The Thicket

The Thicket (2024) is a gritty Western thriller that has its moments but ultimately falls short of its potential. Based on Joe R. Lansdale's novel, the film sets up an intriguing premise: a young man seeking to rescue his kidnapped sister, teaming up with a bounty hunter and a quirky group of outcasts. The cast, led by Peter Dinklage, gives solid performances, especially Dinklage, who brings a grizzled charm and intensity to his role. Juliette Lewis also shines in her eccentric supporting part (on par with the performance of Dinklage, or even better).

Visually, the film captures the rough, unforgiving world of the frontier, with a stark and at times beautiful atmosphere. There's a tangible sense of danger and lawlessness, enhanced by a strong score that keeps the tension simmering.

However, despite these positives, The Thicket feels uneven. The pacing drags in places, with long stretches where not much happens. Some of the supporting characters, while entertaining, don't get enough depth to feel fully realized. I found the meeting with some characters rushed too. The plot, which starts strong, becomes somewhat predictable, relying on familiar Western tropes without offering much new to the genre.

Overall, The Thicket has moments of grit and character, but its inconsistent pacing and lack of fresh storytelling prevent it from being more than an average watch. It's worth seeing if you're a fan of the genre or the actors involved, but it doesn't quite leave a lasting impact.

For the press run that Peter went on to sell this thing, I was expecting more. I love Juliette Lewis (The Other Sister, From Dusk 'Till Dawn) and she basically carries the entire film. In my opinion, Peter Dinklage gives an unmemorable performance here yet shines in comparison to the rest of the somewhat unknown cast.

As far as Tubi movies go, this is a decent watch. I just felt like there was something missing. As far as westerns go, this one just doesn't feel like it has a lot of grit. I remember watching an interview with Peter where he recalls one of the producers wanting a character in the film to have a "James Hetfield" look (lead singer of Metallica, for those who don't know) and Peter suggested that they just get James Hetfield to do the movie. Well, there is probably a reason why they suggested a professionally trained actor who looks like Hetfield, rather than Hetfield himself. He does an okay job, even kind of bad at times.

I don't want to get political with this review, but I feel like this needs to be addressed. I understand that every movie can't be Django Unchained. I also understand that life imitates art and visa versa, and we are trying to create a better world here. But there is something inside of me that is crying out every time I watch a period piece made in modern times. It seems like Hollywood is desperately trying to rewrite history to make America's past seem way less racist and horrible than it is. This is a pretty good example of that. There is ZERO racial tension in the film, despite the fact that two out of the five characters are African American who go up against some of the frontier's nastiest outlaws. To my knowledge it isn't even mentioned and I didn't know that Reginald's (Dinklage) counterpart Eustace (Gbenga Akinnagbe) is an ex-slave until I read that in the film's description. No one else in the film mentions it at all. It's not a huge issue, it just feels kind of disrespectful to the people in that time who suffered the horrible atrocities of slavery. I just really don't like the white washing of American history. Sorry, rant over.

Another part of this movie that I didn't enjoy is seeing Andrew Schulz in the film. I don't like this man's comedy, I don't care for his podcast, and I think that he does a middling job here. He also sports the exact same haircut and mustache that we see in modern times which feels out of place. I remember a golden age of film where truly talented actors was enough to get people to see your film. Now we're at a point where we are relying on YouTube stars to get people to watch. It makes me kind of sad honestly.

I really wanted to like this movie more than I did. The cinematography is pretty good, despite the fact they use plenty of cheat codes (filming a western and using a winter backdrop, for example). I saw this for free so I guess beggar's can't be choosers, but I found this film to be average at best.

I'm a big fan of Westerns and The Thicket was a pleasant surprise in a day and age where Western films are so rare. Like most Westerns, the plot is simple; a bounty hunter is tasked with tracking down the kidnapped sister of his client.

Juliette Lewis is brilliant as the villain, barely recognizable, she gives a heck of a performance here as a layered villain with some decency left in her. She lives as a man, with a male name and if it weren't for the cast listing I'd never think she was a woman.

Peter Dinklage plays the bounty hunter and he's as brilliant as always. He brings 100% to the table in everything he does. During the quest to find the kidnapped girl, lots of things transpire, friendships are formed and survival tactics are put to use. I need to mention the set design here because it's A-level stuff. Beautiful sets, props, cinematography, and costume design.

I need to mention James Hetfield, a pleasant surprise seeing his cameo role in this film. Andrew Shultz, a famous NY comedian also has a cameo role in this film which was so surprising to see. Lots of themes are scattered throughout the film's plot, including the fine line between religion and literature.

The Thicket is available for free streaming on TUBI. Western fans will not be disappointed with this one unless you prefer non-modern Westerns, because this film takes place in the mid 1980s. The movie was shot on location in Calgary Alberta Canada, in the bitter cold, and the billowing cold breaths from the actors really added to the atmosphere.

If you haven't already, I highly recommend the original novel. The characters are much more hashed out, there is actual growth and change as the story progresses. The main story line more or less follows the novel, however, there is none of the emotional punch that the book was excellent at delivering. There is little chemistry among the main protagonists.

It all felt very rushed getting slotted into a 100 minute runtime. It has the same feeling of the failed "Dark Tower" film with Idris Elba. The actors gave it their best with a weak screenplay. Given the pull Peter Dinklage has, this should have been a 6-8 episode miniseries on HBO.

I nearly gave up in the first 10 minutes, they are so badly shot and cut.

"Oh god, is this going to be an IFC Midnight effort?" did I say.

But we held on. And suddenly. Without warning. We were watching this most *brilliant* film!!

It snuck up on us.

It's like the opening was done by somebody else in post, without any connection to rest of the project.

This really is a good film, it's an excellent film, it's possibly even a masterpiece. I don't know, I'll have to watch it again some day after the reality distortion has warn off.

It's trippy-as, and in that it reminds me of Dead Man by Jim Jarmusch. Another, excellent, 'Art Western'.

The Thicket seeeeeethes. It's a slow, increasingly nervous build to what you know is going to be one hell of a confrontation.

But it doesn't bore you, or even trust you! It gives you some stuff to entertain you with your popcorn along the way. It is full of awesome scenes!

Lewis deserves every kind of award for Cutthroat Bill.

Dinklage deserves the highest praise in the land for making the project happen.

All of the cast turned in superb performances.

The cinematography who cares (it doesn't even rate a mention these day - yes it's great in this film but it's good in complete piles of sludge too, often it's the only good thing about them).

The music is wonderful - it's like Brian/Roger Eno, or occasionally Boards of Canda. Electronic but not Ironic, it's subtle as hell, used sparingly and suits the mood.

From the absurd 5.something score on here I am guessing that nobody has seen The Thicket.

We need to get the word out and fix that!