W1A

I found this very funny and very true. I worked at BBC Future Media (and other parts of the BBC) and recognise a number of these senior managers. The caricatures are not far removed from reality. On the creative side, you might think the show was cruel. Not really, they used to have weekly "creative sessions" in my kitchen area. There's nothing like the sight of desperate 40-somethings trying to come up with something young and hip to make you wish you were far, far away from the commissioning process and the necessary obliges noblesses! The meeting rooms, "Strictly Come Dancing" and "Top Gear" and so on, and Syncopatispace is beyond parody. This show is almost exactly like working there.

I suspect that some of the reviews here have been made by people who are perhaps too close to the BBC, or are amongst a significant section of the British population who regard the licence fee as the wrong way to fund the Corporation.

I didn't see "Twenty Twelve" (but have just ordered the DVDs of Series 1 & 2), and in fact have only managed to see the first two episodes of "W1A". That clearly leaves me open to criticism for reviewing a series I haven't fully seen. On the other hand, it meant that I had no particular expectations before I viewed.

What I did see I found to be hugely funny - certainly one of the most wryly observed and succinctly written comedies of recent years.

Yes, I am sure that what it portrays is desperately close to reality! And indeed, that is what makes it all the funnier. The characters are, of course, caricatures with little depth, but in a light-hearted series of just four episodes, I doubt we would be expecting serious character development, especially when some of them speak the same (or similar) lines in every episode.

As a Brit who loves the BBC, despite its weaknesses and failings, and who thinks the licence fee is truly excellent value for money, I admire the organisation all the more for its willingness to have the mickey taken in this way.

Reading the other reviews, you might think that there was little to laugh at in this short series. Far from it. I very rarely laugh out loud, but this had me chortling more than most.

Only 3 seasons? Really?? Ah, I guess it's hard to keep a cast like this together for long. What seemed like pure silliness at first really grew on me. I really ended up caring about these characters. When I went to start the next season and discovered there was none, I was heartbroken.

Such a great series I watched it twice. Wonderfully acted and written, the single word interplay between the characters is a marvel. The discipline and skill to pull off the rapid-fire exchanges is something to behold. While much of the humour is broad, much of it is wonderfully narrow British irreverence and wit. But the glue that holds it together is Hugh Skinner's Will. His beautifully-timed nonsensical statements sum up the entire series, making fun of corporate culture that has lost its ability to communicate, saved at the last moment by the erudite adult in the room, Ian Fletcher.

I watched the first few episodes of the first season and giggled appropriately. Goodness knows the BBC makes a good target for this kind of satire and is a good proxy for many similar corporate settings. But after a while fatigue set in. Compared with Twenty Twelve which was consistently laugh-out-loud funny, too many characters in W1A share similar lines and "yes/no/cool" affectations. But what really fails is the mockumentary angle. It was tenuous in Twenty Twelve but just about kept within the lines as an unlikely but feasible documentary. W1A would have been better pitched as a straightforward satirical comedy rather than having a narration constantly remind the viewer that we are supposed to regard this as a reality programme.