Elle

No, folks, Paul Verhoeven has not changed, not at all, and I doubt if he will in the future. He has never made any French feature before this one, but if I had seen this movie without knowing the director's name, I would have recognized him after only forty five minutes. And if you remove all the provocative sequences, you have the feeling to watch a Claude Chabrol's film, and not only because of Isabelle Huppert's presence. This film looks like a mix up between Verhoeven, Hitchcock and Chabrol, especially concerning the bourgeois families criticism...Verhoeven still loves provoking, shocking the audiences. The screenplay is not made with a strong suspense but despite that, you are glued to this movie. No suspense here, except concerning the rapist identity. But once you know him, you guess that the movie will finish, but it continues, and no, you are not bored. A real curiosity. Isabelle has a way of playing with her face, an expression that only her has. Especially when she says to some one that she has no opinion or something like that. Only her reacts this way.

Paul Verhoeven got famous with Robocop and other action-packed sci-fi films. A while ago I watched a couple of his early films which were completely different in style; dramas with a lot to do with sexuality. Now I got to see one of his newer ones. In some way "Elle" goes back towards his roots of love/sex themed drama, but it also more mature compared to his wild youthful early films.

From what I had read I expected a "revenge flick" but that wasn't entirely the case. There is some of that thematic but more than that it's a drama with complicated relations between the characters. To be honest, I didn't entirely understand all of their motivations but I still liked the way it made me ask questions and think about psychology.

Isabelle Huppert is the lead actress and she literally leads the show. She acts very good, and the character she plays is interesting and surprising, and you never really know what she's up to. There is a theme of not agreeing to be seen a victim, and that is pretty much what the main character is about. She can be seen as an empowerment figure, though I also had a feeling that the character had some minor screw loose too. Anyway, however you interpret things the movie probably makes you think things in some new ways too. That's always a good thing that makes movies stand out.

Ps. The hatchet in still images did not have that much use. So if you are looking for a violent action film, then it's probably not going to be this one.

Isabelle Huppert migh have signed a pact with the devil. She´s still incredibly sexy at over 60 years old and as unique as always. "Elle" it´s all about her (duh) and no other actress could have possibly made it. A classy production with moments of great tension but I find this to be a character study more than anything else. A woman and her circumstance: her family, her work, her friends and, of course, her sexuality. It might be controversial but it´s not cheap. She´s not an ordinary woman and her father and her mother both have an important role in the film as to know why. Everything else is plausible due to her condition, from her son´s character issues to her affairs and further. Nothing is taken lightly, every situation or decision is determined by her psychology.

Now, I´ve seen how it enrages a lot of people. I guess they´re not familiar with Huppert´s work. There´s, of course, "La pianiste" but I find "Ma mère" to be worse. She´s always had a taste for moral uncertainty and she´s never been afraid of playing with its limits. Verhoeven is similar and this is a clear highlight in his appalling filmography. I wonder what would happen if "The Clockwork Orange", for instance, was made today? I´m not a fan of it but it´s widely regarded as a classic. We shouldn´t forget these are movies, not real life. Violence or pshycopathy are still a part of the human condition, however unpleasant they might be. I´m unfortunately close enough to rape reality to assert my opinion. "Elle" isn´t overly serious and never tries to be more than it is: two entertaining hours of drama.

After seeing this film at Cannes, it left me with rather mixed emotions, and I continued thinking about it for quite some time after; so after much thought, I decided it was time to write a review of this new French new flick. 'Elle' is a thought-provoking thriller from the hands of Dutch auteur Paul Verhoeven that is definitely not suitable for the younger audiences. Verhoeven has a tendency to venture down more explicit routes (think of 'Showgirls'), but this time took a psychological approach creating a film that will definitely leave you thinking.

Now, the plot can be rather convoluted. The film runs several plot lines alongside each other and at times, you can lose track of certain characters, but if you pay close enough attention, you'll fully appreciate the complex, yet original structure Verhoeven has created. The performances in the film are all fantastic, and the direction is magnificent (Verhoeven actually took to learning French as a new language so he could utilise an entire French crew), the cinematography and soundtrack both make great accompaniments, but I personally think the film's structure was the only downside to the film.

