IMDb RATING
6.2/10
6.9K
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Vincent is an ex-soldier with PTSD who is hired to protect the wife and child of a wealthy Lebanese businessman while he's out of town. Despite the apparent tranquility in Maryland, Vincent ... Read allVincent is an ex-soldier with PTSD who is hired to protect the wife and child of a wealthy Lebanese businessman while he's out of town. Despite the apparent tranquility in Maryland, Vincent perceives an external threat.Vincent is an ex-soldier with PTSD who is hired to protect the wife and child of a wealthy Lebanese businessman while he's out of town. Despite the apparent tranquility in Maryland, Vincent perceives an external threat.
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- Writers
- Stars
- Awards
- 1 win & 4 nominations total
Michaël Dauber
- Kevin
- (as Michaël Daubert)
David Léotard
- Dimitri
- (as David Colombo)
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Featured reviews
When I review this one, I think of Tony Scott's MAN ON FIRE - it self a remake of an Elie Chouraqui's film starring Scott Glenn - and of course the coming soon Florent Emilio Siri's ELYAS, starring Roschdy Zem in a seemingly EQUALIZER or JOHN WICK like character. A former special forces soldier become a bodyguard for a wealthy family and who will have to face many dangers towards this same family - beautiful wife and - or - kid. But the movie I review now is only a bit action oriented, however not that much, it is more focused on the psychological matter, character relationship study. But it is directed by a woman, with a great dose of sensitivity, evoking the post war traumatic disorder. Unlike what the Florent Emilio Siri's film trailer suggests. ELYAS - which I will comment, don't worry - will be far more focused on the action packed stuff, as was his famous NID DE GUEPES. So, this very movie MARYLAND is a hell of a film, especially from a woman director. A wonderful little gem, offering a terrific performance from Mathias Schoendaerts. Excellent action sequences, especially a very brutal, bloody one. It was shot in Saint Jean Cap ferrat - south of France, French riviera - a town where you have hundreds of huge, gigantic billionaires villas and castles, fancy mansions mostly owned by Russian oligarchs and other wealthy, very very wealthy, businessmen whose "affairs" are far from being so legal...If you know what I mean. So, watching this movie reminds me my vacation site, and I am not a very wealthy business man !!!!
Disorder (2015)
Alice Winocour's thriller set in upper class France is filled with anxiety, and is filmed very smartly to increase that stress without resorting to pyrotechnics. Quietly, especially because of the edgy psychological performance by Matthias Schoenaerts, we feel the anxiety of an ex-soldier fighting PTSD and still doing private high brow security work.
The setting is interesting but the plot is thin. This can work for the film, which depends on lots of quiet moments to punch up the drama when it occurs. The direction is really good, with some simple strategies at play. Example—when our main character, who is guarding someone off in the distance, is sensing danger, his eyes flit around, he stiffens up and walks and look, but the one thing the camera doesn't do is show us the person he's protecting. In the dark, we worry, and we don't know if the danger is real or if he's just too high strung.
Seeing the inside of a high level security detail is nice, and it's handled with good realism. The whole movie, in fact, depends on a simple believability that typical Hollywood versions would ramp up, and it works.
The big downside here is the writing. There isn't enough to the overall plot after all (and Schoenaerts can't do everything). And some of the dialog is unlikely or a big out off kilter. Sucked into the mis-en-scene, you can go with it, at least until the long stretch at the end in the house, when you do wish it hadn't trapped itself into a series of well worn ideas.
The last several seconds of the movie do show that the director/writer is capable of more than you'll find here. It might be unexplained, but it leaves at least still immersed as you leave the film's finely rendered world.
Alice Winocour's thriller set in upper class France is filled with anxiety, and is filmed very smartly to increase that stress without resorting to pyrotechnics. Quietly, especially because of the edgy psychological performance by Matthias Schoenaerts, we feel the anxiety of an ex-soldier fighting PTSD and still doing private high brow security work.
