The Thicket

The Thicket (2024) is a gritty Western thriller that has its moments but ultimately falls short of its potential. Based on Joe R. Lansdale's novel, the film sets up an intriguing premise: a young man seeking to rescue his kidnapped sister, teaming up with a bounty hunter and a quirky group of outcasts. The cast, led by Peter Dinklage, gives solid performances, especially Dinklage, who brings a grizzled charm and intensity to his role. Juliette Lewis also shines in her eccentric supporting part (on par with the performance of Dinklage, or even better).

Visually, the film captures the rough, unforgiving world of the frontier, with a stark and at times beautiful atmosphere. There's a tangible sense of danger and lawlessness, enhanced by a strong score that keeps the tension simmering.

However, despite these positives, The Thicket feels uneven. The pacing drags in places, with long stretches where not much happens. Some of the supporting characters, while entertaining, don't get enough depth to feel fully realized. I found the meeting with some characters rushed too. The plot, which starts strong, becomes somewhat predictable, relying on familiar Western tropes without offering much new to the genre.

Overall, The Thicket has moments of grit and character, but its inconsistent pacing and lack of fresh storytelling prevent it from being more than an average watch. It's worth seeing if you're a fan of the genre or the actors involved, but it doesn't quite leave a lasting impact.

If you like westerns, you got to see it!

Peter Dinklage is amazing in it. Every attempt Dinklage makes to be a Bonafide leading man has never failed! He's shown time and time again that he has the chops, and this movie is no different.

But Juliette Lewis! This was a surprise indeed! Not saying she has not proven herself a good actor as well, but man! She locked down one of the best bad guy performances I ever scene. It's one of those things where the internet is going to need to make a click bait list of most underrated Villains in cinematic history just so they can put Cutthrought Bill on the list persuading the cult status.

Last but not least (well actually...) Jame Hetfeild. I have to admit I'm a big enough fan of Metallica to put in the effort to see this in theatres (which may not have been the cheapest choice considering its a Tubi original film and might be released on the format in a few days for free). Everything I know about Hetfeild is that he took a long time to come out of his shell to try holding some lines in a film, but he does it and does it well enough. It was fun seeing him act.

Surprisingly and oddly unique as a western too taking place in what must of have the very end of the wild west. No dates were given but it is interesting to see cars and bikes in a western. I'm guessing 1910 or 1911.

Anyway, it can drag along some times but overall, it was worth sitting though.

The story and plot was easy to become invested in. It has gritty, interesting, and engaging characters. The story is compelling, violent, raw, and unpredictable. The outlaws were very bad, and the good guys felt like real people. There were many very tense and exciting scenes. The scenery and settings were authentic to a turn of the century rustic western era. The character acting was flawless throughout. I also quite enjoyed the music track. Overall, this movie was well written, well made, well acted, engaging, interesting and worthwhile. I can easily recommend it, but, it's not suitable for children.

For the press run that Peter went on to sell this thing, I was expecting more. I love Juliette Lewis (The Other Sister, From Dusk 'Till Dawn) and she basically carries the entire film. In my opinion, Peter Dinklage gives an unmemorable performance here yet shines in comparison to the rest of the somewhat unknown cast.

As far as Tubi movies go, this is a decent watch. I just felt like there was something missing. As far as westerns go, this one just doesn't feel like it has a lot of grit. I remember watching an interview with Peter where he recalls one of the producers wanting a character in the film to have a "James Hetfield" look (lead singer of Metallica, for those who don't know) and Peter suggested that they just get James Hetfield to do the movie. Well, there is probably a reason why they suggested a professionally trained actor who looks like Hetfield, rather than Hetfield himself. He does an okay job, even kind of bad at times.

