Any Body Can Dance 2

The sequel to the 2013 film ABCD: Any Body Can Dance, 'ABCD 2' is A Decent Dance Flick, that has some awe-inspiring dance numbers & lighthearted moments working on its advantage. Remo D'Souza offers a visual delight, however, the story is entirely predictable & is also a bit too long.

'ABCD 2' Synopsis: After being ridiculed for copying a dance performance in India, a group of underdogs, with the help of a mentor, pursue to compete in a World Dance Champion in Las Vegas.

'ABCD 2' is the regular rags to riches story, about underdogs in search for redemption. Remo, who's mastered dance with his successful career as a choreographer, impressively directs this energetic dance fare, with some of its dance numbers leaving a striking impact. I'd like to single out 2 dance numbers, 1 being the Charlie Chaplin tribute & the other being in its climax. The choreography & the execution by the dancers, both, are marvellously done! Remo definitely deserves credit for churning out a dance flick, that isn't lazy or unimpressive. The hard work shows & how! A Special Mention for Sachin-Jigar's foot-tapping soundtrack!

But, 'ABCD 2', as a film, is predictable to the core. 20-Minutes in & you know exactly what's gonna follow next. Tushar Hiranandani's Screenplay is clichéd. However, the light moments are nicely placed in the narrative, which are definitely good to watch. Mayur Puri's Dialogue range from ordinary to average. Also, the film is a bit too long. At a 146-minutes, 'ABCD 2' overstays its welcome by at least 25-minutes. Some Trimming was most definitely needed!

Performance-Wise: Prabhu Deva shines. As the mentor, the dancing legend grooves with impeccable grace & his performance too, is credible. Varun Dhawan oozes energy in the dance numbers & has performed well. Shraddha Kapoor is okay. She doesn't really suit the part, as her dancing chops lack quality. Among others, Raghav Juyal & Dharmesh Yelande leave a mark.

On the whole, 'ABCD 2' has its share of pluses & minuses. Dance Lovers should have fun!

Clearly if some people blame Mad Max for having so less dialogues, they must see ABCD 2. I can easily count the dialogues in the movie, on my fingers, of one hand.

Lets start with the plus point, the choreography and the music for those competitions was really new, refreshing and adequate for a movie based on dance. But remember, it is still a MOVIE based on dance, so there must be some story in it, here it wasn't.

About the dance numbers also, they are very long, you don't have to show it all, if you have choreographed it, where are the editors? This movie also displayed the cliché of the previous one when they show you the glimpse of performance of other groups and when THE group come on the stage, the group on which the movie is based, they present a very long performance with everything in it. In the end they will put sentiments for the movie goers by presenting something Indian in every performance.

So, yeay! to all the dance but noooo! to everything else. Wanna see dance with a few dialogues stuffed in between, go see it.

Director Mr. Remo D'souza knows well to capture and portray the dance in grandeur and interesting way. This time there is no story. Main drawback of this film is very less emotional factor but yeah two scenes are very good in emotions, first when Vishnu meets his son and second the climax. Screenplay is very routine and predicative. You exactly know what is going to be happen. So, movie slows down at many places. Few things are gone overboard in the name of thrill, like the interval point thrill plot, the childish way to give the hint of love triangle, strain in leg to find scope for another previous actress's dance skill. Few scenes are good conceived keeping 3 D in mind, like one the bubble coming out from Vishnu mouth. Dialogues by Mayur Puri are good. They deliver humor and emotions. This type of movie requires dancers first then actors and first part has proved this very well. Here the protagonists are actors first so they have there own limitations. Let them lead, makers have to lower down the dance level of other brilliant dancers. I got goose bumps at the solo dance sequences of Prabhu Deva, Dharmesh and Puneet. I am surprised how can one feel sound if he is deaf!? So making Puneet deaf is also unbalanced approach in the name of doing some extra and different. Dance has shown in very good way but it also losses its first part emotional dose in it. Formation of Bharat Mata and Tri-Color through dance is mind blowing. When Puneet shouts and moans, his expressions are mind blowing and gives the required push to make climax very effective. Still I missed Ganesh Aachraya dearly as Gopi. He was surprise package in first part with humor and emotions. Performance wise Prabhu Deva as Vishnu is very impressive, in dance as well in emotions. Varun Dhavan is good to project emotions but dance wise others are quite better compare to him. Dharmesh and Puneet are great dancers. Pleasure to see them dancing. I wish, there could have been more dance of them. Shradha Kapoor is balanced, dance wise and acting wise. Louren Gottlieb is very good. Music by Sachin – Jigar, is foot tapping. One song "Mai Teri Chunariya" is very emotional and comes at right places. Fine work by its lyricist Mayur Puri.