The setting is interesting but the plot is thin. This can work for the film, which depends on lots of quiet moments to punch up the drama when it occurs. The direction is really good, with some simple strategies at play. Example—when our main character, who is guarding someone off in the distance, is sensing danger, his eyes flit around, he stiffens up and walks and look, but the one thing the camera doesn't do is show us the person he's protecting. In the dark, we worry, and we don't know if the danger is real or if he's just too high strung.
Seeing the inside of a high level security detail is nice, and it's handled with good realism. The whole movie, in fact, depends on a simple believability that typical Hollywood versions would ramp up, and it works.
The big downside here is the writing. There isn't enough to the overall plot after all (and Schoenaerts can't do everything). And some of the dialog is unlikely or a big out off kilter. Sucked into the mis-en-scene, you can go with it, at least until the long stretch at the end in the house, when you do wish it hadn't trapped itself into a series of well worn ideas.
The last several seconds of the movie do show that the director/writer is capable of more than you'll find here. It might be unexplained, but it leaves at least still immersed as you leave the film's finely rendered world.
French cinema has come a long way and is close to overtaking Asian cinema as my favourite world cinema. This has all the right ingredients for the type of thriller I personally enjoy the most. Suspense? Plenty. Intense? Sure. Psychologically stimulating? Ehhh. This was an intriguing concoction to mix PTSD psychology with a home invasion flick. It's just a shame the former wasn't explored to its maximum potential. Don't get me wrong, the utilisation of hallucinogenic imagery and delusional paranoia is well executed. In fact, it's what powers the narrative. The story itself is completely forgettable, bland and undeveloped. However, the attention to our protagonist is what truly captivates. Matthias Schoenaerts was the perfect casting choice for Vincent. His brute physicality and cold exterior unleashes plenty of inner torment for the character. You can tell through Schoenaerts' facial expressions that our character is brimming with determination and conflict. A superbly strong performance. Diane Kruger was also good and definitely held her own. The cinematography was incredibly seductive. The usage of slow motion, dark shadows and shades of purple really enhanced the experience. The contemporary sound design also highlighted the scenes of PTSD, which I appreciate. Alice Winocour's direction felt fresh, in particular the "over-the-shoulder" camera shots where we see what Vincent might (or might not...) be seeing. Including such intimacy really draws you into the narrative, especially the dialogue is minimal. It's a piece of visual storytelling, which in turn makes the plot less intricate and ambiguous. Whilst it does not necessarily work constantly, I was entranced by this and really enjoyed it. Some more attention to the story would've made it that much better, but it's worth a watch.
Disorder is a great but slow paced thriller that's tense, moving and stylish whilst also skillfully withholding answers. Matthias Schoenaerts gives an incredible lead performance and Diane Kruger is great. Alice Winocour's direction is fantastic, especially the quiet but impactful ending and it's extremely well filmed. The music by Gesaffelstein is really good.
This is not your usual "home invasion" film.It's above all an incredible sensory experience.Alice Winocur (who directed 2 years ago the magnificent "Augustine") creates a great combo between drama & paranoid thriller.And don't expect a love story ala Bodyguard. Matthias Schoenaerts is phenomenal as usual.It's quite an intense performance.You're truly seeing things through the eyes of his emotionally damaged character. Diane Kruger is also solid but the movie truly belongs to King Matthias.The ending could have been slightly better but it doesn't take anything away from the quality of the film. The soundtrack is also very catchy : Gaffelstein is a genius ! He creates a very atmospheric environment. A must see !
Did you know
- TriviaDuring shooting, Matthias Schoenaerts only slept two hours each night and was entirely committed to his character's painful state. Schoenaerts admitted that while getting deep into his role, he did "crazy things" such as "stopping with sleeping" and that he ended up in hospital in intensive care a couple of times.
- GoofsAlarm's pin code is 1234.
- ConnectionsReferenced in Huffpost Live: Matthias Schoenaerts LIVE (2015)
- SoundtracksConspiracy Origins
Performed by Gesaffelstein
Written by Gesaffelstein (as Mike Levy)
(p) & © 2011 Turbo Recordings Inc.
Published by Savoir Faire
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Close Protection
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $51,879
- Opening weekend US & Canada
- $11,699
- Aug 14, 2016
- Gross worldwide
- $460,997
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.85 : 1
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