Robot of Sherwood

Episode three's have been fairly hit or miss in terms of Doctor Who's history since it returned in 2005. Episodes such as Gridlock or School Reunion played out as smart character studies, but maintained the entertainment level you'd expect from something so early on in the series, whereas other episode three's like Victory of the Daleks and The Curse of the Black Spot remain all-time low points for the show. This is, in some ways, understandable. We've been introduced to the series in the first two episodes, and it's too early to throw anything too dramatic in just yet, so where does this leave us? Robot of Sherwood is a real mixed bag of an episode. It's good fun, and by no means a bad piece of television, but it lacks that conviction that made the first two episodes of series 8 such a treat. It's enjoyable enough in the moment, but fairly likely to wind up as the most forgettable episode of the series.

In terms of character, everything introduced in Deep Breath and Into the Dalek is maintained here. Despite Robot of Sherwood being played out, for the most part, as a comedy, Capaldi's doctor retains his more serious attitude in the pivotal moments of the episode, but also gets a chance to show his versatility as an actor in terms of comedy. Coleman is great too, and is truly developing as an actress whilst Clara develops as a character. She might not have the emotional weight in this episode that she made use of in the first two, but she suits the more light-hearted tone well. Guest star Tom Riley is also solid as Robin Hood himself, if just a little over the top in moments that don't really need to be, but the three leads here have great on-screen chemistry that makes this episode consistently enjoyable, even in its weaker moments.

Where Robot of Sherwood faults, however, is in terms of story. Whilst this episode was played out as a comedy, it lacks a plot to move the characters from scene to scene. It takes about twenty minutes before we really learn anything, and even then it's more superficial than anything else. I get that writer Gatiss aimed for a more light- hearted outing, but not enough really happens throughout the 45 minute run time to leave us satisfied by the conclusion. This wouldn't be all bad, though, if the episode was also used to develop and analyse the character of the Doctor, but rather than develop the Doctor any further, Gatiss just relies on everything show-runner Moffat has already done for him. Robot of Sherwood wasn't a bad episode, but by far the weakest of the series thus far. It's good fun in the moment, and is certainly better than some of Gatiss' other episodes, but it is, unfortunately, set to be forgotten by the time the title sequence rolls for next week's episode.

The Doctor offers Clara a trip to wherever she chooses. She wants to meet Robin Hood. When the Doctor points out Robin Hood never existed, she insists, so the Doctor sets the TARDIS and they go to meet.... Robin Hood. Writer Mark Gatiss mocks his own history of writing episodes with historical characters with this effort.

After a couple of heavier shows in which the Doctor is introduced and various aspects of his character are shown, this episode is intended as a relative romp. It's a backwards-looking episode with many of the aspects of the old show, with its serial structure. Given that the greater screen time of the old serials -- generally about 90 minutes -- was almost twice as long as the new episodes, various compressions have to take place. That is probably why the straightforward title was chosen here, rather like last season's "Dinosaurs on a Spaceship"; as Theo Robertson points out in his review of this episode, this still requires some further compression that robs the story of some dramatic tension.

Nonetheless, there is considerable subtext in this story about the meaning of heroism, the power of stories to inspire us and the whole being more than the sum of its parts. the metafictional impulse is close to the surface in this story. Indeed, the deeds and dialogue show it. Still, sometimes the point needs to be made overtly.

This was easily the funniest episode of Series 8 thus far. The banter between the Doctor and Robin Hood was definitely the highlight of the episode (Clara also got some pretty funny lines as well).

After two pretty dark and serious episodes, it was nice for this season to take a breather with "Robot of Sherwood". The Twelfth Doctor and Clara continue to be a fantastic duo and I'm always happy to see them together on screen. Sadly, Capaldi's Doctor doesn't have a lot to do in this episode but he's still entertaining to watch nonetheless. Clara continues to show her cleverness and wit and acts as a nice buffer between the bickering Doctor and Robin Hood.

The supporting cast is decent. Tom Riley and Ben Miller give pretty good performances as Robin Hood and the Sheriff of Nottingham respectively. The robot knights had a very cool, intimidating design but I personally feel they weren't used to their full potential.

Overall, "Robot of Sherwood" won't go down as one of my Series 8 favorites but it was still an entertaining episode with hilarious banter and some truly heartfelt, deep moments here and there.

I don't normally critique individual mid-series episodes of Dr Who but I absolutely loved this episode. I've seen almost every TV and cinematic representation of Robin Hood going back to Errol Flynn and this adventure paid due homage to all that history, condensing most of Hood's best-known stories into its 50 minute time-frame (the "Little John"-type encounter on the log over the river, the archery contest set up to trap Robin by the Sheriff of Nottingham and even climaxing in a sword-fight between them, which if not exactly up there in the Flynn/Rathbone class, still paid its due respects).

Underlying the story were subtle questions about the need for heroes and the power of legends, with the Doctor denying the efficacy of both until he realises by the end that the same fate awaits the remembrance of his own exploits in the future. Sensing a rival for Clara's attention (affection?) in Robin, whose fictional dreamboat he's always been, the Doctor is immediately querulous and doubting of his Lincoln Green attired rival. Several quick-fire exchanges take place between them with Clara usually having the last word until they both man-up to take on the nefarious Sheriff and his robotic henchmen.

Cleverly, the plot doesn't allow the inevitable alien-presence to overpower the story and there's another cryptic reference to the promised land to hold the viewer's attention until the series closer. Capaldi is now completely in character and relishing his role, Coleman, her puppy love now replaced by qualified respect is very good too. Perhaps it would have been nice to see more of Robin's Merry Men (Little John, for one, barely gets a line) but this overdue combination of the Doctor and Robin Hood already has the look of the series high-spot.

Watching NuWho I often find myself comparing it to how a story from the classic series would have structured the narrative . With Robot Of Sherwood by Mark Gatiss it's very easy to see how this story would have ended up if made from 1963-89

Episode 1 ) Introduces most of the major characters

Episode 2 ) More development of the story

Episode 3 ) Revelation of most of the mystery of the story and the villain's plan

Episode 4 ) Resolution of plot . Goodbyes are said

Here in a 45 minute episode the format constricts the story in to something unsatisfying . It's not a brevity of storytelling but a rather deeper problem . It's a somewhat frivolous episode which is something to be expected via the title , camp adventure with Robin Hood and his men but is there any need for the Doctor to join in the fun ? I loved Capaldi's performance from the last two episodes but here I wasn't impressed mainly due to the writing , and did we need a story featuring robots so soon after the droids from the season opener ? Get some new ideas Mr Moffat or change the running order of the season

Being 45 minutes it's the same format as a two episode story from the old show but again one can't feel in those days the production team would have developed the story better with dramatic pauses . Here however much of the so called drama is relegated to bickering dialogue between the Doctor and Robin . If you've got 45 minutes to play with concentrate on plot and don't waste it by having disposable scenes in dungeons . I did notice Gatiss trying to bring in a Marxist subtext with some of the dialogue and paint Robin Hood as a communist freedom fighter but it's hardly DOCTOR WHO at its most thought provoking and cerebral . The episode is almost ruined by some of the laziest resolution seen in an episode which leads you think if Gatiss had 30 seconds to resolve the story

In summary this is one of those episodes that you know in advance is nothing more than light disposable fun but you're still left with a nagging disappointment after seeing it . It's not quirky or funny enough to be genuinely amusing and it's not dramatic enough to be entirely serious enough . Perhaps worst of all it's not good enough to suspend your disbelief and comes across as 45 minutes of very disposable television