything further with such an interesting character in the source material with more to give was a missed opportunity. There are certainly far better episodes in the season and of 'Game of Thrones' in general, but to me "The Red Woman" was very good, though with a couple of reservations.
"The Red Woman" is at its weakest with the Dorne storyline. It was one of the biggest problems with the previous season and there is not much improvement. It is not particularly interesting and some of it is even cartoonish. Even more disappointing was its cheap treatment of Doran, one that was very rushed and abrupt and he deserved better.
With such a lot going on in terms of story and character interaction, "The Red Woman" definitely would have benefitted from either being longer as an episode or having the events spread out as a two parter or something. Parts did feel hasty and it would perhaps have made the Dorne storyline better.
A huge amount works here however. Character interaction-wise, faring best are Jaime and Cersei and in particular Sansa and Brienne, both intense and poignant. Loved what was done with Daenerys, even though brief, and felt sorry too for Arya. Davos shining more than he has been in a while was a plus as well. Another standout is the shock Melisandre reveal, that was harrowing.
It is an episode that isn't action-heavy and doesn't advance existing storylines, with the main question on everyone's lips from "Mother's Mercy" being answered early on, but it sets up what is to follow well.
'Game of Thrones' has not faltered in the acting stakes and there is not a single bad performance. Standout performances are Lena Headey, Nikolaj Coster-Waldau, Emilia Clarke and Maisie Williams, while Carice Van Houten gives her best acting to date.
Visually, "The Red Woman" looks amazing, as one would expect for 'Game of Thrones'. The scenery is throughout spectacular, the sets are hugely atmospheric and beautiful on the eyes with a real meticulous eye for detail and the costumes suit the characters to a tee. The make-up is beautifully done. As well the cinematography and editing, which are cinematic quality as well.
One cannot talk about "The Red Woman" without mentioning the thematically, orchestrally and atmospherically multi-layered music scoring and the unforgettable main theme. Again, worthy of a high-budget fantasy/action/drama film.
The writing is thought-provoking and there are no embarrassing lines this time (certainly not on the same level as that Sand Snake line in "Mother's Mercy". The storytelling mostly is passionate and sensitive, underwhelming only in Dorne.
Overall, promising and very good. 8/10 Bethany Cox
Did you know
- TriviaIn order to play Arya as blind, actress Maisie Williams wore large 16 millimeter contacts that she could not see through for the stationary, dialogue-heavy scenes. For the fight scenes, she wore contacts with small pinprick holes in them, so she could see at least something, in order to not accidentally wound herself or others.
- GoofsIn the former episode Mother's Mercy (2015), Obara and Nymeria did not go on the ship with Myrcella, Trystane and Jaime - they were shown waiting on the shore as the ship departed. No explanation is given to their presence at the ship.
- Quotes
Jaime Lannister: Fuck prophecy. Fuck fate. Fuck everyone who isn't us.
Details
- Runtime
- 50m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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