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A look at the life the dark surrealist Swiss artist, H.R.Giger shot a year before his death.A look at the life the dark surrealist Swiss artist, H.R.Giger shot a year before his death.A look at the life the dark surrealist Swiss artist, H.R.Giger shot a year before his death.
- Awards
- 1 win & 1 nomination total
H.R. Giger
- Self
- (as Hansruedi 'HR' Giger)
Carmen Vega
- Self
- (as Carmen Scheifele de Vega)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Just what you might have expected: HR Giger's home is a museum of the macabre. The celebrated creator of the Alien monster and a painter, sculptor, and architect as well, Giger inhabits a world of gargoyles and monsters, straight from his imagination to us. Dark Star: H R Giger's World is an intriguing documentary sometimes as weird and inscrutable as his mind. It certainly doesn't burden the audience with analysis.
As director Belinda Sallin tracks us through the baroque museum that is his Zurich house, we see a phantasmagoria of monsters from Egyptian-monarch-looking portraits to old skulls, one of which he dragged around by string when a young boy. While the camera passes his Oscar on a shelf, the spare narration overall gives no nod to this achievement (Oscar for best visual effects for Ridley Scott's Alien), typical of the documentary's minimalist approach.
Appearances by his collaborators like Gabriel Fischer, a metal musician, sometimes refer to the artist's kindness, and they occasionally give insight into the psycho-sexual, violent undertow of his startling images. The now humble man appears as if in the aftermath of a stroke, moving and speaking slowly and deliberately, but always kindly as he autographs body parts and throws off a sly smile or two.
Perhaps the purpose of limiting explanation about his work is to let the array of deeply symbolic creations out of his subconscious speak for themselves, almost defying analysis. Although Freud would have a holiday assessing Giger's innermost demons, Giger's expressionism remains delightful impressionism for viewers.
As director Belinda Sallin tracks us through the baroque museum that is his Zurich house, we see a phantasmagoria of monsters from Egyptian-monarch-looking portraits to old skulls, one of which he dragged around by string when a young boy. While the camera passes his Oscar on a shelf, the spare narration overall gives no nod to this achievement (Oscar for best visual effects for Ridley Scott's Alien), typical of the documentary's minimalist approach.
Appearances by his collaborators like Gabriel Fischer, a metal musician, sometimes refer to the artist's kindness, and they occasionally give insight into the psycho-sexual, violent undertow of his startling images. The now humble man appears as if in the aftermath of a stroke, moving and speaking slowly and deliberately, but always kindly as he autographs body parts and throws off a sly smile or two.
Perhaps the purpose of limiting explanation about his work is to let the array of deeply symbolic creations out of his subconscious speak for themselves, almost defying analysis. Although Freud would have a holiday assessing Giger's innermost demons, Giger's expressionism remains delightful impressionism for viewers.
He feels at home in places we would flee from and lives his life among the very things we fear. Throughout his life, H. R. Giger had inhabited the world of the uncanny, a dark universe on the brink of many an abyss.
Most of us know Giger from "Alien" if we know him at all. His work is very recognizable and has been emulated by many artists over the last thirty years or so. But we may not know much about him beyond his aliens. What of his personal life or other work? This film digs into that and we see just what sort of person he is (or was). People may even be surprised to find that Giger was European. This was no secret, but perhaps not common knowledge. We also learn how he got his start, really relying on posters to get his work in font of audiences. Not your typical method.
Most of us know Giger from "Alien" if we know him at all. His work is very recognizable and has been emulated by many artists over the last thirty years or so. But we may not know much about him beyond his aliens. What of his personal life or other work? This film digs into that and we see just what sort of person he is (or was). People may even be surprised to find that Giger was European. This was no secret, but perhaps not common knowledge. We also learn how he got his start, really relying on posters to get his work in font of audiences. Not your typical method.
Well, as I sat down in 2021 to watch the 2014 documentary / biography about HR Giger for the first time, I must admit that I was expecting a bit more than what this documentary actually managed to deliver.
Now, it should be said that the words documentary and biography should be taken very lightly when you sit down to watch the 2014 "Dark Star: HR Gigers Welt".
It felt more of a reality TV episode of some kind where you follow a famous person around for a day, than it did as an enlightening and informational documentary.
