Antipasto
- Episode aired Jun 4, 2015
- TV-14
- 43m
IMDb RATING
8.1/10
7.6K
YOUR RATING
After the devastating bloodbath at Lecters home Hannibal establishes a new life for himself in Italy along with the company of his own psychiatrist Bedelia.After the devastating bloodbath at Lecters home Hannibal establishes a new life for himself in Italy along with the company of his own psychiatrist Bedelia.After the devastating bloodbath at Lecters home Hannibal establishes a new life for himself in Italy along with the company of his own psychiatrist Bedelia.
Hugh Dancy
- Will Graham
- (credit only)
Caroline Dhavernas
- Dr. Alana Bloom
- (credit only)
Laurence Fishburne
- Jack Crawford
- (credit only)
Johnny Larocque
- Bike Courier
- (uncredited)
Featured reviews
I think this is a strong start to the season that establishes the situation for Hannibal and Bedelia. The relationship between the two is still fairly cryptic, and the focus on her is stronger than ever. All their scenes are very well acted and visualised, but anyone eager to know the fallout from Lecter's rampage in Mizumono will likely be disappointed.
Regardless of the momentum shift there is plenty to admire about Antipasto. The cinematography and art design is beautiful, with virtually every image feeling like a beautiful painting.
Gillian Anderson is the star of this one and she leads it very well.
Regardless of the momentum shift there is plenty to admire about Antipasto. The cinematography and art design is beautiful, with virtually every image feeling like a beautiful painting.
Gillian Anderson is the star of this one and she leads it very well.
If you catch up with "Hannibal" via DVR or NBC.com, I might actually suggest you begin with the amazing and beautiful second episode, and not the Season 3 premiere. I enjoyed the season opener, but not quite as much as everyone else did. (Seriously, guys, if you think I am alone in lauding this program, google a few reviews.) The first episode falls firmly for me into the "good, but not great" category; I'd give it an 8 out of 10.
We've got an interesting basic story that pays very close attention to Thomas Harris' source novels and Ridley Scott's 2000 film treatment, and we've got great directing, cinematography and acting. Gillian Anderson shines, outperforming even the terrific Mads Mikkelsen in the title role.
It was creative and different, with a dramatic change in point of view, tone and setting, as Hannibal absconds from Baltimore to Florence with the extorted Bedelia du Maurier. It held some nice thematic surprises, as the script humanizes Hannibal unexpectedly — and this is helped by flashbacks in which we actually get to see Eddie Izzard's bad guy from Season 2 get one up on him in some verbal sparring. (I am entirely unfamiliar with Izzard's comedy performances, but damn if he doesn't make a sweet super-villain. The guy's got perfect diction and line delivery, and can be damn frightening when he wants to be.)
But, for me, this episode failed in terms of momentum and tension. It does very little to move the overarching narrative forward — so little that I suggest it could be seen as ancillary material appropriate for a webisode or DVD extra. (Yes, I do realize that Hannibal "missing" Will Graham is important in setting up themes and character relationships for the rest of the season, but whatever.) This is really a kind of "milieu" episode that establishes his arrival in Europe and the means to arrive at his cover identity. The fates of the victims of the Baltimore massacre? They're unknown to us.
We can't feel too much tension — of Hannibal's two murder victims, one is hardly known to us, and the other is flat out unlikable. We can't identify with them. Nor can we take any pathological satisfaction in Hannibal's modus operandi. He kinda shows up and says "Bonsoir" a bit undramatically, and we cut to another scene.
I had the occasional nitpick as well.
1) The viewer is asked to identify with Bedelia. For some reason this character has never worked for me. It certainly isn't Anderson's fault. She's fantastic. Maybe the problem is me.
2) I actually do really like Mikkelsen. But his stoical approach to the character is nowhere near as satisfying as Anthony Hopkins' iconic, nuanced, expressive, darkly charming take on the character.
3) We live in an age of Google image search. Does no one in Florence notice that "Dr. Fell" looks nothing like an online photograph?
4) After the climax of Season 2, shouldn't Hannibal be easily recognized as the world's most infamous fugitive and alleged serial killer? Is his image nowhere on CNN.com?
5) What about facial recognition? If a photo of Faux Fell is ever uploaded, might Interpol or the FBI locate him at once?
6) Seeing Dana Scully (sorry — BEDELIA) sexually harassed at the dinner table just makes me angry. Fox Mulder needs to appear and kick some ass. Actually scratch that. Send John Dogget.
7) I don't like seeing Hannibal appear with even a putative "spouse." He's a lone wolf, to me, anyway.
8) The dialogue, yet again, is occasionally too overly stylized for me. Even genius people communicate prosaically in their everyday lives. Do these people sound like Shakespeare when they say "Pass the salt," or ask what time to set the alarm clock for the next day?
9) Once or twice, the dialogue is just bad. Bedelia: "Your peace is without morality." Hannibal: "There is no morality — only morale." (You can't call it Shakespeare if it's trying too hard.)
10) The symbolism and the references to the feature films are maybe a little too heavy-handed. I'm talking the hand-on-the-shoulder during the lecture, and seeing one character bashed over the head with a bust of Aristotle. ("When Academics Attack.")
Don't let my compulsive griping get to you if you are a fan of the show, however. This wasn't a bad episode, just not the best. And the second episode of Season 3 is goddam PHENOMENAL.
We've got an interesting basic story that pays very close attention to Thomas Harris' source novels and Ridley Scott's 2000 film treatment, and we've got great directing, cinematography and acting. Gillian Anderson shines, outperforming even the terrific Mads Mikkelsen in the title role.