The subject matter is rather grim, revolving around sexual assault and the estranged relationship between the main character and her parents, but there are instances of humour that just give that little hint of lightheartedness to a relatively dark premise. All-in- all I would definitely recommend this film if you're a fan of dark thrillers along the lines of 'The Girl With the Dragon Tattoo' etc, but be prepared for a no-holds brazen thriller. Nonetheless, Verhoeven has made a sincere thriller that kept me thinking well after the credits had finished, so congratulations to him for that, and for undertaking the somewhat "risky" subject matter.

One can't help but note the decidedly brusque tone and pacing with which this operates, pointedly matching the strident personality of the title character, and the uncomfortable curtness of every social interaction. Between these two facets, the picture sits at a peculiar place of seeming to fly past while it's actually moving quite slowly - I was altogether surprised to look at the digital timer at one point to see that I was only halfway through the runtime. All the while, it's hard to get an exact beat on what 'Elle' is doing. It definitely carries itself in some measure as a psychological drama, or at least a character study, with major thriller airs; Michèle Leblanc is plainly fascinating, and the character writing generally is without question the sharpest aspect of these 130 minutes. The scene writing is ferocious and downright ugly, and the narrative at large is as indescribable as it is compelling. Only: what is it that I should be taking away from the viewing experience, especially in regards to dynamics between men and women? That I surely don't know, but it's safe to say that one way or another I'll be thinking about this for a long time.

I'm not familiar with Philippe Djian's novel, and I can't say I've seen other films that David Birke wrote - excepting 2021's superb 'Benedetta' that he co-wrote with director Paul Verhoeven. Wherever the credit belongs, the screenplay is tremendous: a maelstrom of strong emotions, very complicated characters, and horrid violence (a content warning is obviously extremely necessary for depictions of rape), with additional tidbits including not just those gender dynamics but also how we experience and react to violence at different times or in different ways, parent-child relationships, and more. As to any Big Ideas or themes that Djian, Birke, and/or Verhoeven were hoping to communicate, well, I'll need to turn this over in my head a bit more to discover what's hidden within. Even without such considerations, however, the movie is a stark, vivid ride, roundly absorbing and well worth exploring for the sheer excellence it represents. Beyond the writing, that absolutely includes Verhoeven's direction, steady and reliable as it's always been. For as forceful as the proceedings here are in many ways, he nonetheless demonstrates a dexterous, delicate hand in orchestrating shots and scenes that lets them sink in their claws instead of just landing with blunt impact; I shudder to think how poorly this material may have been treated in the hands of anyone less capable.

Everyone behind the scenes turned in great work, too, including fetching production design, costume design, hair, and makeup, and finely executed stunts and effects that are jarring as they present. Yet it's the folks in front of the camera who might be most readily striking of all. It's certainly noteworthy that star Isabelle Huppert received many nominations and awards for her portrayal of Michèle. Yet even in her case, it's not that any of the acting is singular and revelatory, specifically making a huge impression. Rather, it's more that like the broad tenor of 'Elle,' there's an unmistakably fierce, terse edge to the performances (Huppert's above all, by all means) that does much to harness and maintain the vibrant, harsh energy of the feature, propel the plot, and keep we viewers locked in. And really, all these elements work in tandem to achieve that vivid spark, which surely means Verhoeven deserves commendations once again for maintaining such a tight, dark vision over the whole affair, if not also producers Saïd Ben Saïd and Michel Merkt.

Even setting aside the important content warnings this won't necessarily appeal to everyone, least of all for some of the ideas that it plays with and the dire atmosphere. Even for a filmmaker who gleefully dances across extremities and taboos this is a bit of an oddity for his oeuvre, hard to particularly pin down. One way or another, however, the fact remains that 'Elle' is pretty fantastic all around, benefiting from the substantial skill and intelligence of all involved. Whether you're a diehard fan of someone involved or just looking for something good to watch this is well worth checking out. Be aware of the nature of the content, but otherwise just strap yourself in and watch the fireworks.