I don't want to get political with this review, but I feel like this needs to be addressed. I understand that every movie can't be Django Unchained. I also understand that life imitates art and visa versa, and we are trying to create a better world here. But there is something inside of me that is crying out every time I watch a period piece made in modern times. It seems like Hollywood is desperately trying to rewrite history to make America's past seem way less racist and horrible than it is. This is a pretty good example of that. There is ZERO racial tension in the film, despite the fact that two out of the five characters are African American who go up against some of the frontier's nastiest outlaws. To my knowledge it isn't even mentioned and I didn't know that Reginald's (Dinklage) counterpart Eustace (Gbenga Akinnagbe) is an ex-slave until I read that in the film's description. No one else in the film mentions it at all. It's not a huge issue, it just feels kind of disrespectful to the people in that time who suffered the horrible atrocities of slavery. I just really don't like the white washing of American history. Sorry, rant over.

Another part of this movie that I didn't enjoy is seeing Andrew Schulz in the film. I don't like this man's comedy, I don't care for his podcast, and I think that he does a middling job here. He also sports the exact same haircut and mustache that we see in modern times which feels out of place. I remember a golden age of film where truly talented actors was enough to get people to see your film. Now we're at a point where we are relying on YouTube stars to get people to watch. It makes me kind of sad honestly.

I really wanted to like this movie more than I did. The cinematography is pretty good, despite the fact they use plenty of cheat codes (filming a western and using a winter backdrop, for example). I saw this for free so I guess beggar's can't be choosers, but I found this film to be average at best.

I stumbled upon The Thicket by sheer luck, at my local hi-fi retailer and immediately after seeing names like Juliette Lewis and Peter Dinklage it caught my attention.

Juliette Lewis has long been one of my favorite actors, her performances in Natural Born Killers, Cape Fear, and Kalifornia have stuck with me for years as some of my favourite films.

So to see her take on a role in a gritty, old-school Western as Cutthroat Bill was an unexpected but welcome treat.

Set in the shadowy outlawed world of early 1900s Texas, The Thicket plunges you into a lawless land where it goes back to vintage western roots and the unknown of life and death which gives the film a brutal, lived-in sense of realism. In this world, moments can happen suddenly and unexpected.

The scenery, from dusty western towns to brooding parlors, is incredibly evocative. The snowy white frosty American outback in the travelling scenes was appealing and enhanced the vision of desolate human struggle, and isolation.

It captures the mood of the Western genre beautifully, without over-romanticizing it. One standout is Hector, played with grim intensity by Andrew Schultz, a villainous parlour keeper and kidnapper of women who gives the story some of its most intense and uneasy moments.

Peter Dinklage, was a witty and hilarious with his delivery of dialogue which greatly enhanced his reputation as someone who can outright lead a film.

One of the biggest surprises was seeing James Hetfield on screen. His rugged presence is immediately recognizable, and as a Metallica fan who's been lucky enough to see them live, it was a bit of an unexpected thrill to spot him from the crowd.

The film offers layers of character depth, especially through Peter Dinklage's haunted bounty hunter, and rough upbringing to Juliette Lewis's wild, almost feral outlaw. Lewis in particular steals every scene, balancing menace and madness with just the right amount of unpredictability and grunt.

That said, not everything hits the mark. Levon Hawke and Esme Creed-Miles bring youthful energy, but the experience is noticeable, they both lack the on-screen charisma needed to anchor a story that demands emotional weight. Their performances feel more like sketches of cliche characters than fully lived-in portraits, and that holds the film back at times.

As The Thicket builds toward its climactic shootout at the isolated cabin, towards the final showdown in the dense brush, things begin to feel a little hollow. The action is there, the stakes are high, but something is missing. Perhaps it's the mythic resonance of carnage in classic Westerns like The Magnificent Seven or The Good, the Bad and the Ugly. Maybe that comparison is unfair, but it's hard not to measure this film against those iconic giants.

In the end, The Thicket is a welcome return to old-fashioned storytelling, steeped in mood and moral ambiguity. It doesn't quite leave a lasting impression, but it's a dark, intriguing ride while it lasts, and worth watching for Juliette Lewis alone.

6/10.