It was creative and different, with a dramatic change in point of view, tone and setting, as Hannibal absconds from Baltimore to Florence with the extorted Bedelia du Maurier. It held some nice thematic surprises, as the script humanizes Hannibal unexpectedly — and this is helped by flashbacks in which we actually get to see Eddie Izzard's bad guy from Season 2 get one up on him in some verbal sparring. (I am entirely unfamiliar with Izzard's comedy performances, but damn if he doesn't make a sweet super-villain. The guy's got perfect diction and line delivery, and can be damn frightening when he wants to be.)
But, for me, this episode failed in terms of momentum and tension. It does very little to move the overarching narrative forward — so little that I suggest it could be seen as ancillary material appropriate for a webisode or DVD extra. (Yes, I do realize that Hannibal "missing" Will Graham is important in setting up themes and character relationships for the rest of the season, but whatever.) This is really a kind of "milieu" episode that establishes his arrival in Europe and the means to arrive at his cover identity. The fates of the victims of the Baltimore massacre? They're unknown to us.
We can't feel too much tension — of Hannibal's two murder victims, one is hardly known to us, and the other is flat out unlikable. We can't identify with them. Nor can we take any pathological satisfaction in Hannibal's modus operandi. He kinda shows up and says "Bonsoir" a bit undramatically, and we cut to another scene.
I had the occasional nitpick as well.
1) The viewer is asked to identify with Bedelia. For some reason this character has never worked for me. It certainly isn't Anderson's fault. She's fantastic. Maybe the problem is me.
2) I actually do really like Mikkelsen. But his stoical approach to the character is nowhere near as satisfying as Anthony Hopkins' iconic, nuanced, expressive, darkly charming take on the character.
3) We live in an age of Google image search. Does no one in Florence notice that "Dr. Fell" looks nothing like an online photograph?
4) After the climax of Season 2, shouldn't Hannibal be easily recognized as the world's most infamous fugitive and alleged serial killer? Is his image nowhere on CNN.com?
5) What about facial recognition? If a photo of Faux Fell is ever uploaded, might Interpol or the FBI locate him at once?
6) Seeing Dana Scully (sorry — BEDELIA) sexually harassed at the dinner table just makes me angry. Fox Mulder needs to appear and kick some ass. Actually scratch that. Send John Dogget.
7) I don't like seeing Hannibal appear with even a putative "spouse." He's a lone wolf, to me, anyway.
8) The dialogue, yet again, is occasionally too overly stylized for me. Even genius people communicate prosaically in their everyday lives. Do these people sound like Shakespeare when they say "Pass the salt," or ask what time to set the alarm clock for the next day?
9) Once or twice, the dialogue is just bad. Bedelia: "Your peace is without morality." Hannibal: "There is no morality — only morale." (You can't call it Shakespeare if it's trying too hard.)
10) The symbolism and the references to the feature films are maybe a little too heavy-handed. I'm talking the hand-on-the-shoulder during the lecture, and seeing one character bashed over the head with a bust of Aristotle. ("When Academics Attack.")
Don't let my compulsive griping get to you if you are a fan of the show, however. This wasn't a bad episode, just not the best. And the second episode of Season 3 is goddam PHENOMENAL.
After the stunning finale of Season 2 I was very curious to see, if they managed to sustain the intense psychological drama and aesthetic imagery as well as finally getting to know what fate some of the characters have met after the events of the last episode.
Compared to Season 2 the focus has, at least for this episode, shifted towards a slower pace, more close-up and slow-motion shots, which are outstandingly appealing to the eye. Even though a little slower, they managed to maintain a suspenseful and dark atmosphere. – Besides grotesque yet brilliant imagery, it offers new insights into characters and concocts a toxic mix of abuse, power, and morbid fascination, ready to reach boiling point.
While it lays bare pieces of the past many cliff-hangers remain unresolved, which are, however, prone to be answered very soon as the storyline converges in Italy. After this I am certainly looking forward to seeing how this new plot line unravels and how the old questions are answered. All in all it was a very good start into this season and it certainly laid the foundation for the episodes to come – it was a tasty Antipasto, there to leave you hungry for the rest of this Italian meal.
Compared to Season 2 the focus has, at least for this episode, shifted towards a slower pace, more close-up and slow-motion shots, which are outstandingly appealing to the eye. Even though a little slower, they managed to maintain a suspenseful and dark atmosphere. – Besides grotesque yet brilliant imagery, it offers new insights into characters and concocts a toxic mix of abuse, power, and morbid fascination, ready to reach boiling point.
While it lays bare pieces of the past many cliff-hangers remain unresolved, which are, however, prone to be answered very soon as the storyline converges in Italy. After this I am certainly looking forward to seeing how this new plot line unravels and how the old questions are answered. All in all it was a very good start into this season and it certainly laid the foundation for the episodes to come – it was a tasty Antipasto, there to leave you hungry for the rest of this Italian meal.
I love that i get to see what lead up to all the Hannibal movies and how they reached and shaped each character
Fantastic season. We see Hannibal in the wild, and his further entanglement and fascination with Will. Also the negative review of this season is the worse review I've ever read of anything in my life. It's too bad Hannibal doesn't exist so he could eat this reviewer.
Did you know
- TriviaThis is the only episode in which Hugh Dancy does not appear.
- GoofsThe Italian word 'polizia' is stressed, not on the 'o', but on the second 'i', which is also a long vowel.
- Quotes
Dr. Hannibal Lecter: Observe or participate?
Details
Contribute to this page
Suggest an edit or add missing content