One More Time

...or, how my thirty-one year-old teenage daughter cinched up her borscht belt, moved to California, joined Hadassah, and married an entertainment lawyer in Sherman Oaks, or a dentist from Oxnard.

Mr. Walken once again demonstrates that he never met a camera he couldn't beguile, and if he can be a Lippman, there is no reason why Mel Gibson shouldn't have his scalp circumcised. (There are a number of good moils who would be happy to do the honors.)

I've always loved Nantucket in February, when the wind off the Atlantic is as cold and hard as the Puritan god, so the shots of clam shacks closed for the winter warmed me right up; straight out of the indie Playbill, but nicely done, nonetheless.

The very brief, scattered glimpses of Corinne's silent reactions to the exclusive bubble shared by Paul and Jude bespeak a lifetime of difficult experience. You don't need to wade through three hours of slush like The Aviator (2004) to know Kelli Garner is talented, and One More Time (2015) proves she has become a perceptive adult. Someone should really give her a prominent lead in something commensurate with her ability and maturity.

Oliver Platt is always a pleasure.

A couple of continuity issues that don't stand up to scrutiny, but nothing inexcusable.

A good job. Thank you.

XYZ

Jude (Amber Heard) is a singer and songwriter struggling to make it out of the shadows of her famous father Paul Lombard (Christopher Walken). She's a mess. She returns home to his estate where he reminisces about the good old days and dreams of a comeback opening for The Flaming Lips. Her sister Corinne (Kelli Garner) lives there with her husband Tim (Hamish Linklater) and their son David. Jude has a history with Tim. There's her stepmother Lucille (Ann Magnuson) and manager friend Alan (Oliver Platt).

Walken is nice and the movie works with him best. Heard is playing a more worn-down sad bitter character. It's harder to watch with her as the lead. Another actress would have more fun with the character. It needs some comedy to balance out the darker material. Also her singing isn't great. This does have some appeal but it doesn't make it as indie fare. Honestly, this would be more interesting with Walken as the lead.

"It's not a comeback, I never went anywhere." Jude (Heard) lives her life on her own terms and does what she wants. Unfortunately this doesn't turn out like she hopes and is forced to move back home. When her famous singer father Paul (Walken) tells the family he is beginning his comeback old tensions rise up. Now Jude, her sister and her father are all clashing in a typical dysfunctional family fashion with only two outcomes, work together and become closer, or lose everything. This is not a bad movie at all. The actors are all very good and the story is interesting and watchable. The music is good and I enjoyed everything about this. The only problem was that when it was over my reaction was pretty much, well, that was OK. This is nothing that is so good to talk to everyone about, nor bad enough to tell people not to watch. While I liked the movie I think the sign of a really good one is that it makes you feel something, this one didn't. Overall, a movie that is watchable and entertaining, but it is really just that. Not good or bad, just watchable. I give this a B-.

I watched this movie to see how the dynamic between Christopher Walken and Amber Heard would play out. In short it didn't work. Much like most of the movie

Amber Heard, is Chris Walken's Indie-black-sheep daughter who returns to the comfort of the home when life and money gets too hard. When she gets there, her family feud with her more-than-perfect sister and it's-all-about-me-famous-singer-dad is rekindled

The embers of the family's dysfunction's continue to smolder throughout the movie - much like Heard's continuous smoking of hand-rolled joints.

The move is way too slow, and I was left not caring much for any of the characters.

Highlights: Christopher Walken crooning his way through a Sinatra-esque song, and Kelli Garner's (Heard's sister) ice-queen-and-ice-pick-sharp 'offer' to Walken's 5th wife near the end of the movie.

Lowlights: Everything in between.

In an era of recycled comic book sequel films and films praised more for their technical aspects than their substance, 'When I Live My Life Over Again' is very refreshing. First of all, Amber Heard is great in this breakout role for her, and I have no significant qualms with her performance, or really, anything in the film. Christopher Walken, however, steals the show, delivering his best performance in years, and is probably my personal favorite of his. He perfectly personifies the aging, listless, dad, and his low key style blends perfectly with Amber Heard's more loud and reckless style. Ultimately, this film, without giving away too much, is everything an independent film should be, and seeing it at the TriBeCa Film Festival was quite the treat.