A small-town sheriff sets out to find the two kids who have taken his car on a joy ride.A small-town sheriff sets out to find the two kids who have taken his car on a joy ride.A small-town sheriff sets out to find the two kids who have taken his car on a joy ride.
- Director
- Writers
- Stars
- Awards
- 1 win & 4 nominations total
Kyra Sedgwick
- Dispatch
- (voice)
Bluebell the Dog
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- (as Bluebell)
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bizarre entry in the "real time" category
While many films use the device of a "real time" narrative for effect (ie, where the viewer is given the sense that he/she is a participant in real time in the story) very few films run the device for the full length.
For example, the Bourne films went into real time when the main character was on screen, but otherwise maintained a traditional narrative. Examples of standout real-time films would include Tom Cruise (amazing) in COLLATERAL; Dennis Weaver in DUEL; and the Canadian sci-fi epic, CUBE.
So now that you know first-rate films CAN potentially be made using the technique, the writer/director of this film (to be kind) did not set his sights quite that high.
Overall, it is not a bad film, it is incredibly engaging given how little is actually going on. However, while all films require a suspension of disbelief, the overall problem with COP CAR is that the two lead characters, boys of about ten years of age, are written as the dumbest children ever to appear in a feature film.
Seriously. In an age where even the Disney channel attributes 'tude, street cred, smarts and fast moves to 7 year olds (ask your child if you don't believe me) these two characters as written are so far removed from coherent thought that the audience starts to wonder if they escaped from "special class." To use the term "pig stupid" for these kids effectively slanders the pig.
Bacon is excellent. Would like to see more of him in features.
For example, the Bourne films went into real time when the main character was on screen, but otherwise maintained a traditional narrative. Examples of standout real-time films would include Tom Cruise (amazing) in COLLATERAL; Dennis Weaver in DUEL; and the Canadian sci-fi epic, CUBE.
So now that you know first-rate films CAN potentially be made using the technique, the writer/director of this film (to be kind) did not set his sights quite that high.
Overall, it is not a bad film, it is incredibly engaging given how little is actually going on. However, while all films require a suspension of disbelief, the overall problem with COP CAR is that the two lead characters, boys of about ten years of age, are written as the dumbest children ever to appear in a feature film.
Seriously. In an age where even the Disney channel attributes 'tude, street cred, smarts and fast moves to 7 year olds (ask your child if you don't believe me) these two characters as written are so far removed from coherent thought that the audience starts to wonder if they escaped from "special class." To use the term "pig stupid" for these kids effectively slanders the pig.
Bacon is excellent. Would like to see more of him in features.
A very good slice of Bacon
I guess you would have to describe Cop Car as a high concept movie, i.e. a film whose story can succinctly be described in one sentence. This is essentially about a couple of kids who steal a cop car belonging to a sheriff who it soon transpires is a very bad man. Do not let the simplicity of the set-up put you off though, as this is a lean film with a lot of good things about it. Firstly, we have the two young boys who are a great central pairing; they really act like genuine kids and are very sympathetic and humorous throughout. Secondly, we have Kevin Bacon giving yet another good performance as the bad cop. Thirdly, this is well-paced and builds quite a bit of tension as events escalate to an ending that is a little surprising. Fourthly, it's a rather well photographed and scored affair, with the sparse Colorado plains scenery shot nicely in widescreen.
This is a very good example of a film that keeps things simple while never forgetting to entertain and surprise. It's well acted, photographed and directed. It has well-handled suspense and characters you actually care about. Can't say fairer than that really.
This is a very good example of a film that keeps things simple while never forgetting to entertain and surprise. It's well acted, photographed and directed. It has well-handled suspense and characters you actually care about. Can't say fairer than that really.
Definitely grew on me
You know, for a little indie film, this is pretty good. It was a plot that I would describe as quite narrow, but it kept my attention from start to finish.
Before I jump into what I think wasn't the best, I want to mention the good stuff. Because as I mentioned, for an indie, low budget film. It's absolutely one of the better ones! So, the film starts relatively slow, but the more it goes on, the more interesting it gets. It's a narrow storyline, but that's all it needs to be. It was written good enough, where it didn't need to go out of its way to surprise you. The acting from Kevin Bacon I thought was really good as well and sold his role to me well. The movie was shot well in terms of it following 2 storylines essentially, never followed one character too long and split the difference well.
There was one big issue for me which stops this movie being above a 6 rating and that's that the characters were just very unlikeable. As you'd probably figured out from the bio, it's basically 2 kids vs a cop. The 2 kids, I thought were so annoying and I found it very difficult to "back them". The aim of the plot towards the back end is to feel empathy for them, but it was very difficult to do so as they were just so damn frustrating. The cop was more unlikeable, but that makes more sense as Kevin Bacon is playing this psycho cop (he played the role pretty damn well).
This leads to my other issue which is that I thought the suspense during the course of the movie wasn't working for me as I wasn't too bothered about what happened to the characters? Am I supposed to feel empathy towards 2 kids that steal a cop car and start messing about with guns etc?
So yeah, it's an interesting film, but needs just a little more to surpass the 6/10 rating. However, it's a good little watch and I would recommend to anyone who's debating this one.
Before I jump into what I think wasn't the best, I want to mention the good stuff. Because as I mentioned, for an indie, low budget film. It's absolutely one of the better ones! So, the film starts relatively slow, but the more it goes on, the more interesting it gets. It's a narrow storyline, but that's all it needs to be. It was written good enough, where it didn't need to go out of its way to surprise you. The acting from Kevin Bacon I thought was really good as well and sold his role to me well. The movie was shot well in terms of it following 2 storylines essentially, never followed one character too long and split the difference well.
There was one big issue for me which stops this movie being above a 6 rating and that's that the characters were just very unlikeable. As you'd probably figured out from the bio, it's basically 2 kids vs a cop. The 2 kids, I thought were so annoying and I found it very difficult to "back them". The aim of the plot towards the back end is to feel empathy for them, but it was very difficult to do so as they were just so damn frustrating. The cop was more unlikeable, but that makes more sense as Kevin Bacon is playing this psycho cop (he played the role pretty damn well).
This leads to my other issue which is that I thought the suspense during the course of the movie wasn't working for me as I wasn't too bothered about what happened to the characters? Am I supposed to feel empathy towards 2 kids that steal a cop car and start messing about with guns etc?
So yeah, it's an interesting film, but needs just a little more to surpass the 6/10 rating. However, it's a good little watch and I would recommend to anyone who's debating this one.
Another good piece of acting.
I must confess - i chose to watch this movie purely because of Kevin Bacon. He chooses his characters very carefully so i knew this film is going to be good at some point. 😉
The story is about two boys who steel a cop car and a cop (not good one) who tries to retrieve it back. The story simple, only three characters to concentrate on - and very real. Yes, real, because children these days can be that stupid, and cops these days can be that "of the line". What i liked about this film is that it's not over crowded with unnecessary story lines, characters - it has only whats needed. And in a short time they can tell a lot that way. Beautiful nature, as it is, small town's life without any "glamour". And good acting - kids acted very naturally, Kevin Bacon of course was very good as always. I admire his talent to "get into" character he is playing.
I enjoyed this film - don't know why, but at some point it reminded me of "Perfect world" with Kevin Costner, just with less action 😀
The story is about two boys who steel a cop car and a cop (not good one) who tries to retrieve it back. The story simple, only three characters to concentrate on - and very real. Yes, real, because children these days can be that stupid, and cops these days can be that "of the line". What i liked about this film is that it's not over crowded with unnecessary story lines, characters - it has only whats needed. And in a short time they can tell a lot that way. Beautiful nature, as it is, small town's life without any "glamour". And good acting - kids acted very naturally, Kevin Bacon of course was very good as always. I admire his talent to "get into" character he is playing.
I enjoyed this film - don't know why, but at some point it reminded me of "Perfect world" with Kevin Costner, just with less action 😀
Intriguing Indie Ride
When two boys take an abandoned cop car for a joyride, a sheriff, played by Kevin Bacon, desperately attempts to get his car back by any means necessary. Jon Watts directed this indie thriller which is just now getting a wider release after receiving positive buzz at Sundance. Cop Car is a fun, intriguing ride that left me wishing there was more gas in this tank.
Cop Car has a simple premise that is executed very effectively. The story is interesting and raises fascinating questions early on. Once you begin connecting some of the dots, Cop Car turns into a more stereotypical thriller. However, the director Jon Watts has very unique visual style which distances Cop Car from the rest of the pack. There's beautiful cinematography and great suspense throughout the film. I'm very interested to see how Watts does with the upcoming Spider-Man movie.
James Freedson-Jackson and Hays Wellford play the two boys who steal the cop car. The two kids are fine; they aren't great, but they aren't 'Episode I Anakin Skywalker' bad. The best part about these two kids is they act exactly how 10-year-olds would act while on this joyride. They play with guns found in the car and roll each other up with police tape. Seeing the kids' innocent mindsets juxtaposed with the sheriff's dark actions make for an interesting dynamic.
Speaking of the sheriff, Kevin Bacon is great in Cop Car. Bacon and his disgusting mustache take the story in dark directions in his attempt to get his car back. His presence adds the star power that the film deserves.
While the story is dark, there are some subtle moments of comedy sprinkled here and there. The dark comedy works well in breaking up the suspense just long enough for you to catch your breath.
Cop Car ends rather abruptly, which some might find uneasy. While I can appreciate the creative decision to end where it did and not have a 'Hollywood ending,' there were just too many questions left unanswered for my taste. This is one of the few movies I wish were longer than its current 90 minute runtime.
Cop Car is a very solid edition to the thriller genre due in large part to Bacon's performance, and Watts' direction. While slightly too ambiguous, there is enough suspense and intrigue to warrant a ride for yourself.
If you liked this review, check out more of my reviews over at www.watsonmoviereviews.com
Cop Car has a simple premise that is executed very effectively. The story is interesting and raises fascinating questions early on. Once you begin connecting some of the dots, Cop Car turns into a more stereotypical thriller. However, the director Jon Watts has very unique visual style which distances Cop Car from the rest of the pack. There's beautiful cinematography and great suspense throughout the film. I'm very interested to see how Watts does with the upcoming Spider-Man movie.
James Freedson-Jackson and Hays Wellford play the two boys who steal the cop car. The two kids are fine; they aren't great, but they aren't 'Episode I Anakin Skywalker' bad. The best part about these two kids is they act exactly how 10-year-olds would act while on this joyride. They play with guns found in the car and roll each other up with police tape. Seeing the kids' innocent mindsets juxtaposed with the sheriff's dark actions make for an interesting dynamic.
Speaking of the sheriff, Kevin Bacon is great in Cop Car. Bacon and his disgusting mustache take the story in dark directions in his attempt to get his car back. His presence adds the star power that the film deserves.
While the story is dark, there are some subtle moments of comedy sprinkled here and there. The dark comedy works well in breaking up the suspense just long enough for you to catch your breath.
Cop Car ends rather abruptly, which some might find uneasy. While I can appreciate the creative decision to end where it did and not have a 'Hollywood ending,' there were just too many questions left unanswered for my taste. This is one of the few movies I wish were longer than its current 90 minute runtime.
Cop Car is a very solid edition to the thriller genre due in large part to Bacon's performance, and Watts' direction. While slightly too ambiguous, there is enough suspense and intrigue to warrant a ride for yourself.
If you liked this review, check out more of my reviews over at www.watsonmoviereviews.com
Did you know
- TriviaKyra Sedgwick, Kevin Bacon's wife, is the voice of the dispatcher.
- GoofsAfter Kretzer is shot he reaches up to the rear driver's side window, covering it in blood. A few minutes later as the boys are trying to escape from the back seat we see the rear driver's side window, with no blood to be found.
- Quotes
Sheriff Kretzer: You don't... Steal... A Fucking... COP CAR!
- SoundtracksCop Car Theme
(uncredited)
Written by Phil Mossman
Performed by Phil Mossman
- How long is Cop Car?Powered by Alexa
Details
Box office
- Budget
- $800,000 (estimated)
- Gross US & Canada
- $134,552
- Opening weekend US & Canada
- $26,146
- Aug 9, 2015
- Gross worldwide
- $143,658
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 2.39 : 1
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