Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her fam... Read allSet in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also... Read allSet in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.
- Awards
- 25 wins & 37 nominations total
- Goodwin's Ensign
- (as Matthew Barker)
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Featured reviews
But I recommend sticking with it as it's really about showing glimpses of humanity underneath murderous hatred in an extremely hostile environment. It is not simply a gleeful revenge thriller, despite the often cartoonish evil of the British soldiers and the Tarantino-esque levels of violence. When the revenge does come, it feels like a drop in the ocean of cruelty that surrounds it - by which I mean the everyday treatment of the aboriginal people by the white settlers and of women as property. The larger themes come through with crushing strength.
There isn't much in the way of humour or lightness here, but it manages to be a compelling and rewarding experience even if it feels a bit exhausting. You can tell it was a tough shoot - it's mostly set in the muddy, wet Australian bush - but like the actors I came out feeling it was worth it in the end.
This is a very well made film, with great performances from the main leads, set in a time of colonisation on the island of Tasmania, when the white settlers were waging war against the first nations people.
But this is a tale of revenge, with a strong woman determined to avenge the death of her husband and baby at the hands of the corrupt and evil British Colonial men.
As hard as it is at times to watch, it is very compelling, the story and characters engage you and I had to see how it would play out, not guessing at how it would all end and being surprised at the ending.
The depiction of the realism of the difficulty of living at such a time was like a punch to the solar plexus.
The story is fictional but fits perfectly in this era and could have been true. Beautifully told and acted by the main characters giving one food for thought to ponder over.
A top class dramatic movie worth seeing.
People walked out, someone fainted. Completely unflinching and horrifying from start to finish, and many scenes made me so uncomfortable i didn't want to watch anymore. Jennifer Kent is the only person who could have made this film, and her exploration of female trauma and colonialism's impact on the aboriginal peoples of Australia & Tasmania was incredible. I'm gonna go throw up now.
There are so many things, details in this well researched and well crafted movie, that I don't think everything will be seen the first time around. What you do have to go through (and I don't think this will get better with repeat viewing) are some very nasty and vile scenes happening to some of the characters you should care for. So this is anything but an easy film to watch. It is harrowing and it is draining. But in a sense it may also be "rewarding", if you consider the things it touches and brings forth ... every nation, every land, every country has their own fair share of dark history they probably don't like to be reminded of.
So tread lightly, be aware of the slow pace, but still brutal story(telling) ... and go on a dark journey ... Really dark!
Did you know
- Trivia"I've always had a fascination with Tasmania," writer-director Jennifer Kent said. It was considered the most brutal of the Australian colonies, known as 'hell on earth' through the western world at the time. Repeat offenders were sent there; the rapists, murderers, hardened criminals. And severe punishments were devised for them to strike fear in the hearts of those back in Britain, to deter them from crime. Women on the other hand, who'd often committed minor crimes, were sent to Tasmania to even the gender balance. They were outnumbered eight to one. You can imagine what kind of an environment that would set up for women. It was not a good place or time for them. And in terms of the Aboriginal invasion, what happened in Tasmania is often considered the worst attempted annihilation by the British of the Aboriginal people and everything they hold dear."
- GoofsClaire's dress has hook and eye fasteners on the back which were not invented until 1902.
Incorrect. Hook & eye fasteners have been commercially produced in England since the 1600s. Commercial production in the US did not start until the early 1800s, but this film is not about the USA.
- Crazy credits" Tasmanian Aboriginal culture is a living culture. The Aboriginal language used in this film is called 'Palawa kani'. It was created by current day Tasmanian Aboriginal people using records of their original languages. Aboriginal actors cast in this film are from mainland Australia. They and we pay our respects to the aboriginal people of Lutruwita (Tasmania) past and present."
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: The Nightingale (2019)
- SoundtracksThe Nightingale
Performed by Aisling Franciosi
Violin by Charles McCarthy
Written by Ciáran Bourke, Barney McKenna, Ronnie Drew and Luke Kelly
Published by Logo Songs Ltd
Administered by Universal Music Publishing MGB Australia Pty Ltd
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Details
- Release date
- Countries of origin
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- Also known as
- Chim Sơn Ca Trả Thù
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Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $400,209
- Opening weekend US & Canada
- $35,882
- Aug 4, 2019
- Gross worldwide
- $988,687
- Runtime
- 2h 16m(136 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1