IMDb RATING
7.2/10
2.3K
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A documentary film about session and touring musicians that are hired by well established and famous bands and artists like Metallica, KISS, and Billy Joel. These hired guns may not be house... Read allA documentary film about session and touring musicians that are hired by well established and famous bands and artists like Metallica, KISS, and Billy Joel. These hired guns may not be household names, but are still masters of their craft.A documentary film about session and touring musicians that are hired by well established and famous bands and artists like Metallica, KISS, and Billy Joel. These hired guns may not be household names, but are still masters of their craft.
- Awards
- 4 wins & 1 nomination total
Corey Britz
- Self
- (credit only)
Kara Britz
- Self
- (credit only)
Kenneth Crouch
- Self
- (credit only)
Bevan Davies
- Self
- (credit only)
David Ellefson
- Self
- (as Dave Ellefson)
Robert Ezrin
- Self
- (as Bob Ezrin)
Mike Froedge
- Self
- (credit only)
Joe Giancarelli
- Self
- (as Sal G)
- (credit only)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I was excited to see this documentary after a friend told me about it. I've followed music pretty heavily for the last 30+ years and have appreciated its history and the 'behind the scenes' stories. A similar documentary, The Wrecking Crew, is a must see!
I enjoyed Hired Guns but was left wanting more. I felt they could've spent more time showing how a 'hired gun'/A-List player is different, or better, than the guy who is just not making it versus only talking about it.
I would've liked to have seen how an A-List player can quickly learn a tune. Show a couple examples of them knowing nothing about a song and picking it up quickly, a Randy Rhoads solo for example, and tell how that compares to a non A-Lister. Show what makes them different. (Seeing Jay Graydon play the Steely Dan solo was pretty cool. )
I found it a little ironic for Phil X to talk about not selling out for $200-300 but then this documentary has them all playing a couple of rather bland tunes together for a reason that I didn't really understand.
Maybe I missed it but also seeing some guys who were originally in successful bands and then went on to be session musicians would've been interesting too. Jeff Pilson for example.
I enjoyed Hired Guns but was left wanting more. I felt they could've spent more time showing how a 'hired gun'/A-List player is different, or better, than the guy who is just not making it versus only talking about it.
I would've liked to have seen how an A-List player can quickly learn a tune. Show a couple examples of them knowing nothing about a song and picking it up quickly, a Randy Rhoads solo for example, and tell how that compares to a non A-Lister. Show what makes them different. (Seeing Jay Graydon play the Steely Dan solo was pretty cool. )
I found it a little ironic for Phil X to talk about not selling out for $200-300 but then this documentary has them all playing a couple of rather bland tunes together for a reason that I didn't really understand.
Maybe I missed it but also seeing some guys who were originally in successful bands and then went on to be session musicians would've been interesting too. Jeff Pilson for example.
Forget about the guy who bitched about Steve Vai and wrote a whiny review. This documentary doesn't look at the most famous session players (Like Vai), it follows people you may have never heard of (but whose talents you may have heard). The depth and honesty of the documentary is palpable. The players it does focus on show just how high the highs and how low the lows are when you dedicate your life to playing someone else's music. A couple superstar artists come out looking like douche bags for the way they treat their side men, but for the most part, the documentary steers clear of drama.
This documentary focuses on what's called "hired guns", especially in the rock and heavy metal genre. Basically a "hired gun" is a super talented musician who can, at a moment's notice, play as a studio musician or actually join a band and tour with them. However, in the often cold and brutal musical world, they will have no tenure, receive low pay, and often get no credit for their contributions.
As one sees in the film, some of the "hired guns" will emerge and prosper from their stints while others will not and even eventually experience tragic consequences. The film, directed by Fran Strine, jumps from one interviewee to another, and initially seemed disjointed, since I really wasn't familiar with most of the musicians and record execs. However, the power of the individual stories overrode all else, in my opinion, and I certainly not only was inspired by these tales but also learned a lot about a genre I knew little about.
As I've read in some reviews this documentary can certainly fall into the category of such other movies as "20 Feet From Stardom", "The Wrecking Crew", and "Standing in the Shadows of Motown", except this doc centers on rock and heavy metal bands and players.
As one sees in the film, some of the "hired guns" will emerge and prosper from their stints while others will not and even eventually experience tragic consequences. The film, directed by Fran Strine, jumps from one interviewee to another, and initially seemed disjointed, since I really wasn't familiar with most of the musicians and record execs. However, the power of the individual stories overrode all else, in my opinion, and I certainly not only was inspired by these tales but also learned a lot about a genre I knew little about.
As I've read in some reviews this documentary can certainly fall into the category of such other movies as "20 Feet From Stardom", "The Wrecking Crew", and "Standing in the Shadows of Motown", except this doc centers on rock and heavy metal bands and players.
Really enjoyed watching this and learned a lot about the lives these guys had.
What struck me in the end was nobody was overly bitter (at least in this film) or resentful other than the lack of communication when their time was up.
They seemed to know the precarious edge that chose to live on and what that meant in job security.But happy to have been part of something big and creative.
What struck me in the end was nobody was overly bitter (at least in this film) or resentful other than the lack of communication when their time was up.
They seemed to know the precarious edge that chose to live on and what that meant in job security.But happy to have been part of something big and creative.
1/11/18. What a cool bunch of professionals. This is a great documentary to watch in which session musicians get to share their love of playing for the sake of playing. Though many have gone nameless, playing in the shadow of big personalities, they are so grateful for the chance just to play in that kind of environment. These are the true artists in the music world! Worth catching.
Did you know
- TriviaRock band Art of Dying's frontman Jonny Hetherington wrote and performed the theme song, also called 'Hired Gun' with Five Finger Death Punch guitarist Jason Hook. The song plays over the closing credits in the film.
- GoofsIn the end credits for the Ted Nugent songs, Derek St. Holmes' name is incorrectly listed as Derek St. James.
- Quotes
Nita Strauss: As a hired gun, you have to be on point all the time.
- SoundtracksDrum Solo
By Christopher Johnson (as Chris Johnson)
- How long is Hired Gun?Powered by Alexa
Details
- Runtime
- 1h 38m(98 min)
- Color
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