Beginning with the downers, ABCD 2 is completely based on a routine formula with no great storyline or script as such. There is a competition lost in the beginning and there is an international contest to be won in the finale as usual resulting in a stale plot. Plus despite having a real life Mumbai dance group as its basic inspiration, the film can still be easily called a clever mix of STEP UP series of the west, the last half an hour of Farah's HAPPY NEW YEAR and the basic plot of replacing an injured co-dancer taken from Yash Chopra's DIL TOH PAGAL HAI hinting towards a love triangle. There are too many illogical cinematic liberties taken by the writers in the film like no reason given for why they copied initially, no problems in the foreign travel by the entire young troupe, the boys easily finding a perfect replacement in an unknown foreign city, a huge difference in Prabhudeva's elegant staircase and the interior of his adjacent room and the undisclosed ailment of one of its key dancer finding no mention towards the end, clearly affecting the end-product.

Plus the biggest disappointment remains its weak soundtrack that though sounds fine while watching the film in the theater, but doesn't give you anything to go for a second listening later after the show is over. Moreover, along with the uninspiring writing, okay dialogues and a sudden end, it's the over-length of the film going into more than 150 minutes that honestly reduces the overall impact on the viewers and they somehow feel 'served less than the promises made' due to the very reason.

Having said that, the film's all clichéd formula still largely works reaching its young target audience since it has one thing in abundance and that too in the purest quality form, i.e. Dance, Stage Performances and their Amazing Moves. So one witnesses a loud applause whenever the youngsters get to see their favourite ones performing on the screen and mind you this doesn't include either Varun or Shradha expectedly. In fact Remo uses his three main underdogs quite intelligently at intervals and the move really works wonders when you get to hear shouts or whistles each time Dharmesh, Punit, Raghav or Lauren (post interval) enter the scene with a quick, smart build-up grooving to some inventive steps.

As ABCD 2 (Any Body Can Dance 2) is solely based on its plot of spellbinding dance performances, the film has an outstanding choreography that is sure going to be loved by the ones who are actually into this particular dance form of Hip-Hop and doing similar stage performances as a team (with an appreciative mention of the actual inspiration behind the theme, Suresh Mukund and Vernon Monteiro in the end credits playing it rightly). So even if you are not a dancer yourself but do enjoy the act of dancing naturally, the spirited dedication and the huge effort is sure going to make you feel the excitement, tapping your foot along with the musical beats, particularly in all its well-conceived stage sequences and the patriotically charged climax.

The film has a remarkable production value, eye catching set- designs, fabulous lighting and superb cinematography (watch out for the love songs) generating a stunning visual end-result, especially in the spectacular opening sequence, a Chaplin inspired performance in the mid and then the charged up finale devoted to Lord Ganesha (along with a tour of the neon-lights lit Las Vegas as an added attraction). Besides this time for a change the 3D technology really becomes a major plus giving you something to cheer for and not just added for the sake of it as usual.

Coming to the performances, this is one of those rare films that is collectively supported by the entire team and not just dependent upon a single person alone due to his or her star-status. Both Varun and Shraddha perform earnestly, displaying a great amount of homework done for their demanding roles and they do impress a lot particularly Varun Dhawan. Here I would specifically like to applaud the two bigger stars for not throwing any tantrums and letting every single person in the film perform freely (taking the center stage) without any ego issues. An example that truly puts these two new generation actors much ahead than their seniors who were known to cut their opponent's role in a film using their star-influence in the industry.

But having praised Varun-Shradha for their generous professional approach, the real heroes of the film still undoubtedly remain the famous performers of the dance reality show, namely Dharmesh, Punit, Raghav, Sushant and the gorgeous Lauren Gottlieb also doing well in the acting department. Prabhudeva continuing from the first part as Vishnu Sir surprises you with a well handled emotional act besides his repetitive yet (always) impressive dance moves. Also the cameos of Tisca Chopra, Kapil Sharma, Navjot Singh Sidhu, Pooja Batra and Ganesh Acharya do contribute a bit in their given scenes.

To give the entire team their deserving respect, a film like ABCD 2 is certainly not an easy one to make conceiving a differently engaging dance act for every individual artist, for every major event in the script progression, for all its love-songs and the pumped up finale involving hundreds of artists performing together in the same frame on the lavishly designed bright sets.

However if only Remo could have stressed more on the storytelling part, reducing the overall duration of the film giving less emphasis to its full length love songs having a better edit, ABCD 2 would have reached a much wider audience offering a non-stop music and dance festival moving ahead than its original hit.

Disney steps in to do the sequel to 2013's 'ABCD', not that you'd notice as the two films are virtually indistinguishable.

'ABCD 2' is just as slow and limp as the original, though once again does feature a crap tonne of dance so if that's all you want then you might like this. I didn't, simply put. They even made this one slightly longer, which was a very bad call.

This film does have a bit more of an actual plotline to follow, but it isn't anything of substance and quickly takes on all the clichés you'd expect it to. Like the other, it is very poorly written. Be original, if nothing else. As for the cast, Prabhu Deva reprises the role of Vishnu - I found his acting to be a tad better this time. As before, though, no-one else onscreen sticks out.

Very bloated, for the second time running. Forces too much and goes on for way too long. Poor.