Die Like a Man

I was deeply engaged in this story. The environment is so well done, the world that we think we know, has changed. Die Like a Man, features a part of Los Angeles that is in transition. Through the healing of old timers, a brave compassion for the youth, confronts their internal conflicts. We literally feel the agonizing decisions growing up in this side of LA. The performances are so moving that you realize these are rising stars!

I never thought this movie would teach me about the emotional conflicts in my son and how his self esteem needs more tender care than I knew. It's quite humbling and beautiful.

A somber and provocative coming of age story, Die Like a Man takes viewers into a world where doing time is a goal, love is not an option, and Doritos are a reward. The film speaks to the harsh realities of growing up in a post-gentrified, working class, west Los Angeles neighborhood, where the protagonist is encouraged to begin his life of crime, forsaking love and family.

The actors have lived through some of the events portrayed, adding a powerful element to this anti-violence film. Would recommend this film to those with an interest in violence development and prevention, and depictions of.

I LOVE this film! This is the kind of cinematic experience that resonates long after the final frame, possessing all the hallmarks of an instant classic. Writer-director Eric Nazarian demonstrates a remarkable gift for capturing profoundly dark and ugly moments between his characters, yet at the same time, he frames them with a delicate touch of light that illuminates their inherent inner beauty. Consider the way the light catches Freddy's eyes - it's as if the viewer is granted a fleeting, intimate glimpse into the depths of his very soul.

Even the urban landscape, a setting that could easily have been depicted with starkness, is instead transformed through Nazarian's lens into a poignant love letter. He reveals the area's inherent beauty and vibrant culture, all while unflinchingly portraying its harsh realities.

This neo-realistic tapestry is woven around a compelling narrative that delves into the societal roots of violence, questioning why our culture so often steers young boys toward aggression as a misguided rite of passage into manhood. The story authentically immerses you in Freddy's world as he stands on the precipice of his birthday, a loaded gun thrust into his hands alongside a brutal ultimatum: "die like a man or live on his knees?" His desperate yearning for a father figure and guidance on navigating masculinity is met only by the violent examples set by the men around him, their machismo mantra echoing, "we all gotta do time." Interestingly, it is the women, the very heart of this film, who bravely offer him a vision of an alternative path, one free from violence.

Adding another layer of brilliance to this gem is the exceptional casting. The actors deliver raw and deeply vulnerable performances, embodying their characters with an impactful authenticity. They masterfully navigate the delicate balance between a tough exterior and an underlying sadness and vulnerability. These nuanced portrayals achieve a powerful juxtaposition, where the characters project an image of toughness while simultaneously revealing their inner fragility and sorrow. This film is an absolute must-see for all teens!

DIE LIKE A MAN is a passion project and a labor of love. It also takes you on a painful trip behind the curtain of gang life that, on first glance, seems to be everything you think it is. Until you realize that there are many more social pressures, insidious manipulations, and ultimately abuse that contribute to this choice of life. I don't remember seeing another film that takes such an eye-opening deep dive into this aspect of our society. At the end of this film, you will realize that you are dealing with a part of it that feels acutely disenfranchised and disillusioned - creating a separate world with its own rules is an attempt to regain lost power.

Whatever your expectations are for a "gang movie," leave them at the door. "Die Like a Man" is so much more - it's an unexpectedly compassionate and emotional look at gun violence, and the challenges boys face as they seek to define themselves as men in a world that tells them that shedding blood is the ultimate rite of passage. Shot on location in the grittier parts of West LA so often ignored on screen, writer/director Eric Nazarian takes you into the intimate friendships, familial and romantic relationships in 17-year-old Freddy's life in a deeply humanizing way, as he finds himself torn between his surrogate paternal mentor (a gangster) and the loved ones who so desperately want a better life for him. Performances are uniformly excellent, but stand-outs include lead Miguel Angel Garcia (Freddy) - who so effortlessly walks the line between intensity and vulnerability, between sensitive, tortured kid and would-be hardened killer - and Frankie Loyal as Freddy's mother's boyfriend, who only has two substantial scenes but sucker-punches you with unexpected pathos. It's worth noting that Nazarian worked with several organizations including Homeboy Industries to cast this film with a mix of professional actors and non-actors, which contributes to the film's bone-deep feeling of neorealist authenticity. For all of its back alleys and run-down buildings, the film also just looks beautiful - Nazarian has an auteur's eye and a clear love for every one of his characters and for the community at large, as it's discounted and discarded in the face of gentrification. I've re-watched "Die Like a Man" a few times now because I keep discovering new meaningful elements - visually, in the dialogue, and in the performances - every time I watch it. Highly recommend! This is "Boyz n the Hood" for a new generation - and it's a gem.