Eccentric new clients keep Jimmy afloat while Chuck's agoraphobia erupts into a police standoff, forcing Jimmy to choose between cashing in on oddballs and safeguarding his brother's fragile... Read allEccentric new clients keep Jimmy afloat while Chuck's agoraphobia erupts into a police standoff, forcing Jimmy to choose between cashing in on oddballs and safeguarding his brother's fragile image.Eccentric new clients keep Jimmy afloat while Chuck's agoraphobia erupts into a police standoff, forcing Jimmy to choose between cashing in on oddballs and safeguarding his brother's fragile image.
- Nacho Varga
- (credit only)
Featured reviews
This episode struck me cause you start to get a glimpse of that the relationship between Chuck and Jimmy, might be more complicated than you think! I like thise subbtle hints to what Chuck thinks of Jimmy, cause I know how important that will be, as the show goes on!
The rest of the episode offers some hilarious moments, as Jimmy visits different clients, who has one outrageous request after the other!
The end offers a calm build up towards next episode!
It's nice to now care about what's happening with Chuck a little more, although I do think that having the entire potential issue of him being upset with Jimmy for pulling a con again seeming to have been resolved in a single conversation is a pretty big wasted opportunity.
And while I'm complaining, I did think some of the shots of Mike doing...whatever he was doing at the end of this episode were obnoxiously long and not really showing much worth showing.
But I am now interested in what they might do with Mike going forward, so it's nice they're not going to keep him stuffed in a box all season.
So while it doesn't quite reach the heights of the Tuco episode, it's still pretty bloody awesome.
This episode - entitled 'Alpine Shepherd Boy' - has been one of the best so far. So many ideas have been opened up in just one hour. Every character in this week's installment were there for a reason. There was no single minute of filler. Everything needed to be there, and everything was spot on.
One of the best things about this episode was the music. It just matched up so well with every scene. We went from Breaking Bad meth- cooking montages to Better Call Saul old women eating jello montages, but somehow it's just as good. Cinematography was, as always, really good as well.
Man, when the end of this season comes the wait for season two is going to be really painful. Time has flied so fast this past month because of this show. Can't wait till next week.
Additionally there is some fantastic humour in Jimmy's attempts to link with new clients in the early scenes as he interacts with various colourful characters. Likewise his schmooze at the retirement home is very entertaining. These are my favourite moments and lift the episode significantly.
It is a fairly uneven episode that shifts in tone frequently. Focus shifts almost entirely to Mike towards the end, which involves some great moments of visual storytelling that sets up the next episode well.
Bob Odenkirk is outstanding as always and receives great support from Michael McKean and others.
For me it is an 8.5/10, but I round upwards.
Did you know
- TriviaIn keeping with the running theme of the each title in Season 1 ending with the letter "o", the original name for this episode was "Jell-O". However, possible conflicts from using the brand name caused the episode to be renamed "Alpine Shepherd Boy".
- GoofsSaul (Bob Odenkirk)'s client pays with a mix of old and new style twenty-dollar bills. The new-style bills were released in late 2003 so she should not have any at this point.
- Quotes
Roland Jaycox: You're disgusting!
Jimmy McGill: Hey, I'm not the one with the sex toilet... I hope you make a lot of money with that thing. Chandler's gonna need it for his therapy!
- ConnectionsFeatured in BTDubs: Doors, Links, and Eeeveelution (Better Dub Saul) (2021)
- SoundtracksOpening Credits Theme
Written and Composed by Dave Porter
Details
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD