An archaeologist embarks on the historically important excavation of Sutton Hoo in 1938.An archaeologist embarks on the historically important excavation of Sutton Hoo in 1938.An archaeologist embarks on the historically important excavation of Sutton Hoo in 1938.
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The Dig (2021) was directed by Simon Stone. It stars Carey Mulligan as Edith Pretty. Mrs. Pretty is a widow who lives on a large estate. She is convinced that there's something of archeological significance on her property. She employ Basil Brown (Ralph Fiennes) to excavate one of the burial mounds. Brown is a skilled and experienced excavator, but he has no formal academic training. The result of his efforts can now be seen in the British Museum.
This could have been a great movie, if director Stone had just worked with what actually happened. Naturally, staff of the local museum wanted to direct the excavation, as did staff of the British museum. There was an inquest to decide the ownership of the find. World War II was (literally) about to begin. A perfect 90-minute movie. However, it ended up being a less-than-perfect 105 minute movie.
That's because director Stone brings in a (fictitious) cousin of Mrs. Pretty and a beautiful young female archeologist married to a stodgy , unromantic male archeologist. (Guess where that goes?) The inquest--an absolutely essential scene about who owns the find--is botched. You have to work backwards to figure out what happened. Worst of all, you never see the dramatic results of the excavation. You can see them in the British Museum, or online, or on a postcard. However, you don't see them in the movie. (Maybe the British Museum didn't like the movie, and refused to give permission.)
All in all, what could have been an excellent movie turned out to be pretty good movie. It's worth seeing as long as you don't expect great things. It works well on the small screen. The Dig has a pretty good rating of 7.3. I agreed, and rated it 7.
This could have been a great movie, if director Stone had just worked with what actually happened. Naturally, staff of the local museum wanted to direct the excavation, as did staff of the British museum. There was an inquest to decide the ownership of the find. World War II was (literally) about to begin. A perfect 90-minute movie. However, it ended up being a less-than-perfect 105 minute movie.
That's because director Stone brings in a (fictitious) cousin of Mrs. Pretty and a beautiful young female archeologist married to a stodgy , unromantic male archeologist. (Guess where that goes?) The inquest--an absolutely essential scene about who owns the find--is botched. You have to work backwards to figure out what happened. Worst of all, you never see the dramatic results of the excavation. You can see them in the British Museum, or online, or on a postcard. However, you don't see them in the movie. (Maybe the British Museum didn't like the movie, and refused to give permission.)
All in all, what could have been an excellent movie turned out to be pretty good movie. It's worth seeing as long as you don't expect great things. It works well on the small screen. The Dig has a pretty good rating of 7.3. I agreed, and rated it 7.
There is a lot I can say about this film, but I'll keep it short.
If you love simple stories being told in a beautiful and clear manner, and if you like Archaeology, then this is the film for you. All of the actors have done a wonderful job.
Honestly, I landed on the film last night, browsing titles on Netflix, because of Lily James - having known nothing else about the film from before (I usually skip trailers these days), but that she was in the cast was a huge draw for me - and found immense pleasure in this gem of a film. From Carey Mulligan and Ralph Fiennes to Ben Chaplin and Archie Barnes, the performances are all first-rate. The real-life story is told with great finesse, and filmed earnestly with a keen eye for production details. I have to say, even some of the lesser moments from the film shall stay with me for long, its appeal is that strong.
I was excited to see a film that portrays 1930's England, and Ralph Fiennes and Carey Mulligan are proven actors that bring a unique presence to their films. Archeology might be a tough sell for the premise of a film and it was these actors that drew me in. The first half gets it so right, it's just about the time period and characters digging while becoming excited as they unearth the past, it's rather simple yet these actors have no trouble keeping you interested. In fact it was refreshing to see English people presented on screen becoming excited over finding evidence of their ancestors and past to this ancient land given the current hostile attitude towards the English and Celtic peoples by particular political groups and media companies who like to remind us we have little culture and heritage.
Then suddenly it's as if the writers thought viewers would become bored and in comes a new character, a rather modern-behaving "liberated" female with her controlling husband, inserted into the plot to remind us how women should really behave in the current age as if we needed reminding. The key characters become background noise, and you have this love triangle develop, the film takes on a different purpose, I'd rather see more character development between the man who discovered the relics and the museum trying to take credit from the little man.
Then suddenly it's as if the writers thought viewers would become bored and in comes a new character, a rather modern-behaving "liberated" female with her controlling husband, inserted into the plot to remind us how women should really behave in the current age as if we needed reminding. The key characters become background noise, and you have this love triangle develop, the film takes on a different purpose, I'd rather see more character development between the man who discovered the relics and the museum trying to take credit from the little man.
There are so many really good things about this movie, such a great piece of story telling.
The cast is excellent and all put in great performances, especially Lily James and Ralph Fiennes.
It's not just about an archaeological dig though, it's about past lives, present lives and how things are remembered in the future.
There are also several strands to the relationships between all invloved too, including working relationships, family relationships, class and secret relationships.
I don't know how much of the story is fiction or fact but it is well told either way. All this set with a backdrop of the coming second world war.
I am lucky enough to have seen the Sutton Hoo treasures at the British Museum and have always been keenly interested in archeology so this film based on the true story of this discovery was right up my street.
Did you know
- TriviaReimagines the events of the 1939 excavation of Sutton Hoo near Woodbridge, in Suffolk, England. It is the site of two early medieval cemeteries that date from the 6th to 7th centuries. One cemetery had an undisturbed ship burial with a wealth of Anglo-Saxon artifacts. Most of these objects are now held by the British Museum.
- GoofsEdith's son Robert can be seen wearing an aluminium foil hat early in the movie, Aluminium foil did not surface until after the war, but tin foil had existed since the 19th century.
- Quotes
Basil Brown: Robert, we all fail. Every day. There are some things we just can't succeed at no matter how hard we try. I know it's not what you want to hear.
- ConnectionsFeatured in Jeremy Vine: Episode #4.25 (2021)
- SoundtracksLa Rejouissance (Allegro)
Written by George Frideric Handel
Public Domain
Arranged by Julian Kershaw
Performed by Alder Valley Brass
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- La excavación
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Box office
- Gross worldwide
- $693
- Runtime
- 1h 52m(112 min)
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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