A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.
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The ever-likeable Katee Sackhoff strands herself in a well-made but trite Candyman knock-off that desperately strives to franchise itself out, but leans back on moldy haunted house tropes for the majority.
A troubled teen is released into the custody of her estranged mother, but a demon from the past comes back to wreak deadly havoc.
Dramatic horror with a completely incoherent mythos, but an iron determination to ramp up the tension in every scene. The daughter's peril is introduced immediately with the urban myth key to the plot, then we switch to the mother's predicament, and nothing is normal or easy going - every scene infested with unsettling '80s synth. It ends with flash-back reminders of how the plot is supposed to make sense, culminating in a clumsy twist.
The mother is well played, with good emotion in her regret at being inadequate yet loving. The detective is poorly played, and there's hardly any point in the character of the husband. The initial feel is London soap opera, and at various points tributes to The Shining, Ju-On, and Time Bandits.
There's one interesting sequence in the photography, when the cliché of ghost passing in the background is repeated three times - otherwise it's ordinary. Bad judgment on the music, but it fits the story telling style of constant huffing and puffing to maintain interest.
Overall: meh.
Dramatic horror with a completely incoherent mythos, but an iron determination to ramp up the tension in every scene. The daughter's peril is introduced immediately with the urban myth key to the plot, then we switch to the mother's predicament, and nothing is normal or easy going - every scene infested with unsettling '80s synth. It ends with flash-back reminders of how the plot is supposed to make sense, culminating in a clumsy twist.
The mother is well played, with good emotion in her regret at being inadequate yet loving. The detective is poorly played, and there's hardly any point in the character of the husband. The initial feel is London soap opera, and at various points tributes to The Shining, Ju-On, and Time Bandits.
There's one interesting sequence in the photography, when the cliché of ghost passing in the background is repeated three times - otherwise it's ordinary. Bad judgment on the music, but it fits the story telling style of constant huffing and puffing to maintain interest.
Overall: meh.
Nothing to write home about, but the scary scenes made me jump. The ending is a bit annoying , but not a bad watch when bored.
A good portion of whether something is watchable is not whether it has been done before (most things have been) but whether it is done well.
Don't Knock Twice does nothing that has not been done before. That said, what it does do, it does awfully well. This is a very atmospheric horror, sounds as well as visuals, play a key part in its success. As does things hinted at or glimpsed, as well as things that are seen.
The pacing is good with well timed scares occurring throughout this flick. Moreover, it manages to feel fresh and new even though its a well worn proposition. I personally put this down to decent acting and directing.
Ignore the detractors and give Don't Knock Twice a go. Seven out of ten from me.
Don't Knock Twice does nothing that has not been done before. That said, what it does do, it does awfully well. This is a very atmospheric horror, sounds as well as visuals, play a key part in its success. As does things hinted at or glimpsed, as well as things that are seen.
The pacing is good with well timed scares occurring throughout this flick. Moreover, it manages to feel fresh and new even though its a well worn proposition. I personally put this down to decent acting and directing.
Ignore the detractors and give Don't Knock Twice a go. Seven out of ten from me.
The special effects are nice and the acting is passable, but this film is way too cliché and formulaic to be enjoyable.
The plot is the same as every single other "chick horror" movie ever. A pretty girl pisses off a ghost, has lots of scary visions, people don't believe her, she freaks out and acts crazy, at the end she discovers "a terrible secret". Bonus points if there's an old house and a mysterious magical person who knows all about the demon/ghost/spirit.
It's disappointing that a team of clearly creative and talented British people chose to use this tired clichéd formula instead of writing something fresh and new.
Too many horror films do this, it's predictable and boring and it needs to die. I refuse to believe that teenage girls are the only worthwhile demographic for horror.
The plot is the same as every single other "chick horror" movie ever. A pretty girl pisses off a ghost, has lots of scary visions, people don't believe her, she freaks out and acts crazy, at the end she discovers "a terrible secret". Bonus points if there's an old house and a mysterious magical person who knows all about the demon/ghost/spirit.
It's disappointing that a team of clearly creative and talented British people chose to use this tired clichéd formula instead of writing something fresh and new.
Too many horror films do this, it's predictable and boring and it needs to die. I refuse to believe that teenage girls are the only worthwhile demographic for horror.
Did you know
- TriviaJess, in her dream, sees a lady that cut's her throat and says, 'Przepraszam'. The Polish word meaning 'I'm sorry'.
- ConnectionsReferenced in 31 Days of Horror: Quick Takes (The Rejects) (2018)
- How long is Don't Knock Twice?Powered by Alexa
Details
- Release date
- Country of origin
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- Also known as
- Đừng Gõ Cửa Hai Lần
- Filming locations
- Wales, UK(Filmed)
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Box office
- Gross worldwide
- $2,081,591
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 2.35 : 1
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