This 2014 documentary offers some insight into the early life of the artist and a bit into whom he was, but it was hardly a fulfilling documentary for me, and I must admit that I was not particularly thrilled or entertained by what was being shown and told.
While I definitely enjoyed the artwork of HR Giger, then this documentary hardly does the man much of any justice. Especially not if you are interested in knowing more about his work, the man himself, and such. But hey, if you want to follow a former artist around for a day or two, then this is the stuff for you.
I am rating "Dark Star: HR Gigers Welt" a three out of ten stars, as the documentary failed to deliver something wholesome for me.
Now, it should be said that the words documentary and biography should be taken very lightly when you sit down to watch the 2014 "Dark Star: HR Gigers Welt".
It felt more of a reality TV episode of some kind where you follow a famous person around for a day, than it did as an enlightening and informational documentary.
This 2014 documentary offers some insight into the early life of the artist and a bit into whom he was, but it was hardly a fulfilling documentary for me, and I must admit that I was not particularly thrilled or entertained by what was being shown and told.
While I definitely enjoyed the artwork of HR Giger, then this documentary hardly does the man much of any justice. Especially not if you are interested in knowing more about his work, the man himself, and such. But hey, if you want to follow a former artist around for a day or two, then this is the stuff for you.
I am rating "Dark Star: HR Gigers Welt" a three out of ten stars, as the documentary failed to deliver something wholesome for me.
IMO - "Dark Star" was a pretty bleak and grim look at artist, H.R. Giger's life who (at the time of this production) was clearly approaching his death with both his physical and mental health deteriorating at a rapid pace.
When "Dark Star" wasn't focusing in on Giger's overall declining state of health, it, at least, did invite the viewer to take a brief glimpse at some examples of his more notable artistic accomplishments.
When "Dark Star" wasn't focusing in on Giger's overall declining state of health, it, at least, did invite the viewer to take a brief glimpse at some examples of his more notable artistic accomplishments.
Instead of being a joyous celebration of the life and artwork of H.R. Giger, the man who (in 1979) had created "Alien" (SyFy's most hideously awesome monster of all)..... "Dark Star" was truly a sad, pathetic, and oppressively suffocating film documenting the final year of Giger's life as he was obviously deteriorating both physically and, especially, mentally.
It was almost horrifying to see that Giger had become so utterly consumed (in an unbalanced way) by his own artwork and that the stifling interior of his home in Switzerland represented that of the inside of a decrepit crypt of a hording pack-rat.
Yes. I do fully respect Giger as being the gifted illustrator who created "Alien" - But this documentary's uncomfortable ambiance gave me the creeps. From start to finish - It had squalor, oppressiveness, and death clearly written all over it.
And, with that - I totally resent director, Belinda Sallin for presenting Giger in the disrespectful way that she did (as a doddering, old kook) in this truly repulsive presentation.
*Note* - In 2014 - Hans Rudolf Giger (70 at the time) died from a fall sustained in the hospital.
It was almost horrifying to see that Giger had become so utterly consumed (in an unbalanced way) by his own artwork and that the stifling interior of his home in Switzerland represented that of the inside of a decrepit crypt of a hording pack-rat.
Yes. I do fully respect Giger as being the gifted illustrator who created "Alien" - But this documentary's uncomfortable ambiance gave me the creeps. From start to finish - It had squalor, oppressiveness, and death clearly written all over it.
And, with that - I totally resent director, Belinda Sallin for presenting Giger in the disrespectful way that she did (as a doddering, old kook) in this truly repulsive presentation.
*Note* - In 2014 - Hans Rudolf Giger (70 at the time) died from a fall sustained in the hospital.
Did you know
- TriviaIn Spain it was first released only in Madrid (Cineteca) and later in 3 provinces more (4 theaters). The film was projected in subtitled version.
- ConnectionsReferences Alien (1979)
- SoundtracksBoleskin House
(Norman Lonhard, V. Santura, Vanja Slajh, Tom Gabriel Warrior)
Performed by Triptykon
- How long is Dark Star: HR Gigers Welt?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Dark Star: H.R. Giger's World
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $61,845
- Opening weekend US & Canada
- $8,349
- May 17, 2015
- Gross worldwide
- $61,845
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 1.78 : 1
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