Eccentric new clients keep Jimmy afloat while Chuck's agoraphobia erupts into a police standoff, forcing Jimmy to choose between cashing in on oddballs and safeguarding his brother's fragile... Read allEccentric new clients keep Jimmy afloat while Chuck's agoraphobia erupts into a police standoff, forcing Jimmy to choose between cashing in on oddballs and safeguarding his brother's fragile image.Eccentric new clients keep Jimmy afloat while Chuck's agoraphobia erupts into a police standoff, forcing Jimmy to choose between cashing in on oddballs and safeguarding his brother's fragile image.
- Nacho Varga
- (credit only)
Featured reviews
The tedious consultations serve to illustrate the closing of a vicious loop that plagues Jimmy throughout the series. He utilizes underhanded methods to compensate for the universe's slights against him (as he sees it). This way he can prove to Chuck that he can be a legitimate lawyer and dutiful citizen, thus repaying the debt he owes Chuck for giving him a second lease on life. Unfortunately, this "chicanery" always yields unintended consequences, and never gives Jimmy the satisfaction he impatiently yearns for. It's as if the mistakes of his past life bleed into his new one in the form of karmic retribution. This premonition is almost palpable for Chuck, manifesting in his condition and his compulsion to insulate himself within his "space blanket".
Kim's role as a mediator in Jimmy's relationships with Chuck and Howard is also made more apparent. She urges him towards more noble pursuits where she believes he can thrive and satisfy his brother's aspirations for him (ie. Elder law), and makes an effort to defend his honor when Chuck and Howard antagonize him. While her initial intentions are certainly respectable, she sees herself become an enabler of Jimmy's self-destructive tendencies while also being corrupted by them herself (symbolized elegantly in their smoking scenes). Their relationship is one of the more beautifully tragic I've seen in television, and this episode explores an interesting aspect of it.
We also see hints at the depth of Mike's character. For unknown reasons (as he said, "Nobody wants to leave home,") he was forced to abandon his life as a Philadelphia cop, and now lives a modest life as a parking booth operator while keeping careful watch over his estranged daughter-in-law and granddaughter. At the episode's conclusion his past literally comes knocking at his door, and it seems like his connection with Jimmy might come in handy.
While not the most riveting first watch, it becomes much more engaging with subsequent viewings. 8.5-9/10.
After the publicity stunt Jimmy pulled, he receives voicemails from potential clients. It turns out these clients are not useful. There's a psycho political client and there's an inventor who is trying to invent a toilet designed...with a purpose. His last client is an older lady who wants to create a will. Kim offhand suggests to Jimmy elder law is a thing, so Jimmy decides to pursue that line of law. Meanwhile, Chuck has the police called on him because he stole the newspaper from his neighbor. He is taken to the hospital because of his disorder where the audience still needs to figure out if the disorder is psychological or not. Finally, the episode ends when Mike's past comes to haunt him.
Despite the slower pace, Vince Gilligan created another engaging episode. The dynamic between the two brothers is on point. There are some moments of humor, especially when the police break down Chuck's door and used their tasers on him after he said please don't use them. Poor Chuck! Of course, I also thought Tony the Toilet is a crazy, amusing invention...in the worst way. On the whole, a very enjoyable episode!
My Grade: A-
This episode struck me cause you start to get a glimpse of that the relationship between Chuck and Jimmy, might be more complicated than you think! I like thise subbtle hints to what Chuck thinks of Jimmy, cause I know how important that will be, as the show goes on!
The rest of the episode offers some hilarious moments, as Jimmy visits different clients, who has one outrageous request after the other!
The end offers a calm build up towards next episode!
Did you know
- TriviaIn keeping with the running theme of the each title in Season 1 ending with the letter "o", the original name for this episode was "Jell-O". However, possible conflicts from using the brand name caused the episode to be renamed "Alpine Shepherd Boy".
- GoofsSaul (Bob Odenkirk)'s client pays with a mix of old and new style twenty-dollar bills. The new-style bills were released in late 2003 so she should not have any at this point.
- Quotes
Roland Jaycox: You're disgusting!
Jimmy McGill: Hey, I'm not the one with the sex toilet... I hope you make a lot of money with that thing. Chandler's gonna need it for his therapy!
- ConnectionsFeatured in BTDubs: Doors, Links, and Eeeveelution (Better Dub Saul) (2021)
- SoundtracksOpening Credits Theme
Written and Composed by Dave Porter
Details
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD