Felicity's family and backstory come to the fore. Felicity tries to find common ground with her mother but it is clear the two are very different.Felicity's family and backstory come to the fore. Felicity tries to find common ground with her mother but it is clear the two are very different.Felicity's family and backstory come to the fore. Felicity tries to find common ground with her mother but it is clear the two are very different.
Nolan Gerard Funk
- Cooper Seldon
- (as Nolan Funk)
Featured reviews
For two and a half seasons, Felicity Smoak has been the heart and soul of Arrow's Team Arrow-a brilliant hacker, moral compass, and emotional anchor. In "The Secret Origin of Felicity Smoak," we finally get a deep dive into her past, and the result is a refreshing, heartfelt episode that balances humor, emotional weight, and a dash of cyber-chaos.
Felicity Unplugged
Emily Bett Rickards shines in the spotlight, showing off a range of emotion we haven't seen from her in a while. We're taken back to her Goth hacker days, when Felicity rocked black lipstick, a nose ring, and was writing code that could bring governments to their knees. The flashbacks are fun and revealing-offering insight into the genius-level brain behind the bubbly persona we've come to love.
The real surprise is her college boyfriend Cooper, who supposedly died years ago... but isn't quite as dead as she thought. When a cyber-terrorist starts wreaking havoc on Starling City, it's clear that Felicity's past has literally come back to haunt her.
Mother-Daughter Dynamics
Another standout is the introduction of Donna Smoak, Felicity's eccentric, over-the-top mother (played wonderfully by Charlotte Ross). At first, Donna seems like comic relief, but the episode smartly gives their relationship depth. Underneath the glitter and awkwardness is a complicated love between two very different women, trying to reconnect.
Their final scene together-where Felicity lets down her walls and acknowledges her mom's support-is surprisingly touching and adds another layer of humanity to Felicity's character.
Felicity Unplugged
Emily Bett Rickards shines in the spotlight, showing off a range of emotion we haven't seen from her in a while. We're taken back to her Goth hacker days, when Felicity rocked black lipstick, a nose ring, and was writing code that could bring governments to their knees. The flashbacks are fun and revealing-offering insight into the genius-level brain behind the bubbly persona we've come to love.
The real surprise is her college boyfriend Cooper, who supposedly died years ago... but isn't quite as dead as she thought. When a cyber-terrorist starts wreaking havoc on Starling City, it's clear that Felicity's past has literally come back to haunt her.
Mother-Daughter Dynamics
Another standout is the introduction of Donna Smoak, Felicity's eccentric, over-the-top mother (played wonderfully by Charlotte Ross). At first, Donna seems like comic relief, but the episode smartly gives their relationship depth. Underneath the glitter and awkwardness is a complicated love between two very different women, trying to reconnect.
Their final scene together-where Felicity lets down her walls and acknowledges her mom's support-is surprisingly touching and adds another layer of humanity to Felicity's character.
I love it when shows change up the format of the episode and bring us a new dynamic. Well this episode did just that when bringing in Felicity's mother Donna. She has been mentioned but we have never seen any of Felicity's family members and her mother was a welcomed addition. I have to say it was a bit strange when the first 5 minutes or so feel like a completely different show tone wise, but the scenes got better and better. After all seeing Felicity working out to open the show was a bit strange.
With that said the flashback scenes were a bit boring and predictable. Also didn't we all know the real hacker was going to be her supposed dead ex boyfriend? What this episode did really well was the overarching theme of family. Whether it was the Thea-Oliver scenes or Felcity-Donna scenes it really had a lighter tone to our typical dose of Arrow.
This episode also gave us some of the most subtly hilarious moments of the season. Watching Diggle walk into Verdant with Sara strapped on him was priceless, as was both Diggle and Oliver's meeting with Felicity's mom. Their facial expressions told all, but let's face it, weren't we all thinking the same thing? This episode also gave us a few clarifications on things I have been questioning for awhile. Like what does Oliver do when Thea is right upstairs working at Verdant when he wants to go fight crime? Take the back exit. Or like Felicity said "Do we know half the things you went through on your 5 years away?". Oliver avoids the question of course because i'm not sure even the writers know exactly what he did those last few years just yet. And of course it was great to see Diggle wearing a mask out in the field considering he's making it pretty obvious The Arrow is Oliver if he's at every scene of the crime without any sort of mask.
Few other moments to mention was Diggle and Roy leaving the conversation between Felicity and Oliver when it got emotional. Or even Felicity kicking some butt at the end was a nice touch (and Oliver's reaction to that was also priceless). So overall this episode was a welcomed change-up to Arrow's normal style. Now will we get to finally find out who killed Sara? I can tell you right now I don't believe it's Roy. My guess is still Talia.
+Welcomed change to Arrow's storytelling style
+Felicity shines (and kicks butt)
+Diggle walks in with the baby
+Family themed
+Arrow's funniest episode
-Predictable flashbacks
-So why again did the villain feel the need to try and kill Felicity?
8.7/10
With that said the flashback scenes were a bit boring and predictable. Also didn't we all know the real hacker was going to be her supposed dead ex boyfriend? What this episode did really well was the overarching theme of family. Whether it was the Thea-Oliver scenes or Felcity-Donna scenes it really had a lighter tone to our typical dose of Arrow.
This episode also gave us some of the most subtly hilarious moments of the season. Watching Diggle walk into Verdant with Sara strapped on him was priceless, as was both Diggle and Oliver's meeting with Felicity's mom. Their facial expressions told all, but let's face it, weren't we all thinking the same thing? This episode also gave us a few clarifications on things I have been questioning for awhile. Like what does Oliver do when Thea is right upstairs working at Verdant when he wants to go fight crime? Take the back exit. Or like Felicity said "Do we know half the things you went through on your 5 years away?". Oliver avoids the question of course because i'm not sure even the writers know exactly what he did those last few years just yet. And of course it was great to see Diggle wearing a mask out in the field considering he's making it pretty obvious The Arrow is Oliver if he's at every scene of the crime without any sort of mask.
Few other moments to mention was Diggle and Roy leaving the conversation between Felicity and Oliver when it got emotional. Or even Felicity kicking some butt at the end was a nice touch (and Oliver's reaction to that was also priceless). So overall this episode was a welcomed change-up to Arrow's normal style. Now will we get to finally find out who killed Sara? I can tell you right now I don't believe it's Roy. My guess is still Talia.
+Welcomed change to Arrow's storytelling style
+Felicity shines (and kicks butt)
+Diggle walks in with the baby
+Family themed
+Arrow's funniest episode
-Predictable flashbacks
-So why again did the villain feel the need to try and kill Felicity?
8.7/10
I am a big fan of the Arrow; but I am not a fan of Oliver and Felicity! It is has no passion for me. Now Oliver and Laurel... that is hot. I never liked Oliver with Laurel's sister. That was just tacky! Who is writing this? Just because you work with a man of the opposite sex, does not mean that you have to cause them to have the hots for each other. This relationship is not working. Sorry! It is truly a miss for me! I want passion and these two just don't have it. Their relationship feels more like a brother and sister relationship than a man-woman relationship! The other part of the show was good as the Arrow is concern.
Brilliant episode, more fun than a barrel of hammers, entertaining, emotional, unexpected, moving.
I have been very critical of the dark dreary narratives lately and if there is point of no return for writers who fall in love with flashbacks, this series crossed that line in season 2.
Here is one of the best episodes of the season, no flashbacks, story told using traditional narrative and exposition, great use of the Felicity character ... and it is a treat.
Why can't they all be like this?
Nice to see Charlotte Ross adding her own style of elegance to this episode. Born in 1968, and she looks great.
I have been very critical of the dark dreary narratives lately and if there is point of no return for writers who fall in love with flashbacks, this series crossed that line in season 2.
Here is one of the best episodes of the season, no flashbacks, story told using traditional narrative and exposition, great use of the Felicity character ... and it is a treat.
Why can't they all be like this?
Nice to see Charlotte Ross adding her own style of elegance to this episode. Born in 1968, and she looks great.
Did you know
- TriviaWas originally going to be called "Oracle." Oracle was Batman's "Felicity".
- GoofsAn attack on the city comes in the form of transformers bursting, sparks flying everywhere, and all power in the city going down - then the attackers "make an announcement" through TV sets around the city which they would of course not be able to do since they had just blown all of the electricity.
- Quotes
Donna Smoak: Honey, I came to see you. For a visit. Look, look, look. Didn't you get my text?
Felicity Smoak: Mom, to send a text, you actually have to press "send" on the text.
Donna Smoak: Oh, okay, not a big deal, I'll do it right now.
- ConnectionsFeatures Possessed (1931)
- SoundtracksLost
(uncredited)
Performed by Kris Allen
Details
- Runtime
- 42m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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