Bokeh

"Riley, this is starting to freak me out. I know, I don't get it at all."

What if you wake up one day and realize that you are the only person walking on this earth? That's what Jenai (Maika Monroe) and Riley (Matt O'Leary) experience when they spend their holidays in Iceland. Initially they behave like perfectly normal tourists. Admiring the natural beauty of Iceland while Riley takes pictures of it, with his old-fashioned-looking camera. The day they find out they are completely alone, it's the start of a fascinating journey on the one hand. But on the other hand it's also a disappointing story in which they undergo a range of human reactions. First they experience a confused and panicky mood in which they anxiously try to understand what's going on. There's no immediate, plausible explanation for the sudden disappearance of the population. No dead bodies or signs of destruction. No coverage of the phenomenon since all news channels are offline. No posts on news sites or e-mails. Human existence is abruptly ended somehow.

Then they switch to an euphoric mood, realizing that they can get anything they desire and have the place to themselves. They can pick out any of the abandoned cars and choose the house they like the most. After that, they start realizing they really are on their own and certain situations could be life threatening. The result. Irritation, self-pity, and frictions between the two survivors. Especially Jenai falls into melancholic moods. Most of all, she wants to return home. There's only one problem. They are stuck on this deserted island. She also struggles with the "Why?" question concerning their situation and whether all this has to do with a divine destiny. Riley however, sees this as a fresh start for humanity. An opportunity to build a new civilization with the two of them. It still looks like a tourist trip to him and he wants to make lots of pictures of picturesque places as possible.

I admit my thoughts always strayed to the key question "What would I do in the exact situation?". Try and find my dream-car? Choose my dream house and plunder a local electronics store so I can equip myself with the latest gadgets? Total freedom. Indulging myself in everything I desire, without worrying about the price tag. A dream come true. I admit. Watching a movie is also a bit of putting yourself into a fictional situation. The only thing is, it shouldn't be in such a way that you lose the complete attention. And that's exactly what happened to me, while watching "Bokeh".

Perhaps the biggest flaw of the film is the limited content. There isn't much interesting happening. Most of the film is filled with stunning snapshots accompanied by minimalistic piano sounds. If you've never been to Iceland and you can't imagine what it looks like, you'll certainly have a pretty good idea after seeing this film. It seemed as if "Bokeh" was sponsored by the Iceland tourist offices. Beautiful images of nature, full of glaciers, geysers and flower fields. No hurdles of zombies. No terrifying aliens who started an invasion to claim the resources of the earth. Ultimately, the film offers no explanation about the cause of it all. Like Riley and Jenai you'll still be groping the dark about this.

The only thing I was wondering is where the film title actually came from. Initially I thought it was an Icelandic expression. Turns out, according to Wikipedia, it's a term used in photography. The description is as follows: "The aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens". Now you can ask yourself what this is related to. Is it the way Riley makes his pictures? Or is it about the hazy content of the film? Another unanswered question.

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While this wasn't the best sci-fi film I've seen, I think it definitely deserves a higher ranking than most of the reviews here give it, which all seemed to be expecting something more stereotypical.

It is not an action film, nor futuristic. There's no threat to overcome, no adversary to face. It aims for realism, to try and connect the viewer to the characters and make them wonder what THEY would do.

If you're after flashy effects and advanced technology, this isn't a movie for you. It shows genuine reactions from two average people who suddenly find themselves alone in the world with no explanation to what happened or why.

A very good film, but not if you're after a cheap thrill.

This is the invention of a new sub-genre: Postapocalyptic boredom. Why bother with a story if you can watch two completely uninteresting random people do completely uninteresting things for 1:30 hours. Sounds great doesn't it? Nothing happens in this movie. It is empty, pointless, boring and depressing. There is no plot. Only nothingness. Just two people doing nothing. Did i mention it was boring? Really really really boring.

This is by far the best explanation of what to expect: Nothing is a concept denoting the absence of something, and is associated with nothingness. Nothing denotes things lacking importance, interest, value, relevance, or significance. Nothingness is the state of being nothing, the state of nonexistence of anything, or the property of having nothing. (quote from Wikipedia).

The problem is that with (mostly) only two people on screen that you really know nothing about it is hard to care about anything happening to them. the main characters never really showed anything about themselves to get me emotionally involved. It all felt very shallow and flat. Sorry to say but throwing in some philosophy and giving it some artsy name doesn't make it art.

As it turns out great cinematography, good acting and good directing is not enough to make a film great. It has to have a story. And this movie has none. Its is boring. Nothing happens. The movie could have finished 15 minutes after the start and it would have made absolutely no difference. The scenario in non existent. It is a pity because the cinematography was amazing. The main characters played by Maika Monroe and Matt O'Leary were very well acted. It makes me wonder why waist so much talent to make a film without a purpose.

Bokeh is a Japanese term that describes out of focus points of light. Its an appropriate starting point, when discussing this film.

Certainly, there is much about this film that's out of focus. It's message has a diffused quality that's difficult to pinpoint. Most specifically, its true message, as I understand it, is about the meaning of "existence".

As the film unfolds, what it means to be alive clearly has different meanings, for the main characters. One see's the beauty and opportunity in their newfound "freedom", whilst the other simply feels constrained, isolated and oppressed by it. Indeed, as the only supporting character hints at, we are "one and one and one".

The problem with this film is its so quiet and so subtle, that is, out of focus, that its very understandable, that its meaning may be overlooked.Personally I liked Bokeh but I can fully appreciate why others may not be so taken with it.

What is remarkable, is the visual quality of this film. Its wide screen cinematic's are really quite breath taking when combined with Iceland's exceptional, rugged natural beauty. In this respect this film really is quite outstanding.

All in all a mixed film that I personally believe, needed to offer a little more focus, to have broad appeal but is still an interesting watch nonetheless. Seven out of ten from me.