Manchester by the Sea

I spent the first 23 years of my life living in what i regard as the original Manchester in north-west England, so I was always going to be intrigued by the title of this film. The small fishing town in Massachusetts is a character in itself and different scenes feature prominently in the cinematography.

In fact, by the time I saw the movie at the cinema, Casey Affleck had already deservedly won the Academy Award for Best Actor for his stunning - often understated - performance as Lee Chandler, a Boston janitor who has to return to his home town where he is astonished to find that, following the death of his brother Joe (Kyle Chandler), he has been given custody of his 16 year old nephew Patrick (Lucas Hedges).

The story starts with scenes of Lee's life in Boston and it looks like this is a man with immense attitude. Only later do we learn, though one of many flash-backs, that this is not attitude, buy grief, guilt and white-hot anger. Affleck is rarely off the screen and gives a powerful and moving portrayal of a man that just cannot come to terms with his loss. This is not "About A Boy" (2002) where the youngster softens the man; this is more "Ordinary People" (1980) where deep pain has no ultimate resolution.

Among so many memorable scenes, two stand out: one in which very little is said and the music of Albinoni's Adagio has rarely been more heart-rending and another in which Joe meets his wife Randi (Michelle Williams) when little more is said but grief is shown to be unbridgeable. Writer and director Kennth Lonergan has given us a genuine tour de force.

One mistake. And everything is ruined. If it is not, then we try to ruin it ourself. I loved the scene when he asked the police officer that can he really go back home? He wanted the officers to punish him. He accepted the abuses by his wife with open heart. In order to punish himself, he tried to live a non-existent life, with no desires, no goals to fulfill. Stayed away from women, no small chat, no sweet smile while greeting anyone.

Then he felt alive again. When he was forcefully dragged into life responsibilities.

Lee Chandler is made to take on his nephew after his brother dies an untimely death, Lee is incredibly depressed and affected by his past.

As the film develops, so does the relationship between Lee and Patrick, we learn why Lee is the way he is, and the events that helped to shape him, and make him such a complex figure.

I haven't seen a film like this for some time, it's purely melodrama, but to it's credit, it's very good. Take a tip from Me, if you're in a mood, or feeling down, do not watch this, it will compound your low spirits. If you're up for an engaging, moving two hours on intense character play, you'll find this very good.

I had absolutely no idea just how good an actor Casey Affleck is, and that's my own fault, he is absolutely tremendous throughout, he makes Lee a truly interesting guy.

The music is a real hindrance here, it detracts from the film, it isn't bad, it's just wrong for the film. Adagio in G Minor, it's a glorious piece of music, but it is so out of place, it jars uncomfortably at a key point.

It takes a little time to warm up, and for you to engage, when it does, it's an excellent film, 8/10.

Manchester by the Sea (2016)

**** (out of 4)

After the sudden death of his brother, Lee Chandler (Casey Affleck) must return to the town that he has been running from in order to take care of his 16-year-old nephew (Lucas Hedges). It doesn't take long for the haunting past to catch up with Lee who might just not be able to face it.

MANCHESTER BY THE SEA is an extremely quiet movie but it's also a very powerful one. I'm not going to say anything else about the plot as I don't want to give anything away but it's certainly a very deep and emotional gem that has an extremely good story as well as some magnificent and emotionally charged performances. This certainly isn't a movie that's going to have a wide appeal because it's just too depressing for that but those willing to sit through it will find it to be quite rewarding.

Writer-director Kenneth Lonergan does a magnificent job with the screenplay and I especially liked the structure that the film goes for. We're given a few flashbacks throughout the early part of the film to give us enough information to explain why the Lee character is the way he is. When we first meet him he's somewhat of a jerk and you can just feel that there's some hidden pain in him. I really thought the film used the flashbacks perfectly to show us what caused Lee to get this way and the film plays out perfectly well as all of the past comes back. We've seen several films deal with a character battling the past but I must say that this here is one of the best examples of a man being haunted and finally having to face his demons.

As great as the screenplay is, you've also got some terrific performances to help pull out all of the emotion. Hedges is extremely good in the role of the nephew and Kyle Chandler is terrific in his few scenes as the brother. The always dependable Michelle Williams' turns in another remarkable performance as the ex-wife who has her own set of pain. The film, however, clearly belongs to Affleck who turns in the greatest performance of his career. He talks in a very quiet manor and sometimes he doesn't say anything at all but you can just look in Affleck's eyes and see the pain. In the way he walks you can see the weight of the world holding him down. This is a very emotional performance and a deep and haunting one yet the actor pulls it off without a problem.

The film also benefits from a terrific score, some beautiful cinematography and there's no question that the setting is perfect for the story. As I said, this is a mighty depressing film so I can see why some might want to tap out early on but those willing to sit through it will certainly be rewarded with a powerful film with some of the best acting of the year.

This is such a powerful movie that after years of watching, some of the scenes and dialogues still come to me. There was an unthinkable tragedy making it suffocating throughout, reminding the viewers of the pure pain life could bring - even with the most innocent and tynist mistake, or oversight. No one is close to perfect, but has to bear the weight falling upon, often uncalled for.

There are many motivational stories, but as many other times, have you been there - "I can't beat it", which deserve repeating - "I can't beat it". Does it even matter if "I am sorry"? Yet then life goes on, somehow most will manage, compromise and move on. We don't have to beat everything after all.

Love the movie and bravo to Casey Affleck's acting. The blinking of tear in his eye when hugging Williams at the funeral, the unspoken thousands of words in his eyes... That Oscar was well deserved.

Simply powerful.